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This article discusses the artwork of Azadeh Akhlaghi, a visual artist from Iran. Akhlaghi's series, titled "By an Eye-Witness," explores the documentation of past deaths in Iran's history, focusing on violent and traumatic events. The artist stages scenes depicting the deaths of poets, journalists, students, intellectuals, and political activists, imagining how these events would have been captured if mobile phone cameras had existed at the time. Akhlaghi's work challenges the official version of national history and invites viewers to consider the impact of photography on our understanding of historical events. [Extracted from the article]

"The Routledge Companion to Global Indigenous History" is a comprehensive volume edited by Ann McGrath and Lynette Russell that explores the complexities and diversity of Indigenous history across the globe. The book is organized into six themes, including global perspectives, migrations and mobilities, colonial encounters, removals and diasporas, memory and identity, and future approaches to Indigenous histories. The chapters cover a wide range of topics and regions, highlighting the shared experiences and struggles of Indigenous peoples while also recognizing their unique histories and aspirations. The collection aims to address the omission of Indigenous history from mainstream global accounts and offers valuable insights for the field of history. [Extracted from the article]

"The Holocaust and Australia: Refugees, Rejection, and Memory" by Paul Bartrop is a book that explores Australia's relationship to the Holocaust. The author discusses Australian governmental policy, the influence of Britain, and the public's view of Jewry during the war years. While the book provides valuable insights, the reviewer notes that it is largely a revised edition of Bartrop's previous work from 1994, with some new material added. The reviewer suggests that the book could have delved deeper into the coverage of the Holocaust by other Australian newspapers and analyzed the attitudes of different states and territories. The final chapters cover the post-1945 period but are considered brief and lacking in depth. The reviewer also questions the book's omission of the Helen Demidenko scandal and the fabrication of Holocaust-related testimony in other Australian works, and raises important questions about Australia's refugee acceptance policies in the face of genocidal horror. Overall, the book is praised for its readability and as a valuable resource for students. [Extracted from the article]

INTIMATE GEOPOLITICS: Love, Territory, and the Future on India's Northern Threshold: By SARA SMITH. In a vivid ethnographic study of the Ladakh region in northern India, Smith provides an intricate examination of how community tensions are shaped by ethnic identities, family planning, and majoritarian politics - and one incendiary moment on a public street. Though I Intimate Geopolitics i is overtly a study of Ladakhi territorial politics as related to family dynamics, the commentary on sectarianism is relevant beyond the confines of the distant province. [Extracted from the article]

Thus each chapter addresses a different aspect of cinema going memories. The intention of this project was to extend knowledge of cinema history with an emphasis on how films were received and the social experience of cinema going. The six chapters clearly set out different aspects of the 1960s cinema going experience- social experiences, sex and cinema going, the experience of watching American films and British films, European films, and postcolonial audiences. [Extracted from the article]

Troubling Truth and Reconciliation in Canadian Education: Critical Perspectives, Edmonton, University of Alberta Press, 2022, 328 pp., $46.99 (paper), ISBN 978-1-77212-600-6. 30 Tepperman, Lorne and Maria Finnsdottir, Canada's Place: A Global Perspective, Oakville, ON, Rock's Mills Press, 2022, 222 pp., CAN $35.00 (paper), ISBN 978-1-77244-230-4. 31 West, Leah, Thomas Juneau, and Amarnath Amarasingam, eds., Stress Tested: The COVID-19 Pandemic and Canadian National Security, Calgary, University of Calgary Press, 2022, 280 pp., $34.99 (paper), ISBN 978-1-77385-243-0. 32 Wilson, Michael, Something within Me: A Personal and Political Memoir, Toronto, University of Toronto Press, 2022, 302 pp., CAN $24.95 (paper) ISBN 978-1-4875-4438-6. The I American Review of Canadian Studies i has received the following books for review. [Extracted from the article]

The variety of contributions in I Fragments i point to how we might yet substantially revise current understandings of New Zealand's colonial conflict and its memories. This "fragmented" but exciting collection is useful as a short accessible text for Australian scholars wanting to understand shifts in New Zealand's commemoration of colonial conflict. Kidman pitches a larger context of colonial conflict and its legacy in an opening chapter on the 250th commemoration of Captain Cook in 2019, conveyed beautifully in an ethnographic mode. [Extracted from the article]

