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The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word.Weber argues that Charles'reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down.By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the'merry monarch,'and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.

This supplement to The Papers of Henry Clay contains documents discovered too late to be included in the proper chronological sequence in earlier volumes. Spanning the years from 1793 to 1852, the items shed important light on Clay's early years in Kentucky, his legal career, and his work for the Bank of the United States.Material dealing with the'Corrupt Bargain'charge is particularly rich, and many of the letters that appear in this volume fill gaps in exchanges already published. Clay's correspondence with Benjamin Watkins Lee of Virginia and Mary Bayard, wife of Delaware senator Richard Henry Bayard, is especially interesting.An essay on Clay portraits by Clifford Amyx, professor emeritus of art at the University of Kentucky, provides a detailed discussion of the paintings, statues, busts, engravings, and daguerreotypes that featured Clay as the subject. Appended to the essay is a calendar listing each major work, the artist, date of completion, and present location.A comprehensive bibliography of works cited in the entire series will benefit researchers seeking information in addition to that provided in the annotations. This supplement is an essential addition to the earlier volumes in the series.

Along with his siblings, Raphael Hardin left his childhood home in rural Kentucky. Grappling with an AIDS diagnosis, he returns to care for his dying father. Told from the perspectives of Raphael, his family, and their lifelong neighbor, Fenton Johnson's landmark novel reveals the blood struggles and binding loves of a broken family made whole.