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Building on postcolonial, feminist and gendered migration theories and the ‘turn to mobility’ this article aims to explore the agency of so-called low-skilled Moroccan female marriage migrants in Flanders (Belgium). More precisely, it aims to study how religious temporality plays a role and how it shapes their experiences in a specific context of migration and precariousness. It questions how these women invoke a religious temporality in confronting the uncertainties and difficulties of which motherhood and a precarious residency status are the most challenging and stigmatising. Firstly, focussing on two ethnographic vignettes this article empirically analyses their nonlinear, risky and often undocumented trajectories laying bare a politico-discursive temporality in marriage migration, motherhood and belonging. Secondly, it analyses how exactly these women tend to challenge this bureaucratic temporality. The analyses show that through their active engagement with sabr (patience) and tawakkul (reliance on God) these women become agents. [ABSTRACT FROM AUTHOR]

This article seeks to amplify Bronfenbrenner‘s (1979) concerns with concentric structured, nested systems and phenomenology, for Ungar‘s (2012) extension of resilience to systems based on Bronfenbrenner‘s (1979, 1995) socio-ecological paradigm. Resilience rests on interconnected assumptions regarding space, agency and system blockage, as well as the role of individual phenomenological dimensions. This article proposes a specific model of dynamic spatial systems of relation to underpin agency and phenomenology in resilience, building on a reinterpretation of Lévi-Strauss‘ (1962, 1963, 1973) cross-cultural observations of contrasts between concentric and diametric spatial systems; space is a key bridge between material, symbolic and interpersonal domains of relevance for resilience. Agency in resilience is interpreted in terms of movement between concentric and diametric spatial systems at social and school microsystem levels, as well as for individual phenomenology. Space is not just an object of analysis but an active constituent part of educational and developmental processes pertaining to resilience, as a malleable background contingent condition for causal trajectories. This framework of spatial-relational agency shifts focus for resilience from bouncing back into shape, towards transition points in space, moving from diametric spaces of splitting to concentric spatial relations of assumed connection across different system levels.

In his book, The Plato Papers, Peter Ackroyd offers a novel configuration of power: far from being monolithic and self-evident, it takes on subtle dimensions, exerting not a towering influence, but rather manifesting itself in word-making and world-writing: it is not just discourse in the Foucauldian sense that evinces traces of this power, but speech in its literal denotation. Plato, London's philosopher, expounds upon the City's history as both teacher and historian, thus appropriating power. His recounting - and therefore, reshaping - of history is made possible through an agency that is seized within the social sphere. The mutability of the past, its ambiguities and uncertainties, are the playing field within which antagonistic forces meet, inextricably dialectical. But it is an emplotted realm, rooted in a (meta)physical space, that is the subject of retelling: London itself, a ghost city, fluid. Set firmly in the middle of paradigmatic war, it is both pivot and catalyst, acting as an arena for clashing world-views. My paper seeks to investigate precisely how the interplay of time and space factor into notions of agency and power, what destabilizing workings they enforce, and what configurations they give rise to. Methodologies will include urban studies, critical theory and liminality studies. [ABSTRACT FROM AUTHOR]

This article closely investigates the unique visual representations of the building plans of late nineteenth-century and early twentieth-century Berlin, and emphasizes the agency of the paper plan in the profession and discipline of Städtebau. Following positions in German media theory, the paper plan is understood and theorized as a medium of bureaucracy and the plan drawing as a set of cultural techniques. In doing so, the article traces the refinement of the instruments for regulating the building of the city—from the building plan, to the building zones plan, to the town development plan. It is argued that the paper plans themselves have agency in seeing the city and hence thinking about the city (through their methods of visual representation), and agency in the formation of graphic terms and concepts (derived from the making of building plans). The paper plans mediated visual and verbal knowledge of the city that would have been inconceivable without them. [ABSTRACT FROM AUTHOR]

