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This paper reports on a document in which the University of Alcalá ordered a set of tapestries from the series of Alexander the Great following the pattern of the tapestry maker François Raes.

This paper proposes the attribution to the Sevillian sculptor Pedro Duque Cornejo (1678-1757) of a sculpture representing St Joachim, preserved in the church of Carmen in Popayán, Colombia. For this, it is reconstructed the creative context of the work, posing some hypotheses about its potential clients and evaluating its impact on the city, where it was copied up to three times. Its case is significant for the study of the sculpture trade between Spain and America during the eighteenth century, proving that Duque Cornejo’s workshop had and American expansion, unknown to date.