Several revealing maps appear toward the end of Jeffrey Erbig's fascinating inquiry into imperial efforts to demarcate the border between Portuguese and Spanish South America. Border practices followed this new mode of border thinking, and not only for Europeans. Where Caciques and Mapmakers Met: Border Making in Eighteenth-Century South America: By Jeffrey Alan Erbig, Jr. Chapel Hill: University of North Carolina Press, 2020. [Extracted from the article]

Into the Loneliness: The Unholy Alliance of Ernestine Hill and Daisy Bates: By Eleanor Hogan. The biographical and historical material in I Loneliness i is framed by travelogue as Hogan retraces routes taken by Hill and Bates. Hogan also uses material from "the Daisy Chain" (a loose group of researchers interested in Bates during the 1970s and 1980s), who had access to interview subjects who knew Bates and Hill. [Extracted from the article]

Maryam Jafri is a visual artist who explores cultural and visual representations of history and political economy. Her work "Independence Day 1934-1975" examines the role of photography in shaping national narratives during the decolonization of Asia, the Middle East, and Africa. The project features over 60 archival photos sourced from public archives in these regions, highlighting the similarities in the first Independence Day ceremonies across different countries. Jafri's more recent works, such as "Disappearance Online," address the digitization of historical images and its impact on cultural memory and copyright law. Her work emphasizes the importance of critically engaging with historical narratives and understanding shared histories. [Extracted from the article]

In the so-called West, feminist activists and scholars have long been traumatised by the erasure of their histories via dominant patriarchal narratives, which has served as an impediment to the intergenerational transmission of feminist knowledge. Recently, while acknowledging the very real and ongoing impact of this historical omission, some feminists have issued a call to turn away from a narrative of women's history as 'serial forgetting' and towards an acknowledgement of the affirmative capacity of feminist remembering. At the same time, memory theorist Ann Rigney has advocated for a 'positive turn' in memory studies, away from what she perceives to be the field's gravitation towards trauma and instead towards an analysis of life's positive legacies. In this article, I combine both approaches to investigate one feminist memory-keeper's archive, analysing what it reveals about 'the mechanisms by which positive attachments are transmitted across space and time'. Throughout her life, little-known 'between-the-waves' Australian feminist Ruby Rich (1888–1988) performed multiple intersecting activist activities. While she created feminist memories through her work for various political organisations, she also collected, stored and transmitted feminist memories through her campaign for a dedicated space for women's collections in the National Library of Australia. Propelled by fear of loss and inspired by hope for remembering, Rich constructed a brand of archival activism that was both educational and emotional. In this paper, I examine the strategies Rich employed to try to realise her dream of effecting intellectual and affective bonds between future feminists and their predecessors. [ABSTRACT FROM AUTHOR]

Sample this: a hypothetical menu book of fish recipes from both sides of the Bengal border; a barbed wire running through the Ichhamati, showing the river's indifference to political borders; a sandstone and fabric pillar standing as a metaphoric monument of unity between religions, commemorating Gandhi's peace march in Noakhali in 1946; an accordion book opening out, unfolding narratives immortalised in Ritwik Ghatak's films. These are some of the artworks that were showcased at The Legacy of Loss: Perspectives on the Partition of Bengal, an Art Exhibition that the Kolkata Partition Museum Trust (KPMT) organised in collaboration with the Kolkata Centre for Creativity (KCC), to commemorate the 74th anniversary of India's Partition. The Exhibition ran from 17 to 29 August 2021 at KCC, and was supported by Tata Steel and the Emami Foundation. Conceptualised and conceived by the late art historian, Dr. Rajasri Mukhopadhyay, and curated by KCC, this was an unique Exhibition on the Bengal Partition by five contemporary artists – Paula Sengupta, Vinayak Bhattacharya, Debasish Mukherjee, Amritah Sen and Dilip Mitra – each with a distinct style and perspective on the theme. As Rajasri Mukhopadhyay put it, Partition provided 'the psychological topography for this Exhibition. The pictorial narratives ... [found here] are embedded in the geographical sites of ancestry, the physical border, the trajectories of nostalgia in refugee colonies, and stories of inherited memories.' This paper will delve into the uniqueness of this Exhibition and argue for the importance of the Arts in preserving cultural memory, something that KPMT strongly believes in. [ABSTRACT FROM AUTHOR]

