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This article discusses the artwork of Azadeh Akhlaghi, a visual artist from Iran. Akhlaghi's series, titled "By an Eye-Witness," explores the documentation of past deaths in Iran's history, focusing on violent and traumatic events. The artist stages scenes depicting the deaths of poets, journalists, students, intellectuals, and political activists, imagining how these events would have been captured if mobile phone cameras had existed at the time. Akhlaghi's work challenges the official version of national history and invites viewers to consider the impact of photography on our understanding of historical events. [Extracted from the article]

"The Holocaust and Australia: Refugees, Rejection, and Memory" by Paul Bartrop is a book that explores Australia's relationship to the Holocaust. The author discusses Australian governmental policy, the influence of Britain, and the public's view of Jewry during the war years. While the book provides valuable insights, the reviewer notes that it is largely a revised edition of Bartrop's previous work from 1994, with some new material added. The reviewer suggests that the book could have delved deeper into the coverage of the Holocaust by other Australian newspapers and analyzed the attitudes of different states and territories. The final chapters cover the post-1945 period but are considered brief and lacking in depth. The reviewer also questions the book's omission of the Helen Demidenko scandal and the fabrication of Holocaust-related testimony in other Australian works, and raises important questions about Australia's refugee acceptance policies in the face of genocidal horror. Overall, the book is praised for its readability and as a valuable resource for students. [Extracted from the article]

In the so-called West, feminist activists and scholars have long been traumatised by the erasure of their histories via dominant patriarchal narratives, which has served as an impediment to the intergenerational transmission of feminist knowledge. Recently, while acknowledging the very real and ongoing impact of this historical omission, some feminists have issued a call to turn away from a narrative of women's history as 'serial forgetting' and towards an acknowledgement of the affirmative capacity of feminist remembering. At the same time, memory theorist Ann Rigney has advocated for a 'positive turn' in memory studies, away from what she perceives to be the field's gravitation towards trauma and instead towards an analysis of life's positive legacies. In this article, I combine both approaches to investigate one feminist memory-keeper's archive, analysing what it reveals about 'the mechanisms by which positive attachments are transmitted across space and time'. Throughout her life, little-known 'between-the-waves' Australian feminist Ruby Rich (1888–1988) performed multiple intersecting activist activities. While she created feminist memories through her work for various political organisations, she also collected, stored and transmitted feminist memories through her campaign for a dedicated space for women's collections in the National Library of Australia. Propelled by fear of loss and inspired by hope for remembering, Rich constructed a brand of archival activism that was both educational and emotional. In this paper, I examine the strategies Rich employed to try to realise her dream of effecting intellectual and affective bonds between future feminists and their predecessors. [ABSTRACT FROM AUTHOR]

Sample this: a hypothetical menu book of fish recipes from both sides of the Bengal border; a barbed wire running through the Ichhamati, showing the river's indifference to political borders; a sandstone and fabric pillar standing as a metaphoric monument of unity between religions, commemorating Gandhi's peace march in Noakhali in 1946; an accordion book opening out, unfolding narratives immortalised in Ritwik Ghatak's films. These are some of the artworks that were showcased at The Legacy of Loss: Perspectives on the Partition of Bengal, an Art Exhibition that the Kolkata Partition Museum Trust (KPMT) organised in collaboration with the Kolkata Centre for Creativity (KCC), to commemorate the 74th anniversary of India's Partition. The Exhibition ran from 17 to 29 August 2021 at KCC, and was supported by Tata Steel and the Emami Foundation. Conceptualised and conceived by the late art historian, Dr. Rajasri Mukhopadhyay, and curated by KCC, this was an unique Exhibition on the Bengal Partition by five contemporary artists – Paula Sengupta, Vinayak Bhattacharya, Debasish Mukherjee, Amritah Sen and Dilip Mitra – each with a distinct style and perspective on the theme. As Rajasri Mukhopadhyay put it, Partition provided 'the psychological topography for this Exhibition. The pictorial narratives ... [found here] are embedded in the geographical sites of ancestry, the physical border, the trajectories of nostalgia in refugee colonies, and stories of inherited memories.' This paper will delve into the uniqueness of this Exhibition and argue for the importance of the Arts in preserving cultural memory, something that KPMT strongly believes in. [ABSTRACT FROM AUTHOR]

Maryam Jafri is a visual artist who explores cultural and visual representations of history and political economy. Her work "Independence Day 1934-1975" examines the role of photography in shaping national narratives during the decolonization of Asia, the Middle East, and Africa. The project features over 60 archival photos sourced from public archives in these regions, highlighting the similarities in the first Independence Day ceremonies across different countries. Jafri's more recent works, such as "Disappearance Online," address the digitization of historical images and its impact on cultural memory and copyright law. Her work emphasizes the importance of critically engaging with historical narratives and understanding shared histories. [Extracted from the article]

