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This study analyses the role of the main Spanish political groups in the polarisation of public opinion and the promotion of the culture of disinformation through Twitter (now Platform X). The study carries out an analysis of issues associated with tweets and retweets in Spanish of the total published (n = 33,506 messages out of a total of 49,288 messages), which are contrasted with 2,730 disinformation publications identified by the two most relevant fact-checking projects in Spain (Maldita.es and Newtral.es). Based on the applied methodology, a political-communicative context is observed on Platform X characterised by a high level of self-promotion and polarisation, facilitated by the communication strategy of specific topics, applied by the actors analysed. The results show how these political actors can play an active and differentiated role in the promotion of disinformation content identified by the Maldita.es and Newtral.es data verification projects. This may contribute to the polarisation of Spanish public opinion on Platform X by delegitimising the opinions of their opponents on issues of interest to the public. [ABSTRACT FROM AUTHOR]

The COVID-19 pandemic has seriously affected the world's cultural institutions, as well as driving digitization and a change in the relationships with their audiences. This study explores how the most visited art-museums in Spain have reacted through their social networks to the pandemic. Two key moments, the confinement and a period one-year after the declaration of the health crisis are compared. A mixed method by combining a content analysis of 2392 publications on Twitter and Instagram and two regression models evidence that COVID-19 has been a turning point in the management of museum communication in digital ecosystems. The main findings highlight the importance of active listening and the ability of these channels to create experiences beyond the physical visit. The strategic value of its implementation is underlined. Practical implications are included and it emphasized the role of entertainment and social support of the museums in crisis situations. [ABSTRACT FROM AUTHOR]

This paper addresses the scientific production of pharmaceutical communication in Spain around the COVID-19 crisis, in which information overload, amplified by the digital media, evidenced the relevance of communication in the digital society. The research observes the evolution and characteristics of such studies, identifying scientific fields and disciplines related to communication, thematic lines, agents and publics. To this end, it proposes an exploratory review study adjusted to the PRISMA protocol with a search strategy including three databases (Scopus, WOS and Dialnet) and whose filtration produced a final population of 56 publications on Spanish pharmaceutical communication between 2018 and 2022. The results point to a greater production of scientific papers around the year of the pandemic. These papers were published by university institutions in health sciences journals, although differences in authorship by gender were detected. Most of them are empirical papers, with a predominance of mixed content analyses. The field of public relations stands out, but terminological confusion was also detected. This leads to a reflection on its causes and solutions in favour of the transparency and accountability in pharmaceutical communication. [ABSTRACT FROM AUTHOR]

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Perhaps more than any other online social-networking platform, Instagram facilitates the construction and management of public image, serving as a potentially effective tool for political actors; nevertheless, it remains relatively understudied among digital communication strategies. In this article, I investigate the platform's use by far-right populist politicians, turning to Santiago Abascal of Spain as a case study. Performing detailed analysis on a corpus of Abascal's most popular posts determined by their "engagement rate," I expose the gendered mode of self-presentation that resonates with Abascal's public. In the second part of the article, I consider an equivalent corpus from President Pedro Sánchez, one of Abascal's main political rivals at the time of writing. This comparative juxtaposition illustrates stark differences in approaches to social media and underscores how effective particular performances of masculinity can be for populist politicians. Ultimately, I aim to shed insight on the specific ways that Instagram serves far-right political projects, both in Spain and beyond. [ABSTRACT FROM AUTHOR]

Podcasting is all the rage. The distribution of audio content has recently gained great momentum on a personal, media and business level. In this context, brands have begun to see the opportunity to use this communication tool to connect with the audience and generate emotional bonds through attractive content. However, there are still few studies that take a rigorous look at branded podcast. This research explores the phenomenon of podcasting as branded content in Spain and Latin America, making a radiography of the current situation of the branded podcast, from a mixed approach, delimiting its features, observing some trends and making a proposal for classification (according to the type of brand involvement, according to formal criteria and basic descriptors of the podcast, according to content, functional and narrative criteria, and according to the nature of the sponsoring company and its relation to the production of the podcast). The search for and analysis of branded podcasts is the main work of this research, with a sample of 100 podcasts, differentiating the branded podcast from other typologies such as podcast sponsorship, corporate podcasts and institutional podcasts. Among the results we highlight the variety of styles and themes in their own sound content, all of them linked to a greater or lesser extent to the business sector of the companies. In addition, these podcasts are broadcast on their websites and audio platforms and are more educational and informative than entertaining. It is therefore an approach to branded podcasting with a proposal for classification that aims to be a first conceptualisation of this phenomenon. [ABSTRACT FROM AUTHOR]

