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The paper deals with the clearing up of the modifications of sentences that grounded on the double proper-predicative syntactic connection. The purpose of the analysis is to find out the arrangement of the double proper-predicative syntactic connection’s interactions with the other types and describe the consequences of these interactions for the sentence structure. The simple and complex sentences that contain syntactic triplets of the formal model S1+Vf+Adj1,5 are the object of our analysis. The main methods of this research are complete sentence analysis on the formal-syntactic and semantic-syntactic levels, constituent analysis, analysis by the terms of dependence and descriptive device. The double proper-predicative syntactic connection interacts with the subordinate to-word connection, the subordinate determinative connection, the semi-predicative connection and the double mediate syntactic connection in the structure of simple sentence. The consequences of these interactions cause the modifications of syntactic triplets of the formal model S1+Vf+Adj1,5 by the way of subordinate sentence parts’, homogeneous sentence parts’ and unattached phrases’ appearance. In the structure of the complex sentence the double proper-predicative syntactic connection interacts with the subordinate determinative connection only. The result of this interaction is the formation of complex sentences with the comparative clause. The prospective of our study is to research the ways and arrangements of modification of the syntactic triplets of the formal model S1+Vf+Adj1,5, where the adjective constituent is expressed with the pronoun такий or with the compound of the proper-adjective and this pronoun.

This paper deals with monastic entrance as the liminal architectural element facilitating a transition between outer - lay and inner - sacred worlds. It examines the architectural design and spatial position of the monastery entrance as an articulation of its multiple functions, which apparently crystallized over a long period of time. By the eleventh century the function of a monastic entrance emerged into a codified model that included multiple activities. These undertakings necessitated a further elaboration of its architectural setting including visually recognizable symbolic and prophylactic elements. Symbolically charged visual content of an entrance communicated the messages to both lay people and the monks. For outsiders holy images displayed in the monastic entrance designated the abode for people who live under the protection of celestial beings. At the same time, for insiders (monks and nuns), they had multiple meanings both apotropaic and eschatological signifying an adventus into the other-world, which may open a path to salvation.