The article is an editorial from the journal Landscape Research, written by the new Editor-in-Chief, Hannes Palang. Palang acknowledges the challenges faced in recent years, including the COVID-19 pandemic and security crises, and discusses their impact on landscapes and landscape research. The journal has been successful in attracting submissions and readership from around the world, with a focus on interdisciplinary research. Palang announces the winners of the journal's Best Paper Prize and Best Paper by an Early Career Researcher for 2023. Looking ahead, Palang mentions changes in the editorship and plans for special issues and essays on the topic of 'landscapes of care'. The journal is also strengthening its connection with research activities funded by the Landscape Research Group. [Extracted from the article]

The paper examines how Amitav Ghosh's The Hungry Tide and Indra Sinha's Animal's People register the sense of vulnerability and precarity of ecocatastrophic experiences and place these experiences in the collective memory of people. The paper explores the interrelation between detrimental human actions and their impact on both human and nonhuman lives and the dimensions which these narratives construct, adapt, and respond to. The paper discusses the ways in which the authors imagine the calamity, its representation, and narration, portraying the slow, unnoticed, unmeasured, and cumulative disaster. It shows how literary texts, in their cultural bearing, enable the reader to realize that human activity is the common link between environmental disasters. [ABSTRACT FROM AUTHOR]

Although the relationship between religion and football has gained considerable interest during the last twenty years, scant attention has been paid to the relationship between pilgrimage and football. This paper seeks to advance the study of this relationship through an exploration of collective memory about football disasters that throws fresh light on central themes within pilgrimage studies—pilgrimage as both a journey to a sacred place and the performance of diverse rituals at such places. The paper explores, in particular, the ways in which three different tragedies involving English football clubs have been commemorated through journeys to and ritual performance at places seen as sacred to those involved in commemoration—football stadiums and urban spaces, and cathedrals and pilgrimage shrines in England, Germany and Italy. Through this analysis, we seek to show how the commemoration of football disaster is linked to pilgrimage as a process where people seek healing and reconciliation through the public performance of rituals that link the local to the global. [ABSTRACT FROM AUTHOR]

During the COVID-19 lockdown, cultural heritage institutions responded promptly to this difficult time by launching a series of digital collections of traces of this historical moment. Due to the limitations of the lockdown, such collections have generally focused on the intimate dimension of the pandemic, representing represented the outside world (streets, shops, cultural venues, etc.) as a site of emptiness. This paper examines the 'Windows in lockdown' initiative, which aimed to collect photographs of the messages displayed in physical locations during the lockdown period. The collection was carried out through an action research approach based on a participatory platform and social media. A collection of 1,224 photos taken in France between March and May 2020 was built. This paper analyses this collection through a social semiotics approach. The analysis highlights the role played by the outside world as a generator of an alternative collective memory during COVID-19. [ABSTRACT FROM AUTHOR]

This article explores the ultimately unsuccessful 1935 campaign by Kentuckian Mary Darby Fitzhugh to erect a national memorial to honor the song "Dixie" and its Ohio-born composer, Daniel Decatur Emmett. Locating Fitzhugh's campaign in the larger effort by Confederate heritage groups to promote a southern perspective on the Civil War, it examines why and how proponents of the Lost Cause came to embrace both the song "Dixie" and blackface performer Dan Emmett as symbols of sectional reconciliation. The story of the "Dixie" memorial also highlights the work of Confederate heritage groups outside the South and the ways in which their efforts shaped the commemorative culture in Emmett's hometown of Mount Vernon, Ohio. [ABSTRACT FROM AUTHOR]

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The article aims to understand the tensions inherent to the commemoration of a difficult and conflicted past and the conservation of dissonant heritage. It explores the politics of memory and identity, and the power struggles that underscore the heritagisation process through a study of the transformation of Rio de Janeiro's port in preparation to host the 2014 World Cup and 2016 Summer Olympics. The paper uses the notion of heritage dissonance to shed light upon contemporary struggles over the interpretation of the port's contested history and explores the debates that have surrounded the 'discovery' of archeological remains, which exposed a controversial past marked by collective amnesia. The paper identifies various actions, instruments, and strategies used by various actors to either support or undermine the project, from inertia and obstructionism to memorialisation and ritual agency. The analysis of these findings reveals the transformative potential of heritage, as an instrument of empowerment in the ideological battle over collective memory, and a tool of resistance against historical denial. It discusses the way debates over heritage have stimulated public debate, inflected the official historical narrative, and allowed the legacies of slavery to infiltrate collective consciousness. The paper concludes with a discussion of how heritage dissonance can engender actions leading to conflict mediation, thereby promoting reconciliation and dialogue, and, ultimately, societal change. [ABSTRACT FROM AUTHOR]