The discovery of the Nag Hammadi Codices (NHC) in 1945 rates as one of the two most profound occurrences for Biblical archaeology and interpretation during the last hundred years, along with the Dead Sea Scrolls (1946–1956). The codices allow us to document Christian monastic culture, gnostic Christianity and gnostic offshoots in the desert climate of Late Ancient Egypt. The recovery of the related Codex Tchacos (CT) brought further excitement for contemporary readers by 2006, it being sensational that narratives of "Judas the betrayer" and "doubting Thomas" were found in the whole collection of writings. The text named the [First] Apocalypse of James, significantly, was found to be in both NHC and CT in different Coptic versions (from near the sacred sites of Chenoboskion and El Minya), but yet another more fragmentary version in Greek had turned up much earlier among the huge cache of papyri found at Oxyrhynchus (also, like the other places, on the banks of the Nile). Given the opportunity for comparison, what distinguishes the three versions? Does comparative analysis better tell us what this ancient text is about? Does the strong presence of Gnostic Christian insights in the Coptic texts still imply a historical Jamesian community is being honoured? This paper concentrates on three comparable passages in the three versions that apparently contain historical memories of James and his followers. It works on the reasonable hypothesis that the Greek version of Oxyrhynchus Papyri (P.Oxy. 5533) (hereafter = PO) is prior and read with different purposes than the two Coptic translated versions of CT (CT 2.10–30) and NHC (NHC V,3. 24–44). When a critical approach, involving a socio-linguistic comparison, is applied, we will see that the three versions of the text were not directly related to each other, but that narratives about James the Just were available to desert monastics from the second century CE. The paper argues for a literal transmission of traditions from a Jewish Christian community around James into Egypt, that the textual figure of James in the Oxyrhynchus fragments points to a 'mutual familiarity' between PO and CT, while the NHC tradition of James has been further elaborated by processes of compilation and addition. [ABSTRACT FROM AUTHOR]

This paper presents a comprehensive visual analysis often repatriated Benin Bronzes, following their return from Germany to Nigeria in December 2022. The study employs compositional interpretation and visual methodology to examine the forms and contents of these iconic artifacts, which were looted in 1897 and have since been scattered across European museums. Through a decolonial lens, this research aims to recontextualize these artworks within their original cultural framework, challenging the long-standing Eurocentric interpretations that have dominated their narrative. The analysis reveals the intricate craftsmanship, symbolic significance, and historical importance of the Benin Bronzes, highlighting their role in preserving Benin's cultural memory and artistic traditions. By focusing on readily available images of the returned works, including ceremonial heads, ivory carvings, and decorated plaques, this study offers insights into the aesthetic and cultural values embedded in these artifacts. Furthermore, the paper addresses the understudied nature of Benin Bronzes within their home context, attributing this gap to their prolonged absence and limited visual art education in the region. The research contributes to the ongoing discourse surrounding the repatriation of cultural artifacts and advocates for a shift in perspective that centers on African voices and knowledge systems. By decolonizing the gaze through which these artifacts are viewed and interpreted, this study not only enriches our understanding of the Benin Bronzes but also underscores the importance of cultural restitution in fostering a more inclusive and equitable global art history. [ABSTRACT FROM AUTHOR]

The paper examines how Amitav Ghosh's The Hungry Tide and Indra Sinha's Animal's People register the sense of vulnerability and precarity of ecocatastrophic experiences and place these experiences in the collective memory of people. The paper explores the interrelation between detrimental human actions and their impact on both human and nonhuman lives and the dimensions which these narratives construct, adapt, and respond to. The paper discusses the ways in which the authors imagine the calamity, its representation, and narration, portraying the slow, unnoticed, unmeasured, and cumulative disaster. It shows how literary texts, in their cultural bearing, enable the reader to realize that human activity is the common link between environmental disasters. [ABSTRACT FROM AUTHOR]

The article is an editorial from the journal Landscape Research, written by the new Editor-in-Chief, Hannes Palang. Palang acknowledges the challenges faced in recent years, including the COVID-19 pandemic and security crises, and discusses their impact on landscapes and landscape research. The journal has been successful in attracting submissions and readership from around the world, with a focus on interdisciplinary research. Palang announces the winners of the journal's Best Paper Prize and Best Paper by an Early Career Researcher for 2023. Looking ahead, Palang mentions changes in the editorship and plans for special issues and essays on the topic of 'landscapes of care'. The journal is also strengthening its connection with research activities funded by the Landscape Research Group. [Extracted from the article]

