1. Movables for Immovable Stories: Re-animating Children’s Classics with Hypermediated Paper Engineering
- Author
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Jodie Coates
- Subjects
Movable Books ,Remediation ,Childhood ,Disney ,Adaptation ,Film ,Drawing. Design. Illustration ,NC1-1940 ,Literature (General) ,PN1-6790 - Abstract
The familiar format of the pop-up book provides a dynamic artistic springboard for creatives working with digital media in the twenty-first century. This article explores how and why the format of the pop-up book, and other historic paper-engineered artefacts, have been utilised to re-imagine British children’s literature “classics” in contemporary transmedia adaptations. To demonstrate this phenomenon, I compare the formal aesthetics and experiential potential of two recent works. In Mary Poppins Returns (2018), a cinematic Disney adaptation of P. L. Travers’s early-twentieth-century Mary Poppins book series, a CGI-animated pop-up book serves as a theatrical stage for a bawdy music-hall performance. In Curious Alice (2021), a psychedelic virtual reality (VR) rendering of Lewis Carroll’s nineteenth-century Alice books at the Victoria and Albert Museum exhibition Alice: Curiouser and Curiouser, players were whisked into a peepshow Wonderland crafted from pixelated paper. Both texts remediate paper-engineered devices to literally re-animate key chapters of these classics, but also to metaphorically re-animate, and continue, the legacies of celebrated authors from past centuries for the next generation of young readers. In this way, remediated movable books can reinstate the seemingly immovable status of classics such as Alice and Mary Poppins, elevating their “timeless” appeal to the “universal” desires of children to become immersed in fantastical storyworlds. This renewal is partly achieved by the amplification of the movable book’s “temporal paradox”, as an artefact that is both perpetually novel and forward-looking, yet rooted in analogue nostalgia for the past. The icon of the pop-up book, in particular, creates a conceptual bridge between the figure of the imaginative, intuitive, Romantic, nineteenth- and twentieth-century child, and the media-saturated, transliterate young consumer of today, recalibrating classics for modern tastes and challenging current understandings of the child.
- Published
- 2024
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