This paper will bring forth the memory of a community that has seen immense death and heartbreak as a result of wars and political unrest in the region. Easterine Kire is a poet and novelist who has written extensively on her people, the Nagas. Kire mainly writes about the Angami Nagas in her works of fiction, which are mostly based on real-life events. Her novels Mari (2010), A Respectable Woman (2019) and Bitter Wormwood (2011) will be taken into study. In these three novels, Easterine Kire tells the story of her people, how they fought the "white-man's war" and the Naga insurgency against the Indian union in their struggle to be a free state. The latter part of the paper will focus on the task of the writer, how s/he has to write about the unadulterated history of their people. The task of writing "ourselves/themselves" thus becomes a combined effort of the writer and the people when collective memories are recollected and put in print for future generations. This paper also acts as a detailed review of the mentioned three novels of Easterine Kire while discussing matters such as memory, history and trauma. The last part of the paper focuses on Easterine Kire's reflections on her own novel Bitter Wormwood and her purpose of writing the novel. [ABSTRACT FROM AUTHOR]

The archetypal symbols of Mazu's statues and pictorial art are the mapping of a religious concept, a way of belief, and some programmed behaviours and rituals. They are also emotional imagery used to arouse the cultural awareness of international Chinese, inspire them to help and trust each other, to encourage and to comfort each other, to share weal and woe, and to always forge ahead. From the perspectives of historical memory, visual signs, and cultural identity, this paper explores the construction of archetypal symbols for the statues and images of Mazu. In addition, this paper generalizes the foundation and methods of this construction by analyzing the artistic forms and characteristics of the surviving Mazu images and statues and comparing the rules and regulations for making statues of other religions. Moreover, we consider the function of artistic signs that refer to and symbolize broader religious concepts and beliefs. The purpose of this work is to make the image of Mazu more visually present and strengthen cultural identity. [ABSTRACT FROM AUTHOR]

A damping system always results in energy consumption. This paper studies an exponentially damped oscillator with historical memory for a viscoelastic damper structure, its stability under an initial response is analyzed analytically and verified numerically. [ABSTRACT FROM AUTHOR]

The Easter controversy of the late second century unveiled a profound theological and cultural debate within early Christianity. Originating from differing practices regarding the calculation of Easter dates, the dispute pitted the churches of Asia Minor against the Roman Church. This paper primarily employs a method of documentary analysis. It analyzes the accounts provided by the fourth-century historian Eusebius of Caesarea in his work The History of the Church. It is also cross-referenced with the works of second-century Christian writers. Through this process, this paper seeks to reconstruct the situation of this Easter controversy. Furthermore, it aims to uncover the struggle for apostolic authority concealed beneath the surface of this debate over dates. Central figures like Victor I and Polycrates engaged in this struggle for Apostolic authority, responding to challenges posed by heresies. Victor I leveraged his position to convene religious conferences and issue excommunication decrees against dissenting churches, laying claim to the papal primacy. However, Polycrates invoked the apostolic succession and heritage from John the Apostle to assert the legitimacy of the churches in Asia Minor, challenging Victor I's attempts at centralizing power within the Roman see. The controversy reflected broader debates over apostolic succession and ecclesiastical power structures. The Easter controversy serves as a case study of the Early Church's engagement with practical theology and the integration of religious festival culture with social backgrounds, highlighting the significance of Easter as a symbol of Christian unity and collective memory. This debate highlighted theological nuances and underscored broader issues of communal identity and the power struggle within early Christian communities. [ABSTRACT FROM AUTHOR]

