1. 新文科建设与设计学科关联的思考.
- Author
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周 星 and 陆 希
- Abstract
The construction of new liberal arts has become an important research topic and work direction of higher education. In view of various doubts about the construction of the new liberal arts, it is necessary to clarify its concept and connotation. However, the emphasis on the construction of new liberal arts is not to mechanically innovate, but to inherit fine tradition and take on new perspectives, pursue interdisciplinarity, and to cultivate humanities and social scientists and art creators to meet the development needs of the new era, especially the intelligent era. Design is a discipline with special interdisciplinarity. Under the inevitable tide of the construction of the new liberal arts, the first step is to develop and promote the role and significance of design abreast of the time. When looking at design discipline from the perspective of interdisciplinary integration, we will find that the interweaving between it and the construction of new liberal arts cannot be ignored. For example, it is found in the film and television industry that design is ubiquitous. For example, the design of posters and scenes is closely related to design discipline. The meaning of the construction of new liberal arts lies in the newness of quality, that is, the newness of innovation. It is innovative to use various methods to broaden the vision of the discipline. Therefore, to eliminate people’s doubts, the only way is to inherit fine tradition and take on new perspectives as mentioned in the new liberal arts manifesto. It is necessary to build different humanities and social sciences on the basis of human wisdom, its original intention and temperament, original regulations and original basic spirit. Innovation relies on this basis, and we should strive to infuse more fresh factors and fresh ideas into the discipline, so as to promote its expansion and present a new landscape and a new look. From perspectives of the new engineering, new agricultural, and new medical sciences, it is a discipline with rich technical contents. In fact, the design discipline can also be classified, and it must be combined with more interdisciplinary factors. Innovation has a special meaning. In conclusion, first of all, the training requirement of the new liberal arts is to look forward to cultivating humanistic scientists who can think and analyze. Design should be aimed at the new liberal arts, and enable itself and the entire new liberal arts to design some requirements and rules on how to present a better landscape. Secondly, the new liberal arts strengthen the cross,combination and cross,reference of disciplines. Although it is not too difficult for the design discipline, it is necessary to excavate theoretical summaries and strengthen it. The design discipline itself is intertwined with engineering and art. At the same time, the design discipline can naturally obtain some elements from the construction of the new liberal arts. It absorbs multiple disciplines to make itself have a richer connotation and extension ambition. Design itself as the carrier of the close relationship between engineering and art needs a more rational framework to establish a close correlation with the new liberal arts. Third, the design or the artistic design of the new liberal arts is mainly about inheriting fine tradition and taking on new perspectives. If it includes design such as industrial design, product design, garden design, etc., it must be inseparable from the core of adapting to people. Design should meet people’s spiritual and emotional needs, that is, practical but in line with the laws of beauty. Design is the embodiment of comprehensive literacy, a collection of interdisciplinary, and a flash of humanistic spirit. People engaged in the design discipline usually place their designs in specific categories and detailed design results. But for us, the reason why the design discipline is so huge and all,encompassing is that we see more in the design of society, even the design of concepts and the more subtle design in the development of the whole art. In other words, design should be regarded both as a microscopic concrete and a macro,level thinking about the entire conceptual form and creative presentation, regardless of material presentation, industrial design, or spiritual presentation. In other words, artistic design has a kind of macroscopic observation power. Therefore, sometimes we think that design seems to be a kind of thought and artistic perception of a person who is inclusive of all things in a certain green space, a certain garden, a certain piece of furniture, and a certain kind of landscape. [ABSTRACT FROM AUTHOR]
- Published
- 2022
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