Purpose: The objective of this paper is to describe the evolution of the available subject heading list, i.e. the CC Soggettario (Carabinieri Corps Soggettario), towards a thesaurus, that is CCThes (Carabinieri Corps Thesaurus), to support subject indexing and retrieval of the documentary heritage held by the Historical Office of the General Command of the Carabinieri Corps. This work follows the need to implement a controlled vocabulary compliant with the state-of-the-art standards. Design/methodology/approach: The methodology implements the practice of reengineering available vocabularies, following standardised guidelines for thesaurus development. The conversion process includes the balance maintenance of what has been achieved in the CC Soggettario and the enrichment of the semantic structure in the thesaurus by using both deductive and inductive methods. Findings: The main result of this study is a thesaurus compliant with ISO 29964-1:2011 recommendations, which improves information retrieval performances and interoperability with other vocabularies and applications. It generally has a mono-hierarchical structure with the possibility of admitting, as an exception, the poly-hierarchy for a few concepts. An introductive user guide has been created as a complementary tool to the CCThes. Originality/value: This is an applied study which deals with Knowledge Organisation System (KOS) reengineering and outlines this process using a pragmatic approach. The paper strength lies in providing the description of performed activities and conveying a set of resources to approach KOS reengineering practice. The study is also relevant for the preservation and diffusion of a part of the social memory and identity of Italy. [ABSTRACT FROM AUTHOR]

The process of retrieving information in memory allows humans to recall and forget things. It is an active approach to determining our mutable identity, as memory never remains static. But what occurs if this dynamic process of iteration and interaction becomes fixed and fails to establish a rapport based on sympathy and solidarity with non- Western 'others?' This paper investigates the intricate relationship of language, memory, trauma, and power, particularly focusing on the precarity induced by the manipulation of language in the context of historical and political narratives. Apropos how such manipulation can also distort collective memory and ignite trauma; shaping perceptions and moulding societal narratives. Through an examination of Joy Kogawa's Obasan and by employing theoretical frameworks such as Freud's concept of "screen memories" and Deumert's notion of "scripts of supremacy," the paper examines the intersection of precarity and the politics of language. Additionally, it investigates the concept of "Historiographic Metafiction", as proposed by Hutcheon, highlighting the fusion of history and fiction in preserving collective memory and aiding in the process of healing from trauma. Thus, the main objective of this study is to critically examine how language manipulation distorts collective memory and triggers trauma, emphasising how literature functions as a corrective tool and a representation of cultural memory to counteract this precarity, navigate power dynamics, and preserve collective memory. [ABSTRACT FROM AUTHOR]

In 2019, the Chinese government put forward the concept of social co-governance in the field of emergency management. This paper discusses whether the adjustment in the governance concept promotes public participation in emergency management practices and what the mechanisms are to achieve successful public participation in a wildfire emergency. Taking the Beibei wildfire in Chongqing in 2022 as a study case, this paper establishes the public participation mechanisms for wildfire rescue and management with a qualitative case study method. The result shows that adjustments to emergency management concepts and the pressure of wildfire governance make local governments and commanders seek help from the public; key persons and informal networks play an important role in public participation in a wildfire emergency; and constructing social memory in social networks, whether government-led or public-organized, is an important way to enhance public participation in wildfire governance. Our findings, grounded in the reality of the growing complexity of wildfires, provide useful lessons for future wildfire governance in other provinces in China, as well as valuable references for other countries or regions. [ABSTRACT FROM AUTHOR]

Although the relationship between religion and football has gained considerable interest during the last twenty years, scant attention has been paid to the relationship between pilgrimage and football. This paper seeks to advance the study of this relationship through an exploration of collective memory about football disasters that throws fresh light on central themes within pilgrimage studies—pilgrimage as both a journey to a sacred place and the performance of diverse rituals at such places. The paper explores, in particular, the ways in which three different tragedies involving English football clubs have been commemorated through journeys to and ritual performance at places seen as sacred to those involved in commemoration—football stadiums and urban spaces, and cathedrals and pilgrimage shrines in England, Germany and Italy. Through this analysis, we seek to show how the commemoration of football disaster is linked to pilgrimage as a process where people seek healing and reconciliation through the public performance of rituals that link the local to the global. [ABSTRACT FROM AUTHOR]

During the COVID-19 lockdown, cultural heritage institutions responded promptly to this difficult time by launching a series of digital collections of traces of this historical moment. Due to the limitations of the lockdown, such collections have generally focused on the intimate dimension of the pandemic, representing represented the outside world (streets, shops, cultural venues, etc.) as a site of emptiness. This paper examines the 'Windows in lockdown' initiative, which aimed to collect photographs of the messages displayed in physical locations during the lockdown period. The collection was carried out through an action research approach based on a participatory platform and social media. A collection of 1,224 photos taken in France between March and May 2020 was built. This paper analyses this collection through a social semiotics approach. The analysis highlights the role played by the outside world as a generator of an alternative collective memory during COVID-19. [ABSTRACT FROM AUTHOR]