The paper problematizes Ghatak’s Marxist treatment of the Bengali as well as the Brahmanical repertoire of cultural knowledge, for the purpose of carving out a Communist significance of the period. Rather than a recontextualization of traditional myths, the paper reads in this attitude a nostalgic particularistic abstraction of a rich array of aesthetic ideas, which are best appreciated in their diverse cultural context. The paper argues that Ghatak utilizes creative opuses of vast potential to serve political goals, with an aim of strengthening the East Bengali immigrant population in post-Partition West Bengal. The paper criticizes how Ghatak breaks down the traditions from different spatial and temporal coordinates for serving the representation of the plights of the Bengali Refugee – making a powerful integrated identity of the traumatized subject at the expense of erasing class, caste, communal and gender distinctions. In this, there is an effort to fashion an imaginary unified East Bengali sub-national entity, which is politically evened out for realization of unique identity and clout. [ABSTRACT FROM AUTHOR]

This paper is an exploration of cinematic memory as a resource for remembering large-scale Keralan migration to the Gulf since the late 1960s. The south Indian state of Kerala, which predominantly speaks Malayalam, is a major contributor to the migrant labour force in the Gulf region for the last five decades. However, until recently, the migrant figured in the public discourse of Kerala as an economic agent alone. There has been increasing instances of memorialising the Gulf in the Malayalam public sphere since the beginning of the 2000s which brings to light the subjective aspects of the Gulf migration. However, what is lost in these accounts is the simultaneity and interlinked nature of the two places. Cinema, on the other hand, offers resources to inscribe the mutuality of the two places in the collective memory of Kerala. Invoking Pierre Nora's concept of places of memory, the paper looks at cinematic renditions of 'Dubai' as one such site of memory in the present when the image of Dubai and the profile of Keralan migrant has undergone a shift. Taking the example of one Malayalam film, Pathemari (Salim Ahamed, 2015), and tracing its cinematic genealogy, this paper analyses the ways in which 'Dubai' is remembered and how this remembrance inscribes the Gulf as part of the collective memory of Kerala. The paper identifies the persistence of filmed space, intertextuality, and the archivality of the star body as the modes in which cinematic memory achieves this collective memorialisation. The mutuality between Kerala and Dubai, offered by cinematic memory, allows it to be an act of affective citizenship on the part of the migrants, i.e. embodied and sensorial acts of claiming the universal right to have rights. [ABSTRACT FROM AUTHOR]

In modern electronic warfare, radar intelligence has become increasingly crucial when dealing with complex interference environments. This paper combines radar agile frequency technology with reinforcement learning to achieve adaptive frequency hopping for radar anti-jamming. Unlike traditional reinforcement learning with Markov decision processes (MDPs), the interaction between radar and jammers occurs within the partially observable Markov decision processes (POMDPs). In this context, the partial observation information available to the agent does not strictly satisfy the Markov property. This paper uses multiple layers of historical observation information to solve this problem. Historical observations can be viewed as a time series, and time-sensitive networks are employed to extract the temporal information embedded within the observations. In addition, the reward function is optimized to facilitate the faster learning of the agent in the jammer sweep environment. This simulation shows that the optimization of the agent state, network structure, and reward function can effectively help the radar to resist jamming. [ABSTRACT FROM AUTHOR]

Hong Kong's cultural heritage and tourism offerings include several prominent symbols and legacies drawn from the waters that surround it, including dragon boat racing, Tin Hau temples honouring the Goddess of the sea, and iconic junk boats sailing on the harbour. Within the growing field of Hong Kong heritage studies, however, there has been little work addressing these and other aspects of its maritime past. This paper addresses this contradiction, of the simultaneous presence and absence of maritime heritage. It does so by considering the story of the 'coming ashore' (上岸) of people who lived on boats in the fishing centre of Aberdeen on the south side of Hong Kong Island. In the 1960s, many of them moved into Yue Kwong Chuen, an early public housing estate which is now being redeveloped. Drawing on archival research and oral history interviews, we consider the significance of the estate as an important example of the heritage of public housing that sheds light on the status of boat dwellers, excluded for centuries in South China, and their eventual incorporation into land-based society. The paper contributes new insights on collective memory and identity formation in Hong Kong under and after colonial rule. [ABSTRACT FROM AUTHOR]

Narratives are an important part of nation-building. National narratives not only inculcate a sense of self; they also address a nation's sense of security as well as insecurities. National narratives are an outcome of a nation's collective historical experience and the ideas on which it is built. States facing security challenges and situated among or in a hostile neighbourhood, use their national narrative to achieve alignment both internally and externally. Pakistan's national narrative is a testament of it. Since 1947, it has been facing threats to its national security. Pakistan's national or meta-narrative addresses all such concerns. This paper focuses on the formation of Pakistan's national narrative and the factors involved in its formation. Grounded in the Realism school of international relations theory, the paper overviews and critically analyses Pakistan's national narrative and its contributing factors. This is followed by the development of a "structural-ideational framework" to make sense of the process of the formation of Pakistan's national narrative. [ABSTRACT FROM AUTHOR]