The growing popularity of podcasting is an opportunity for the news industry to identify new ways of delivering journalism and to find solutions to the challenges of digital transformation. Podcasts are tools that help the media adapt to the digital sphere by giving prominence to audio to extend their journalistic influence in the sonosphere. Given its disruptive nature, and since it breaks with the traditional content choices available, the analysis of this article focuses on what is offered in the form of podcasts by digital native media brands in Spain. It looks at the extent to which they are committed to this audio content and the type of journalism-based productions they promote and publish. To do this, a qualitative and quantitative content analysis methodology was used. This included an interpretation of data recorded in the Digital media map 2021 (Mapa de medios digitales 2021), updated as part of the Diginativemedia project (2019-2021). An indepth study of a corpus -or sample-of 29 titles or series of podcasts published by 7 native news brands is also provided. These brands were selected because they publish podcasts and because, according to the Digital news report Spain 2021, they have the largest weekly reach among Spanish internet users. The results of the research show that only 1 in 4 digital media brands that offer podcasts (925) are native (232), and that it is the specialist native media outlets that are most committed to podcasting (140). Native media brands view podcasts as part of their journalism-based products and services, whose presence is beginning to grow as an exploration of their informative and expressive potential. In addition, it is podcasts that tackle current affairs using conversational formats -both audio and video-through serialised, original productions for the media outlet's website and to provide a range of platforms. [ABSTRACT FROM AUTHOR]

This article explores how the main Spanish newsrooms structure news production in the digital convergence from a quantitative approach. The data come from a nationwide survey applied to 30 editors-in-chief of Spain's leading newspapers, radios, televisions, and digital natives. We study the newsroom size, news sections weight, freelancers, news agencies, and gender with multivariable analysis. We found that the gender gap has been overcome, and women are mostly in newsrooms (61%). Despite progress, women continue to have higher levels of unemployment and keep facing a glass ceiling in accessing the top positions. They just account for only 6.6% of the editors-in-chief in the sample. Likewise, we found a correlation between female journalists and the Society news section size. Findings suggest a specific news production organization by analyzing newsroom journalistic practice. Politics (23%) is the main news section and in decreasing order of importance: Society (18.5%), Business (16.5%), Sport (16.5%), International (14%) and Culture (11.5%). The average newsroom has between 101 and 300 journalists, with less than 20% freelancers. The media industry demands a polyvalent journalist. Skills, abilities, and competencies that different professionals previously developed now converge in a single professional with a polyvalent and multitasking profile. We found that it is a widespread journalistic practice in most TV outlets for reporters to work for several daily editions of newscasts (midday and night) and even provide news content for other organization shows. Journalists no longer work for a specific section, not even for a news show, but they now work for the entire organization. [ABSTRACT FROM AUTHOR]

Teachers' communication with the educational community (students, families and teachers) may be different depending on the place where they reside. We ask ourselves whether teachers in rural areas are sufficiently prepared to carry out this communication through digital media. Thus, this study had as its aims to: (1) ascertain teachers' digital competence self-assessment about the utilisation of ICT resources to communicate with other teachers, students and families, according to gender, type of school, age and years of teaching experience; (2) analyse comparatively if significant differences exist in terms of digital competence level between the internal categories of each variable; (3) identify which digital resources are significant predictors. A non-experimental design was used with 847 rural teachers from different rural areas in Spain. The results showed an integrating attitude of every teacher-expert in their digital skills, regarding communication both with students and their families and with the other colleagues at the educational centre. We found differences in teachers' scores when comparing by gender and type of centre. Furthermore, we checked those applications such as Blogs, TikTok, Twitter and Moodle served were relevant predictors. [ABSTRACT FROM AUTHOR]

COVID-19 has undeniably impacted the retail industry sectors; we are now witnessing the emergence of a large body of research on the effects of the pandemic in retailing. However, few of these studies provide a clear picture of this topic from prior to and after COVID-19. This research sheds light on whether large retailers have adapted their channels by offering integrated and digital services amid the new conditions forced on them. This study assesses indicators of channel integration and digital transformation of all large clothing and apparel retailers in Spain—before and after COVID-19—and analyzes the differences by means of McNemar's test and one-way repeated-measures ANOVA. The analysis suggests that large retailers were moderately prepared to provide multichannel and omnichannel services and that they focused on integrating quick and easy-to-implement services, such as omnichannel gift cards, or communicating via WhatsApp for customer care services. The study also identifies elements in which large clothing brands should prioritize on after the pandemic to effectively deploy omnichannel strategies. [ABSTRACT FROM AUTHOR]