Copyright of Cahiers Victoriens & Edouardiens is the property of Presses Universitaires de la Mediterranee and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article explores the ultimately unsuccessful 1935 campaign by Kentuckian Mary Darby Fitzhugh to erect a national memorial to honor the song "Dixie" and its Ohio-born composer, Daniel Decatur Emmett. Locating Fitzhugh's campaign in the larger effort by Confederate heritage groups to promote a southern perspective on the Civil War, it examines why and how proponents of the Lost Cause came to embrace both the song "Dixie" and blackface performer Dan Emmett as symbols of sectional reconciliation. The story of the "Dixie" memorial also highlights the work of Confederate heritage groups outside the South and the ways in which their efforts shaped the commemorative culture in Emmett's hometown of Mount Vernon, Ohio. [ABSTRACT FROM AUTHOR]

The article aims to understand the tensions inherent to the commemoration of a difficult and conflicted past and the conservation of dissonant heritage. It explores the politics of memory and identity, and the power struggles that underscore the heritagisation process through a study of the transformation of Rio de Janeiro's port in preparation to host the 2014 World Cup and 2016 Summer Olympics. The paper uses the notion of heritage dissonance to shed light upon contemporary struggles over the interpretation of the port's contested history and explores the debates that have surrounded the 'discovery' of archeological remains, which exposed a controversial past marked by collective amnesia. The paper identifies various actions, instruments, and strategies used by various actors to either support or undermine the project, from inertia and obstructionism to memorialisation and ritual agency. The analysis of these findings reveals the transformative potential of heritage, as an instrument of empowerment in the ideological battle over collective memory, and a tool of resistance against historical denial. It discusses the way debates over heritage have stimulated public debate, inflected the official historical narrative, and allowed the legacies of slavery to infiltrate collective consciousness. The paper concludes with a discussion of how heritage dissonance can engender actions leading to conflict mediation, thereby promoting reconciliation and dialogue, and, ultimately, societal change. [ABSTRACT FROM AUTHOR]

The February 2024 edition of the PM World Journal features a diverse collection of works by authors from 16 different countries. The edition begins with a tribute to the late Dr. J. Davidson Frame, a respected leader in the Project Management Institute. The journal also includes an interview with Connie Beck, Chair of the Board of Directors of the Australian Institute of Project Management, as well as several featured papers, series articles, advisory articles, commentary articles, reports, and book reviews. The journal aims to provide valuable insights and knowledge to professionals in the project management field. [Extracted from the article]

The archetypal symbols of Mazu's statues and pictorial art are the mapping of a religious concept, a way of belief, and some programmed behaviours and rituals. They are also emotional imagery used to arouse the cultural awareness of international Chinese, inspire them to help and trust each other, to encourage and to comfort each other, to share weal and woe, and to always forge ahead. From the perspectives of historical memory, visual signs, and cultural identity, this paper explores the construction of archetypal symbols for the statues and images of Mazu. In addition, this paper generalizes the foundation and methods of this construction by analyzing the artistic forms and characteristics of the surviving Mazu images and statues and comparing the rules and regulations for making statues of other religions. Moreover, we consider the function of artistic signs that refer to and symbolize broader religious concepts and beliefs. The purpose of this work is to make the image of Mazu more visually present and strengthen cultural identity. [ABSTRACT FROM AUTHOR]

This paper will bring forth the memory of a community that has seen immense death and heartbreak as a result of wars and political unrest in the region. Easterine Kire is a poet and novelist who has written extensively on her people, the Nagas. Kire mainly writes about the Angami Nagas in her works of fiction, which are mostly based on real-life events. Her novels Mari (2010), A Respectable Woman (2019) and Bitter Wormwood (2011) will be taken into study. In these three novels, Easterine Kire tells the story of her people, how they fought the "white-man's war" and the Naga insurgency against the Indian union in their struggle to be a free state. The latter part of the paper will focus on the task of the writer, how s/he has to write about the unadulterated history of their people. The task of writing "ourselves/themselves" thus becomes a combined effort of the writer and the people when collective memories are recollected and put in print for future generations. This paper also acts as a detailed review of the mentioned three novels of Easterine Kire while discussing matters such as memory, history and trauma. The last part of the paper focuses on Easterine Kire's reflections on her own novel Bitter Wormwood and her purpose of writing the novel. [ABSTRACT FROM AUTHOR]

A damping system always results in energy consumption. This paper studies an exponentially damped oscillator with historical memory for a viscoelastic damper structure, its stability under an initial response is analyzed analytically and verified numerically. [ABSTRACT FROM AUTHOR]

The Easter controversy of the late second century unveiled a profound theological and cultural debate within early Christianity. Originating from differing practices regarding the calculation of Easter dates, the dispute pitted the churches of Asia Minor against the Roman Church. This paper primarily employs a method of documentary analysis. It analyzes the accounts provided by the fourth-century historian Eusebius of Caesarea in his work The History of the Church. It is also cross-referenced with the works of second-century Christian writers. Through this process, this paper seeks to reconstruct the situation of this Easter controversy. Furthermore, it aims to uncover the struggle for apostolic authority concealed beneath the surface of this debate over dates. Central figures like Victor I and Polycrates engaged in this struggle for Apostolic authority, responding to challenges posed by heresies. Victor I leveraged his position to convene religious conferences and issue excommunication decrees against dissenting churches, laying claim to the papal primacy. However, Polycrates invoked the apostolic succession and heritage from John the Apostle to assert the legitimacy of the churches in Asia Minor, challenging Victor I's attempts at centralizing power within the Roman see. The controversy reflected broader debates over apostolic succession and ecclesiastical power structures. The Easter controversy serves as a case study of the Early Church's engagement with practical theology and the integration of religious festival culture with social backgrounds, highlighting the significance of Easter as a symbol of Christian unity and collective memory. This debate highlighted theological nuances and underscored broader issues of communal identity and the power struggle within early Christian communities. [ABSTRACT FROM AUTHOR]