This paper draws attention to the role of colonial memory in the Italian populist radical right. Italy's colonial past has been long confined on the fringes of memory in Italian politics and in the Italian public debate. While recent academic attention has been devoted to the selective colonial memory transpiring from Italian cultural products, scarce attention has been paid to colonial memory in contemporary Italian political parties' discourse. Therefore, by applying Critical Discourse Analysis to semi-structured interviews with Italian populist radical right representatives from the Lega and Fratelli d'Italia (FdI), this paper aims at investigating which role colonial memory plays in these parties' discourse. This paper argues that the Lega and FdI reproduce colonial discourse in constructing the image of the contemporary immigrant Other. At the same time, they forge a selective memory of Italy's colonial past, cleansed from its most controversial aspects. [ABSTRACT FROM AUTHOR]

The Nigerian Middle Belt is the epicentre of violent conflicts between Fulani herders and sedentary farmers over land and agricultural resources called eco-violence; existing research has not adequately addressed the persistence of these conflicts. Using Social Representations Theory (SRT), this paper examines empirical case studies conducted in April 2018 and May 2022 in Benue State, Nigeria, to determine why these conflicts persist. The paper argues that contending parties anchor, objectify, and socially represent past contestations in pre-colonial, colonial, and post-colonial Nigeria in present-day realities and events in the Middle Belt, leading to the re-experience of collective memories and their consequences on people's violent collective behaviour. Consequently, people resort to violence to redress present grievances viewed through the prism of past events. To promote sustainable peace when tackling deeply-rooted conflicts, it is essential to comprehend the historical context and the significance of collective memory while employing a comprehensive strategy for conflict resolution. Implementing the Cognitive Reappraisal Technique to address issues related to collective memories is critical to this approach. [ABSTRACT FROM AUTHOR]

Tattoos are important markers of tribal cultural identity. As embodied texts, they not only reflect a worldview but also become repositories of historical and ontological memory. As carriers of traditions, customs, and beliefs, they manifest the collective identity of the people and guide and bind them as a community. As such, tattooing or godna acquires a much wider significance than being a mere bodily art. It turns into an aesthetic-narrative entry point into tribal consciousness, cultural worldview, identity and history. In their engagement with their identity, the tribal writers dig deep into their cultural repository to foreground the truth of their being and becoming. In the present paper, an attempt is made to understand the nature of this tribal negotiation of 'tattooing' as a textual metaphorical tradition through a critical study of Sirawon Tulisen Khating's "Retold by Grandma-Yarla's Tattoos" and Nidhi Dugar Kundalia's "The Godna Artists of Jharkhand". The paper uses the insights from Raymond Williams's cultural theory to deconstruct and critically analyse the tribal practice of tattooing and its relational dynamics within the tribal society. Using memory as a trope and the concept of collective theory as a theoretical framework, the paper sets out to see how gender and caste/class notions are upheld during the tattooing process. Looking through the tattoo as a significant cultural practice in the tribal world, the paper also exposes the diverse class and caste hierarchies prevalent among tribals. [ABSTRACT FROM AUTHOR]

This paper addresses peace education focusing on how place-based experiences and collective memories stimulate local mobilisation for refugees fleeing from war. The Arctic Migration Route, located above 69th degree north, became an alternative to dangerous boat trips on the Mediterranean Sea, for people seeking safety and protection in the fall of 2015. During a few months, over 5,500 people from 35 nations, mostly from Syria, Afghanistan, Iraq and Iran came to a municipality in north Norway with 10,000 inhabitants. The paper demonstrates how global conflicts far away, have important local consequences across borders and huge distances. Interviews with local authorities, teachers, voluntary workers constitute the main empirical material. By combining theories of place-based experiences and collective memories with phenomenology of practice, geographical location, collective and cultural memories across generations, are analysed as important driving forces for the local mobilization to help refugees. This approach opens for a wider perspective on learning, showing how climate, culture and history have important role as material and sociocultural education in this arctic border region in the north of Norway. Based on empirical data from a small local school, the paper will document how a local community can find solutions to globally produced problems. [ABSTRACT FROM AUTHOR]