Although child-centred care is increasingly referred to within the nursing literature, a clear definition of child-centred care and clarity around the concept is yet to be achieved. The objectives of this review were to examine the following: (1) What constitutes the concept of child-centred care in healthcare? (2) How has the concept of child-centred care developed? (3) What is the applicability of child-centred care and what are its limitations? (4) How does the concept of child-centred care benefit and inform children's healthcare? In total, 2984 papers were imported for screening, and, following the removal of duplicates and screening, 21 papers were included in the scoping review. The findings suggest that child-centred care is an emerging, ambiguous poorly defined concept; no clear consensus exists about what constitutes child-centred care. Although it seems antithetical to argue against child-centred care, little robust evidence was identified that demonstrates the impact and benefit of child-centred care. If child-centred care is to be a sustainable, convincing model to guide practice and compete with other models of care, it needs to establish robust evidence of its effectiveness, the impact on children and their families, as well as the wider impacts on the healthcare system. [ABSTRACT FROM AUTHOR]

The agency of international students has long been neglected and undertheorised, though recent literature indicates that this has started to change. This paper systematically reviews 51 studies that address student agency in international higher education. Focusing on research published in the last two decades (2000–2020), the review draws on studies that foreground student voices, or international students' perspectives, rather than the perspectives of teachers, administrators or policymakers. A detailed discussion of how international student agency is positioned in the literature found that agency appears as either: a research object, as part of a theoretical or conceptual framework, or an emergent finding. Furthermore, our analysis suggests that the term "agency" is often used as a buzzword rather than as a fleshed-out concept. Thus, drawing on this initial analysis, the review synthesises varying but overlapping conceptualisations of international student agency in the literature into an integrative framework. Implications for future research are drawn, based on our findings about the understudied populations and methodological limitations in the literature. [ABSTRACT FROM AUTHOR]

The discussion notes the extreme sensitivity of the technique with a despairing deprived girl with a deep dread of the future and of adulthood. Where defenses are identified, caring alternatives are always on offer, and gradually the patient's hope, curiosity, and sense of agency are freed up and fired up. [ABSTRACT FROM AUTHOR]

Hardin Tibbs' paper "Making the Future Visible," published privately in 1999, is an important but neglected contribution to the field. It proposes a model that connects futures thinking to agency by linking it to an awareness of self. [ABSTRACT FROM AUTHOR]

The paper begins by drawing upon research to understand the genealogical position of dance within the school curriculum as a new 'entitlement' for all young Australians. Whilst dance is included within the Australian curriculum it has been historically marginalised as a 'soft' subject within curriculum hierarchy. This low position in the curriculum order has been questioned, with assertions that dance requires a high level of embodied intelligence not usually recognised by education systems. Ball's (1993) analytic framework for policy-making has been utilised to explore the context of influence through a genealogy of the dance curriculum; the context of policy text production through the process of writing about Dance for the Arts Shape paper in the Australian Curriculum; and the context of policy practice through a case study of pre-service teachers' lived experiences of dance in school. The findings revealed a series of complex factors which have impacted upon the implementation and practice of dance in schools including the relationship between teacher control, disciplinary power and student agency; the impact of dance competitions and their influence on the perceptions of dance; the interests of diverse faiths and cultures as well as the potential of dance to support growing interest in Aboriginal and Torres Strait Islander histories and culture; and the twenty-first century proliferation of dance on screen via new technologies and access to highly sexualised performance are discussed. These factors prompt the need for critical approaches towards developing a more accessible and socially just dance curriculum that is culturally responsive and meaningful for diverse learners. [ABSTRACT FROM AUTHOR]

A comparison of the Boston Study Group and the Relationalist's theories of enactments in which I maintain that enactments can be viewed either as an unknowable past expressing itself in present action, or as a process shift coming out of incremental shifts in the fit in here and now interaction. Often, it is difficult to distinguish enactments from any ongoing analytic experience oscillating between defense and revelation on the part of the analyst, analysand, or both. Yet, I agree with Goldin that change is not simply moving along, fitting together better, and reaching a higher level of organization as in infancy. An analytic interchange cannot be understood "separately from the project of grasping experience into words." [ABSTRACT FROM AUTHOR]

Art education has a range of purposes. Art is said to support students to explore, interpret, ask critical questions, communicate and realise ideas, experiment, take risks, collaborate, tell stories and/or engage in social and political actions. In this paper, we consider whether educational researchers have the same capacious view of students' potential and capacities for involvement. We bring the results of a Rapid Evidence Review (RER) of the benefits of arts education into conversation with the literatures on student voice and participation. We outline the ways in which student voice and participation are discussed, then move to the results of the RER. We conclude with a discussion of the opportunities for art education researchers to develop research practices that are inclusive of students. [ABSTRACT FROM AUTHOR]