The study examines how members of the historically white possessive and supremacist Church of Jesus Christ of Latter-day Saints in the United States (mis)appropriated Māori genealogy, known as whakapapa. The Mormon use of whakapapa to promote Mormon cultural memory and narratives perpetuates settler/invader colonialism and white supremacy, as this paper shows. The research discusses Church racism against Native Americans and Pacific Peoples. This paper uses Anthropologist Thomas Murphy's scholarship to demonstrate how problematic the Book of Mormon's religio-colonial identity of Lamanites is for these groups. Application of Aileen Moreton-Robinson's white possessive doctrine and Hemopereki Simon's adaptation to cover Church-Indigenous relations and the salvation contract is discussed. We explore collective and cultural memory, and discuss key Māori concepts like Mana, Taonga, Tapu, and Whakapapa. A brief review of LDS scholar Louis C. Midgley's views on Church culture, including Herewini Jone's whakapapa wānanga, is followed by a discussion of Māori cultural considerations and issues. The paper concludes that the alteration perpetuates settler/invader colonialism and Pacific peoples' racialization and white supremacy. Genetic science and human migration studies contradict Mormon identity narratives and suggest the BOM is spiritual rather than historical. Finally, the paper suggests promoting intercultural engagement on Mormon (mis)appropriation of taonga Māori. [ABSTRACT FROM AUTHOR]

Using grief as a node of beginning, this paper considers how all qualitative writing is an intra-action through which the process of engaging with one's memory, remembering, and collective memory co-constitutes subjectivities and agency within and across the writing process. Therefore, this paper argues that through writing qualitatively, both the author, as well as broader sociopolitical norms and values be and become in ways that are worth our attention and intention as researchers and participants in local and less local contexts. [ABSTRACT FROM AUTHOR]

This paper examines the interplay between memory, history, nationalism, and visual cultures by focussing on a framed photograph of a revolver gifted to Kamala Dasgupta’s family by the Calcutta (Now Kolkata) police after Indian independence. Once used in an attempted assassination during the anti-colonial struggle, the revolver has become an anomaly in the nation’s collective memory – a ‘floating signifier’ with an unfixed meaning. Analysing the photograph as a media spectacle and a symbol within national myths, I argue that it disrupts linear narratives of progress that dominate nationalist historiography. The article shows how Kamala’s act of procuring the revolver has been overshadowed by her comrade Bina Das’s violent act. Drawing on theories of the spectacle, national temporality, and subaltern studies, I illustrate the selective commemoration of revolutionary violence in India. The research in this paper demonstrates how precarious and subaltern histories such as Kamala’s can destabilise established national narratives and pluralise temporal orders of the nation. [ABSTRACT FROM AUTHOR]

Despite long‐standing recognition in collective memory scholarship that commemorative sites are places of deep cultural meaning, fieldwork evidence collected at the National Mall and Memorial Parks in Washington, DC, suggests that visitors primarily engaged with mnemonic resources in a superficial fashion. This paper explores how interpretive park rangers, who are tasked with engaging the public to discuss the nation's history, nevertheless strived to deliver informational, interpretive services to the visiting public. Findings show that rangers, conceptualized in this paper as street‐level bureaucrats, developed roles and routine lines of action that hinged on how they imagined and constructed their audiences. This paper demonstrates how street‐level bureaucrats variably conceive of their clients at the pre‐interactional stage, thus identifying an underexplored dimension of discretion in frontline service work. Additionally, this paper contributes to collective memory research by contextualizing mnemonic deliberation within contexts of mnemonic agents' workplace dynamics, showing how organizational expectations shape discourses of difficult, contentious histories. [ABSTRACT FROM AUTHOR]