This paper focuses on the artistic-political renderings of the sacred feminine deity of the Romani people, Sara Kali. While her genealogy is shrouded in mystery and controversy, Sara Kali is regarded as the uncanonised saint protector of oppressed, disenfranchised and vulnerable peoples, as well as the protector of pregnant women. Venerated by some Romanies in both spiritual registers of sainthood and audacious political activism, Sara Kali epitomises motherly love and feminine strength. The argument posited in this paper is that Sara Kali fosters a culture of commemoration, materialised in contemporary artistic productions whose political underpinnings resist the unbridled Romaphobia and its venomous consequences. We argue that the cultural artistic memory of Sara Kali becomes a political tool in empowering Romanies to express their identity concerns as well as centuries of oppression and injustice. [ABSTRACT FROM AUTHOR]

The paper presents the main findings of a research conducted at an Asia Minor post-refugee urban neighborhood located at the Greater Piraeus Region within the metropolitan area of Athens. The research took place from October 2022 to January 2023. The main findings of the research outline the issue of urban conservation in terms of urban collective memory. The paper explores the contemporary physiognomy of an urban Asia Minor refugee settlement that comes up against dereliction, uncontrolled building activity and demolitions of the old refugee houses. To explain the significance of these settlements, the paper combines literature review and field work. Field work includes original cartographic depiction of the exact location of the remaining refugee houses as well as documentation through original drawings of typical housing units in the area. The aim of the paper is to put in the forefront the issue of declaration in terms of collective memory in cases where the socio-cultural significance counterweights the architectural value of the buildings. [ABSTRACT FROM AUTHOR]

This paper considers the presence and potential educational impact of national exhibitions within the Auschwitz Birkenau State Museum in Poland. It takes a constructivist, personal-theoretical approach, drawing from autoethnography to explore possible visitor experiences at two of the national exhibits. Through detailed reflection on the French exhibition (Block 20) and the Dutch exhibition (Block 21), the author conducts a thematic analysis on the content in order to consider the constructions and possible intentions of the narratives presented. This is used to consider how the (relatively unvisited) exhibitions might contribute to visitors' developing understandings of the complex history of the Holocaust. Particularly, the author considers how the national exhibits might contribute to the education of young people at the museum, and, by extension, at other sites, memorials, or educational spaces. The paper concludes that the inclusion of these complex national narratives is vital in young people gaining an understanding of the Holocaust as a multi-layered event. The paper offers a model for enabling inclusive Holocaust Education that embraces: (1.) divergent historical narratives (such as those in the national exhibitions), (2.) young people's emotional engagement and responses to those narratives, and (3.) the Holocaust (and its representations) as a 'contested space' of history. [ABSTRACT FROM AUTHOR]

The study examines how members of the historically white possessive and supremacist Church of Jesus Christ of Latter-day Saints in the United States (mis)appropriated Māori genealogy, known as whakapapa. The Mormon use of whakapapa to promote Mormon cultural memory and narratives perpetuates settler/invader colonialism and white supremacy, as this paper shows. The research discusses Church racism against Native Americans and Pacific Peoples. This paper uses Anthropologist Thomas Murphy's scholarship to demonstrate how problematic the Book of Mormon's religio-colonial identity of Lamanites is for these groups. Application of Aileen Moreton-Robinson's white possessive doctrine and Hemopereki Simon's adaptation to cover Church-Indigenous relations and the salvation contract is discussed. We explore collective and cultural memory, and discuss key Māori concepts like Mana, Taonga, Tapu, and Whakapapa. A brief review of LDS scholar Louis C. Midgley's views on Church culture, including Herewini Jone's whakapapa wānanga, is followed by a discussion of Māori cultural considerations and issues. The paper concludes that the alteration perpetuates settler/invader colonialism and Pacific peoples' racialization and white supremacy. Genetic science and human migration studies contradict Mormon identity narratives and suggest the BOM is spiritual rather than historical. Finally, the paper suggests promoting intercultural engagement on Mormon (mis)appropriation of taonga Māori. [ABSTRACT FROM AUTHOR]

