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The text is an attempt to indicate innovatory terminological solutions and their critical reception of the so-called cultural theory of literature, being formed in the last decade, on the basis of the last proposal included in Poetyka doświadczenia (“Poetics of Experience”) by Ryszard Nycz. The author of the essay concentrates on the fundamental humanistic notions, for example experiencing, happening, paradigmaticality, interdisciplinarity in the studies into literature or intertextuality, which, from this viewpoint, are subject to redefinition and a kind of conceptualization. A separate place in these considerations is occupied by the comparison of the stance of the author of Sylwy współczesne with the recent writings of Michał Paweł Markowski and the argument with the analysis of specific case studies included in the ending of Poetics of Experience.

The article attempts to investigate Julian Kornhauser’s autobiographical strategies in his writings. The author endeavors to interpret the fragments of the poet’s biography, focusing on his typical manner of intimate addressing himself (narrative distance, discrepancy between the narrator and the persona, concealing characters under the veil of the cipher). The starting point for these considerations, as well as the main object of this paper, is Kornhauser’s autobiographical prose entitled A Home, a Dream, and Child’s Plays [Dom, sen i gry dziecięce]. Its reading is juxtaposed with the autobiographical notes published in literary periodicals by Jakub Kornhauser, the poet’s son. The whole project is also possible due to the examination of the critical reception and the reconstruction of the truth about Kornhauser’s life.

The limits of literary knowledge. On some new theories of interdisciplinarity (including one example) The paper consists of the review of a number of academic approaches to interdisciplinary research as represented by the Polish theorists of literature (Andrzej Hejmej, Michał P. Markowski, Ryszard Nycz). On the example taken from Tadeusz Nowak’s novel A jak królem, a jak katem będziesz, the author attempts to identify the nature of the close relations between anthropological and literary discourses, where the border line between them lies, and, consequently, what benefits for literary studies stem from anthropological readings.

Tekst podejmuje – jedną z kluczowych dla twórczości Tymoteusza Karpowicza – problematykę fenomenu istnienia (esse) oraz kwestię odpowiedniości słowa i rzeczy. Autor koncentruje się na rozmaitych strategiach konstruowania i dekonstruowania podmiotu występujących w poezji autora Słojów zadrzewnych, rozumiejąc je jako świadome akty umożliwiające ludzką percepcję Bycia a także śledzi kilka wariantów poszukiwań słowa, by rzecza Heideggerem, przyległego do rzeczywistości.Główną myślą artykułu uczyniono intersemiotyczny dialog poezji Karpowicza z filozofią języka autora Przyczynków do filozofii (sygetyką) zorganizowany wokół kwestii wyrażalności całości istnienia w słowie poetyckim.