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The aim of this paper is to provide some sketchy remarks on the post-empiricist phenomenon in philosophy of science, taking into account the themes of the relationships between language on the one side and reality on the other, and the parallel problem of the alleged elimination of metaphysics. Unlike the logical empiricists, Popper believes that a clear separation between (i) analytic and synthetic sentences, and (ii) between theory and observation, is an impossible task. According to his view, theory and observation are intimately linked to each other, and no pure observation is ever possible. A position very similar to Popper's was endorsed by the American pragmatists in the last two centuries with Charles S. Peirce, William James and John Dewey. There also are important similarities between what Popper says and William James' theses. It is clear that if we recognize that the theoretical dimension precedes observation, and if we claim furthermore that scientific theories have a creative character, then we may explain the "jumps" that often take place in the history of science. Later on Feyerabend and his followers have turned philosophy of science into something mysterious and not easily classifiable in philosophical or scientific terms. The anything goes undermines the meaning itself of the discipline. If science is equated to any other dimension of spirit - art, religion, or even witchcraft - the specific and cognitive character of scientific rationality is eliminated. It follows that philosophy of science loses any meaningful role within the field of human knowledge, while even philosophy as such becomes more similar to a joke than to a serious endeavor. [ABSTRACT FROM AUTHOR]

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The concept of "deep mapping", as an approach to place, has been deployed as both a descriptor of a specific suite of creative works and as a set of aesthetic practices. While its definition has been amorphous and adaptive, a number of distinct, yet related, manifestations identify as, or have been identified by, the term. In recent times, it has garnered attention beyond literary discourse, particularly within the "spatial" turn of representation in the humanities and as a result of expanded platforms of data presentation. This paper takes a brief look at the practice of "deep mapping", considering it as a consciously performative act and tracing a number of its various manifestations. It explores how deep mapping is a reflection of epistemological trends in ontological practices of connectivity and the "flattening" of knowledge systems. In particular those put forward by post structural and cultural theorists, such as Bruno Latour, Gilles Deleuze, and Felix Guattari, as well as by theorists who associate with speculative realism. The concept of deep mapping as an aesthetic, methodological, and ideological tool, enables an approach to place that democratizes knowledge by crossing temporal, spatial, and disciplinary boundaries. [ABSTRACT FROM AUTHOR]

Copyright of Persona y Bioética is the property of Universidad de la Sabana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Persona y Bioética is the property of Universidad de la Sabana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)