Today, the marriage between cartographic language and narrative strategies has reshaped maps with the generative capability to represent the intangible historical characters and events involved in social memories following a narrative manner. Despite these advances, rather few efforts have been spared to unveil the potential of tourism maps in a narrative form. This paper seeks to rectify the gaps in this line of research by unfolding the underlying theories and cartographic design guidelines for making narrative tourism maps. In particular, a narrative cartographic design approach is demonstrated and evidenced to be practical using the case of 'Red Boat Spirit Map', a tourism map designed for Jiaxing City, one of the most well-known destinations of China's red tourism. It is believed that the theoretical instrument and cartographic design guidelines presented in our paper are particularly relevant and can be easily adapted to more general research of narrative maps. [ABSTRACT FROM AUTHOR]

This research paper undertakes a meticulous critique exposing the insipid simplification and impracticality inherent in modernist and postmodernist town planning. The pivotal role played by Jane Jacobs, whose theoretical contributions have significantly influenced the criticism of these approaches, is a focal point of this analysis. Jacobs' keen insights into what a city stands for, emphasizing the vitality of local communities and human-scale urbanism, serve as a cornerstone for reevaluating contemporary town planning principles. This oversight is distinctly noticeable in the paradigms of modernist and postmodernist town planning. In the aftermath of war, a fervent push to transform town planning into an applied science inadvertently resulted in the loss of integral elements, such as the city's collective memory, desires, and spirit, alongside the importance of place and art of place-making. The paper contributed to a broader understanding of urban morphology and advocates for a more inclusive and sustainable vision for the future development of cities. [ABSTRACT FROM AUTHOR]

This paper investigates how a mnemonic community of a senior and junior generation of frontline managers, respectively with first-hand and second-hand memories of the organizational past, enact a shared historical transition narrative as part of their everyday practice of change management in a Scandinavian telecommunications company. The study shows the importance of actors' individual trajectories and generational memberships for the understanding of collective memory in organizations. Based on the construct narrative habitus, the paper offers, as its primary theoretical contribution, a practice-theoretical framework for the study of mnemonic socialization and cross-generational dynamics of organizational mnemonic communities. MAD statement This article aims to Make A Difference (MAD) by providing an analysis of junior and senior managers' use of a historical transition narrative during temporally prolonged organizational change. The article offers new perspectives on the use of historical narratives and collective memory to manage change by showing that junior and senior generations of managers are habitually dispositioned to enact shared narratives in different ways. While extant research has shown collective memory to be an effective change management tool, our analysis draws attention to cross–generational dynamics as a particularly influential yet overlooked factor in shaping managerial enactments of shared historical narratives. [ABSTRACT FROM AUTHOR]

In 2017 an exhibition of over 100 craft pieces created by Chilean political prisoners held in concentration camps during the military dictatorship, was launched in the UK along with an accompanying short film, 'Crafting Resistance: the Art of Chilean Political Prisoners'. Drawing on these arts-based interventions, the paper reflects on the use of craft objects both as a symbol of political resistance and a means of initiating difficult conversations around forced political exile, trauma and mental health while creating space for people to 'tell their stories'. Indeed, the paper contends that projects such as Crafting Resistance can 'care for knowledge' through the curation of craftwork while simultaneously creating space for counter memories. The analysis also highlights the changing relationship between the craft makers and the craftwork, argueing that placing the craft objects within the exhibition assigns a new role to the objects as they became part of a display of collective memories and potentially contribute towards collective healing. Finally, the paper advocates for greater recognition of the historical use of craft as a political expression, which to date has been relatively neglected in debates around the use of arts-based research and methods. [ABSTRACT FROM AUTHOR]

This research is concerned with individuals' symbolic interactions with the Charging Bull statue. We chose this statue because it is an extremely popular tourist attraction and the most visited nonhuman statue in New York City. However, there is no research devoted to understanding how visitors interact with the statue. To fill this gap in the literature, we examine people's interactions as a unique way of communicating with the Charging Bull statue in New York City through a photo analysis approach. Using the general framework of symbolic interactionism, the paper investigates poses, gestures, and more generally interactions of individuals near or with the statue to gain insights into the impact of the Charging Bull beyond a mere visual representation. The findings reveal various forms of interaction, including souvenir photography, active participation, unexpected interactions, and public-made symbolism. This study of these interactions contributes to the literature on collective memory and the study of statues. Additionally, this research highlights the inventiveness of the dynamic relationship between individuals and statues as symbols in the urban environment. [ABSTRACT FROM AUTHOR]