This work aims to establish whether astroturfing was used during the Covid-19 pandemic to manipulate Spanish public opinion through Twitter. This study analyzes tweets published in Spanish and geolocated in the Philippines, and its first objective is to determine the existence of an organized network that directs its messages mainly towards Spain. To determine the non-existence of a random network, a preliminary collection of 1,496,596 tweets was carried out. After determining its 14 main clusters, 280 users with a medium-low profile of participation and micro- and nano-influencer traits were randomly selected and followed for 103 days, for a total of 309,947 tweets. Network science, text mining, sentiment and emotion, and bot probability analyses were performed using Gephi and R. Their network structure suggests an ultra-small-world phenomenon, which would determine the existence of a possible organized network that tries not to be easily identifiable. The data analyzed confirm a digital communication scenario in which astroturfing is used as a strategy aimed at manipulating public opinion through non-influencers (cybertroops). These users create and disseminate content with proximity and closeness to different groups of public opinion, mixing topics of general interest with disinformation or polarized content. [ABSTRACT FROM AUTHOR]

The Covid-19 pandemic has temporarily emptied museums and drawn attention to an aspect of these cultural institutions that is often seen as secondary and subordinate to their physical presence: the digital dimension. Having been forced to close their doors, museums have sought to boost their online activity through a range of different initiatives. The most notable actions undertaken in terms of frequency are related to social networks. This situation obliges us to ask the question: have museums succeeded in achieving a meaningful online presence in their communities via social media? In terms of marketing and digital communication, content is understood as meaningful when it provides value to the audience. This value arises from the alignment of the objectives of the institution with those of the target audience; this makes it essential to understand the profile of users who comprise the communities of different digital channels. Drawing on a comparative analysis of the profiles of museum visitors and those of social media users, this paper addresses the challenges of connecting on social media with the generation known as Generation Z (a population currently between 14 and 24 years of age). To do so, it attempts to define this generation and determine how it uses social media, taking advantage of the work already carried out by Spanish museums on their social media profiles during lockdown to establish how museum institutions can make themselves more relevant to this demographic segment in Spain and beyond. [ABSTRACT FROM AUTHOR]

Networked society before pandemic situation had become the context of a technology-supported environment for learning and teaching. Since COVID-19 pandemic occurred learning happened essentially mediated through connected smart devices that demand digital skills and reinforced Smart learning. This study aims to present a descriptive and comparative analysis focusing on digital competences in three different areas: Use, Learning and Critical thinking, justified in a global situation of intensive use of technology. Each area was analyzed considering the five subareas of digital competence: information management, communication, content creation, safety and problem solving. The study was designed under a non-experimental quantitative methodology in which higher education students from Spain, Colombia, Ecuador, and Mexico participated (N=926). Results show significant differences among countries that could help to improve not only formal education in Higher Education, but the digital skills needed for lifelong learning among citizenship in next future conditioned by recent global situation of pandemic. [ABSTRACT FROM AUTHOR]

The use of Building Information Modeling (BIM) is increasingly widespread within the Architecture, Engineering, Construction & Operations (AECO) sector. BIM allows the construction of a digital scale model of the asset to be built, ensuring the early detection of conflicts and interferences, enabling communication between the different participant agents, and facilitating the processes in the maintenance and management phase. Studies on the subject are many and varied. However, very few works refer to the inclusion of BIM in the public procurement stage, one of the most complex and competitive stages within the asset's life cycle. A bibliographic review has been conducted about the BIM situation in the AECO sector contracts, the existing problems and the possible solutions to implement. In the specific field of public procurement, Spain has made great progress, especially at the regional level. During 2020, a total of 440 tenders with BIM requirements were published, with an investment volume of EUR 752 million, which represents an increase of 230% compared to 2017. The aim of this research is to analyze the Spanish public procurement, highlighting the progress made so far in the implementation of this technology, as well as to develop a proposal of BIM requirements that, in general, could be used as a reference for tenders of the AECO sector in the country. With this objective, a selection of twenty relevant public tenders is made, covering both the building and infrastructure fields. The requirements address areas such as: BIM uses, BIM deliverables, model structure, Level of Development, Common Data Environment, classification systems, standards or quality control. [ABSTRACT FROM AUTHOR]