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Nordic conference in eighteenth-century studies, Uppsala 12-14 October 2017

The exegesis of biblical texts is usually a manual task. However, in computational linguistics, automated and artificial-intelligence-based methods are an emerging trend. This paper discusses possible intersections between computer-based natural language processing, analysis of narrative and literary texts, and narrative exegesis of biblical texts and in particular network-based methods. The problem with applying narrative criticism is its variety. The approaches differ slightly, not only due to the different original languages between OT and NT, but also between different literary approaches and schools in different countries. However, narrative approaches are a bridge to digital and network-based methods used in the humanities and computer linguistics. Thus, this paper provides an overview of already established methods and discusses a critical evaluation of possible synergies towards linked data, social network analysis, and knowledge graph approaches. Despite limitations regarding data management and accessibility several methods could be suitable for interdisciplinary research: The detection of time and space, sentiment analysis and the integration of social network analysis into narrative exegesis. Besides, the discussion with computer linguistics may give new perspectives for narrative exegesis.

‘Blond Souls’: Johan Runius, Masculinity, Nation and Genre in Literary History This paper shows that the historiographical accounts of Johan Runius (1679–1713) remain remarkably stable, from the early stages of national literary history of the nineteenth century to the late twentieth century, despite the radical theoretical shifts taking place during the period. The poet Runius is generally described as an occasional poet, a rhyme virtuoso, a good-tempered man, and as a precursor of the celebrated Carl Michael Bellman, considered a uniquely Swedish genius. These features are connected to nineteenth- and early twentieth-century ideals of masculinity and the nation. Whereas Runius in the early nineteenth century was described as childish, during the later nineteenth century his good temper was interpreted as an ideal, steadfast masculinity in the face of the hardships of early eighteenth-century Sweden. Further, the historiographical tradition set greater store by poems defined as lyrical. The hailed poems were, in fact, occasional poems, but they were recontextualised by the literary historians as proof of Runius’ personal feelings. The article ends with new suggestions for reading Runius beyond nation as the ordering principle of literary history.

Bengt Lidner's poem ‘Ode to the Finnish Soldier' from 1788 was written during the Swedish war with Russia. This paper argues that Lidner took part in Gustav III's staging of the war by accusing the officers of the so-called Anjala league of treachery, and at the same time turning to ‘the people' for support. ‘The people' were defined as subjects of the Swedish crown from the core parts of the realm, today's Finland and Sweden, irrespective of language or ethnicity, but sharing a common and glorious history. Lidner combines a cosmopolitan perspective with a patriotic tendency in his poem. Some of the central concepts of the ode, such as ‘citizen' and ‘citizen-ness', carry potentially republican and egalitarian connotations, but this tendency is counteracted by the poet's obvious praise of the king. Lidner's ode stands as an example of the ambivalent use of political concepts during the late eighteenth century, the very concepts that would transform into the key concepts of nineteenth-century nationalism.

Ludvig Holberg (1684-1754) and Charlotta Dorothea Biehl (1731-1788) are two key figures of the Nordic Enlightenment. The Norwegian Holberg took his philosophical and theological degrees from the University of Copenhagen at an early age and travelled around Europe accumulating knowledge for his historical writings. Holberg made a splendid career at the University of Copenhagen both as a professor and vice-chancellor and published historical works, satires, comedies, essays, fables, and autobiographical letters. As a woman, Biehl was barred from university education and public office. Her world was confined to her childhood home, and she never had the opportunity to travel. In return, she immersed herself in studies of language and theatre, reading with great enthusiasm Holberg's writings. She became a comedy writer and a novelist, and also wrote historical works and historical letters. The paper discusses how Biehl and Holberg made performing arts and historiography inspire each other. History is in their depictions not only a royal chronology, but a vivid narrative. Holberg's and Biehl's approaches to historical study drew on different traditions: Holberg was influenced by ancient historiography while Biehl was inspired by the French chronicle; therefore, their historical writings have very different contents and designs.