The 2011 Egyptian uprising, which ended President Husni Mubarak’s thirty-year rule, initially painted him as a pharaoh. However, more than a decade since his overthrow, Mubarak’s image is variedly invoked and embodied across Egypt. Schools, hospitals, streets, and squares proudly bear his name. Social media groups glorify his memory, while locals openly express longing for his era. Unlike other deposed Arab leaders during the ‘Arab Spring’, Mubarak received a state military funeral, elevating him to a revered patriot and hero. This paper explores the constructions of Mubarak’s image in Egyptian collective memory, at the official and vernacular levels. The paper’s core argument emphasizes that during the transition period, revolutionary forces shaped a negative public memory of Mubarak. Yet in recent years, the resurgence of authoritarianism has marginalized these forces, allowing pro-Mubarak factions to advance a positive depiction, idealizing his legacy, and fostering feelings of regret. The post-June 2013 official narrative regarding Mubarak delicately manoeuvres between these competing narratives. It exalts his military role in the 1973 war while undermining his political heritage, thereby preventing any single narrative from dominating and thwarting influential factions in civil society from challenging the regime’s resilience with a political alternative. [ABSTRACT FROM AUTHOR]

Copyright of Studia Universitatis Babes-Bolyai, Philologia is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Statues and monuments are permanent forms of commemoration that interpret and reconstruct public memory in colonial settler societies. Representation through memorialisation is attributed to a genealogy of Western collective remembering that reflects the values, narratives, and experiences of the dominant settler population. Yet, collective remembering and memory can change. This article reports on Indigenous collective remembering practices that were observed in a local government intervention in Aotearoa New Zealand. The Boulcott Memorial Research Project sought iwi Māori (Indigenous Māori tribes) perspectives of the battle of Boulcott's Farm to change a one-sided colonial memorial that was erected to honour British militia who died in the conflict. Iwi kaipūrākau (representatives) from Te Ātiawa, Ngāti Tama, Ngāti Rangatahi, Ngāti Hāua, and Ngāti Toa Rangatira relayed their perspective of the battle through wānanga (a Māori oral tradition). In wānanga, kaipūrākau were perceived to remember relationally, outside colonial time, and through contemporary concerns and political interests, to advance tribal autonomy and self-determination. In this paper, I show how collective remembering in wānanga offers an anti-colonial ethic and intervention for building commemorative landscapes that can redirect public remembrance beyond the limitations of settler colonial memory and towards perspectives that are in tune with Indigenous peoples' lived realities. [ABSTRACT FROM AUTHOR]

This paper investigates how a mnemonic community of a senior and junior generation of frontline managers, respectively with first-hand and second-hand memories of the organizational past, enact a shared historical transition narrative as part of their everyday practice of change management in a Scandinavian telecommunications company. The study shows the importance of actors' individual trajectories and generational memberships for the understanding of collective memory in organizations. Based on the construct narrative habitus, the paper offers, as its primary theoretical contribution, a practice-theoretical framework for the study of mnemonic socialization and cross-generational dynamics of organizational mnemonic communities. MAD statement This article aims to Make A Difference (MAD) by providing an analysis of junior and senior managers' use of a historical transition narrative during temporally prolonged organizational change. The article offers new perspectives on the use of historical narratives and collective memory to manage change by showing that junior and senior generations of managers are habitually dispositioned to enact shared narratives in different ways. While extant research has shown collective memory to be an effective change management tool, our analysis draws attention to cross–generational dynamics as a particularly influential yet overlooked factor in shaping managerial enactments of shared historical narratives. [ABSTRACT FROM AUTHOR]

This research paper undertakes a meticulous critique exposing the insipid simplification and impracticality inherent in modernist and postmodernist town planning. The pivotal role played by Jane Jacobs, whose theoretical contributions have significantly influenced the criticism of these approaches, is a focal point of this analysis. Jacobs' keen insights into what a city stands for, emphasizing the vitality of local communities and human-scale urbanism, serve as a cornerstone for reevaluating contemporary town planning principles. This oversight is distinctly noticeable in the paradigms of modernist and postmodernist town planning. In the aftermath of war, a fervent push to transform town planning into an applied science inadvertently resulted in the loss of integral elements, such as the city's collective memory, desires, and spirit, alongside the importance of place and art of place-making. The paper contributed to a broader understanding of urban morphology and advocates for a more inclusive and sustainable vision for the future development of cities. [ABSTRACT FROM AUTHOR]

Today, the marriage between cartographic language and narrative strategies has reshaped maps with the generative capability to represent the intangible historical characters and events involved in social memories following a narrative manner. Despite these advances, rather few efforts have been spared to unveil the potential of tourism maps in a narrative form. This paper seeks to rectify the gaps in this line of research by unfolding the underlying theories and cartographic design guidelines for making narrative tourism maps. In particular, a narrative cartographic design approach is demonstrated and evidenced to be practical using the case of 'Red Boat Spirit Map', a tourism map designed for Jiaxing City, one of the most well-known destinations of China's red tourism. It is believed that the theoretical instrument and cartographic design guidelines presented in our paper are particularly relevant and can be easily adapted to more general research of narrative maps. [ABSTRACT FROM AUTHOR]

