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Contemporary writing increasingly emphasizes truth-seeking and creative literacy to adapt to the rapidly changing social needs and cultural environment. The concept of nonfiction writing emphasizes the balance between authenticity and literature, that is, the creative combination of truth-seeking and literary narrative, subjective truth and objective truth. Creative writing, on the other hand, is a creative activity in the form of written expression, which emphasizes that everyone can create and is cross-border in nature. Therefore, we take nonfiction as a method, apply the concept of nonfiction writing to creative writing, analyze the cross-disciplinary drive and cross-disciplinary experiments of the concept of nonfiction writing on creative writing, put forward the implementation strategy of the concept of nonfiction writing in the teaching of creative writing, and provide new perspectives for the development of Chineseization and localization of creative writing. The study will provide new perspectives for the development of Chinese and localized creative writing. [ABSTRACT FROM AUTHOR]

Ding Yan is one of the representative writers of the "post -70s" in China. During the interview, she started from her own literary road. In the early days, she mainly created poetry and novels. In 2010, Ding Yan left Xinjiang and moved to Guangdong. Here she created two representative nonfiction works such as "Factory Girl" and "Factory Boys". She believes that the writer should not have a limit on nim or herself. Although there is a boundary between fiction and nonfiction, they can learn from each other. China's nonfiction writing has just begun, and there are still many areas that can be expanded. From the interview, we can clearly see the growth of the writer, her writing habits, her writing experience, and her understanding and thinking about nonfiction writing. [ABSTRACT FROM AUTHOR]