Copyright of Imaginaires is the property of Universitaires de Reims and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In 2017 an exhibition of over 100 craft pieces created by Chilean political prisoners held in concentration camps during the military dictatorship, was launched in the UK along with an accompanying short film, 'Crafting Resistance: the Art of Chilean Political Prisoners'. Drawing on these arts-based interventions, the paper reflects on the use of craft objects both as a symbol of political resistance and a means of initiating difficult conversations around forced political exile, trauma and mental health while creating space for people to 'tell their stories'. Indeed, the paper contends that projects such as Crafting Resistance can 'care for knowledge' through the curation of craftwork while simultaneously creating space for counter memories. The analysis also highlights the changing relationship between the craft makers and the craftwork, argueing that placing the craft objects within the exhibition assigns a new role to the objects as they became part of a display of collective memories and potentially contribute towards collective healing. Finally, the paper advocates for greater recognition of the historical use of craft as a political expression, which to date has been relatively neglected in debates around the use of arts-based research and methods. [ABSTRACT FROM AUTHOR]

This paper aims to identify the role of collective memories in post-war urban reconstruction in Mogadishu, which lost its architectural fabric, and its cultural and historical landmarks during the civil war. Preserving collective memories and integrating them into urban recovery and reconstruction processes strengthens cultural identity, community resilience, and social cohesion. Grounded Theory has been utilized to identify core categories and key concepts on a local level, in order to evaluate the social resilience components and CM. The results indicated that incorporating collective memories into post-war urban reconstruction endeavors is of paramount importance in revitalizing urban areas and a new approach to adopting a comprehensive methodology that gives priority to integrating the historical context, collective memory, and contemporary elements into the process of reconstructing urban areas in Mogadishu, with the aim of transforming it into a developed and sustainable city that connects the past and present and was able to recover at record speed post-war. [ABSTRACT FROM AUTHOR]

The concept of Rus holds significant relevance in the context of the ongoing Russian-Ukrainian war, particularly when examining the military memory of Ukrainians. This paper aims to analyze the significance of Rus in Ukrainian military memory, as reflected in the names of modern military units. The current names of individual Ukrainian brigades are intricately linked to important figures from medieval Rus and Lithuania. Despite the majority of units being named after figures from the Cossack era or individuals associated with the Liberation struggles of 1917-1921, the inclusion of references to the princely period serves to evoke military pride. Russia's narrative revolves around the Soviet concept of the Great Patriotic War, emphasizing figures from medieval times without delving deeply into their ties to Rus. The conclusions highlight a distinctive precedent in terms of divergent memory politics, showcasing the Ukrainian perspective's active exploration of Rus' past as pivotal in Ukrainian statehood. [ABSTRACT FROM AUTHOR]

The interconnection between the objectives of territorial development and those of the agro-ecological transition highlights the value of past knowledge in the sustainable management of resources and agro-ecological systems. However, the lack of data creates difficulties for retrospection in rural areas. This paper contributes to the search for such knowledge from the past by developing an interactive methodology capable of combining heterogeneous information sources with the activation of local collective memory. Its effectiveness is based on ensuring the interoperability of information and communication in an environment simultaneously shaped by geoinformatics and 3D geovisualisations. This virtual environment fostered participation and interactivity, supported by representations of the paleo-landscape (Ottoman period). Furthermore, synergies were achieved between information sources, which were integrated into local spatial systems. The application example involved identifying a rice field that existed between the 15th and 19th centuries in Thessaly, Greece. It is an interesting case because the research results indicated that the location and organisation of the crop, combined with the spatio-temporal coordination required, ensured the sustainable use of natural resources. The interplay between information and communication facilitated community participation and the activation of its collective memory as an information source that enriched the search itself and local intelligence. [ABSTRACT FROM AUTHOR]

This paper critically examines the recent presidential memorandum that replaced the Anglicized exonymic version "Turkey" with the endonym "Türkiye" as a conscious, performative and public relations campaign at both national and international levels. On the surface, this change addresses populist sociolinguistic hypersensitivities surrounding the connotations of the term "turkey" while simultaneously harnessing the commodification and marketization of the Turkey brand through selective references culled from collective memory (i.e., past) and branding aimed at economic gains (i.e., future). However, at the deeper level, this transformation serves as a discursive political instrument and a top-down nation branding effort powered by substantial resources from the state and its institutions with an ultimate motivation to consolidate President Erdoğan's political power and authority, elevate his status to that of a national leader and institutionalize his populist/nationalist yerli ve millî rhetoric from a de facto to de jure within Yeni Türkiye as a competitive authoritarian regime. [ABSTRACT FROM AUTHOR]

This research is concerned with individuals' symbolic interactions with the Charging Bull statue. We chose this statue because it is an extremely popular tourist attraction and the most visited nonhuman statue in New York City. However, there is no research devoted to understanding how visitors interact with the statue. To fill this gap in the literature, we examine people's interactions as a unique way of communicating with the Charging Bull statue in New York City through a photo analysis approach. Using the general framework of symbolic interactionism, the paper investigates poses, gestures, and more generally interactions of individuals near or with the statue to gain insights into the impact of the Charging Bull beyond a mere visual representation. The findings reveal various forms of interaction, including souvenir photography, active participation, unexpected interactions, and public-made symbolism. This study of these interactions contributes to the literature on collective memory and the study of statues. Additionally, this research highlights the inventiveness of the dynamic relationship between individuals and statues as symbols in the urban environment. [ABSTRACT FROM AUTHOR]

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Information itself in a much broader sense is the weapon. Some bad news come every day forming public opinion and raising fear. Democracies around the world face rising levels of disinformation. Can we be defeated before the conventional war even started? Collective memory recalls some devastating informational attacks before the Russian invasion of Ukraine. Nowadays politics recognize threats to our public matters and democratic political system. In such an environment states face a decline of trust in democratic institutions. Trust in government and parliament is at a record low. Aggressors understand the importance of an approach that seeks to influence the population of target countries through information operations, proxy groups, and other influence ways. The potential for a democratic process to overcome pervasive foreign manipulation must be supported by international law. The paper overviews key challenges in international law describing informational war. The paper observes some changes in doctrine and strategies to deal with this challenge. The present work aims to help understand information war within the context of hybrid warfare. [ABSTRACT FROM AUTHOR]

The reuse of construction materials has been a consistent practice throughout the history of architecture, especially prevalent during periods of transition when it was preferred for its ability to simplify installation and reduce construction costs. This practice was particularly common in late Roman urban contexts, where construction materials, especially ashlar and sculptural elements, were abundant following the abandonment of temples and public buildings. However, there are occasions when the use of spolia, or reused materials, goes beyond simple material recycling. The reuse and display of certain pieces carry complex implications involving symbology, cultural appropriation, or collective memory exercises that convey messages through new buildings. In this paper, we focus on the unique case of Hispanic Christian architectural sculptures that were "recycled" in new buildings during the first centuries of Islamic domination of the Iberian Peninsula, specifically within places of worship. Through a general analysis and review of some examples, we aim to reflect on the motivations and intentionality behind the use of certain sculptural pieces and their placement in new buildings, which is not arbitrary. [ABSTRACT FROM AUTHOR]

The invasion of Ukraine highlights the continued threat Russia poses to Eastern Europe. This essay describes these threats as twofold: investigating both the material realities of soldiers and weapons, as well as abstract notions like the role played by ideas and history. Discussing examples such as the "war of monuments," the Baltic forest brothers, and the Holodomor, this paper examines how contrasting approaches to history and memory can lead to conflict in the region, particularly when threats are perceived differently by competing actors. [ABSTRACT FROM AUTHOR]

This paper presents a critical discourse analysis of the Gerakan 30 September (G30S) event's portrayal in Indonesian Grade XII history textbooks across various curricula from 1994 to 2013. By analysing four textbooks, the study reveals an evolving narrative of the Communist Party of Indonesia (PKI) from a predominantly negative portrayal in earlier curricula to more nuanced and multiperspective representations in later editions. Early textbooks, aligned with the New Order's anti-communist ideology, depict the Communist Party of Indonesia (PKI) as a malevolent force, whereas later texts, especially under the 2013 curriculum, offer diverse viewpoints, reflecting a shift toward critical thinking and balanced historical understanding. This shift indicates changing political ideologies and educational approaches in Indonesia, highlighting the role of textbooks in shaping historical perception and national identity. The findings illuminate the transformation in educational narratives, emphasizing how these changes in textbooks are indicative of broader societal and political shifts and their significant impact on shaping collective memory and national consciousness in Indonesia. [ABSTRACT FROM AUTHOR]

This article examines the meaning‐making work of historical, cultural, and visual references in the 2022 anti-Zero-COVID policy protests in China. Characterized by homemade protest placards, the wave of 2022 grassroots protests were striking, typically citing well-known historical quotes, written in red paint, or the use of plain white paper. Using the frameworks of affect theory and analyses of visual culture, I draw attention to underexamined forms of Chinese cultural and visual traditions of protest, and address the following empirical questions: Which national visual cultural references are mobilized in this contemporary protest; how do people repurpose specific cultural idiosyncrasies to voice political dissent; and how do these references contribute to local political meaning‐making and community-making? Via a qualitative analysis of such signs, this study identifies three types of cultural resources permissible by the state that became co‐opted in the protests: 1) literature from anti-imperial times, 2) motivational slogans and symbols from the cultural revolution, and 3) the contemporary technique of censorship. These references are appropriated for the potential afforded by their recognizability, their affective function to articulate the political cause, and their ability to bypass censorship and generate communities across national and regional boundaries. Examining the A4 Revolution as a paradigmatic case, I argue visual historical citation holds significant aesthetic, affective, and political value, particularly in its capacity to mobilize the masses within undemocratic environments. The affective visuals used in the protests can be read as a performative, strategic, and psychosocial device of "critical inheritance from the bottom up," one that invites citizens to re-access cultural memory and critique the oppressive present. [ABSTRACT FROM AUTHOR]