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This paper deals with economic-geographical factors of student satisfaction with café bars and nightclubs in Zagreb. To gain insight into regional differences in student satisfaction and guided by the principles of non-probabilistic sampling using the snowball technique, an online survey was conducted (N = 319). Significant spatial differences in consumer satisfaction were detected. They are not only caused by macroeconomic indicators (average salaries), nor by material resources that students have at their disposal (pocket money and other income) but are greatly relational. In other words, the perception of the price difference between Zagreb and the county from which the respondents come proved to be extremely important. Finally, the location was the most important factor when students choose which café bar they are going to visit.

Copyright of Social Sciences & Humanities Studies / Društvene i Humanističke Studije (DHS) is the property of Faculty of Humanities & Social Sciences, University of Tuzla and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost is the property of Institute of Ethnology & Folklore Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Acta Medica Croatica is the property of Croatian Academy of Medical Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper presents analysis results of the album by Ivan Standl from 1871, entitled “Memory of Zagreb”. Besides its remarkable cultural-historical value for Zagreb and Croatian photography in general, the album is also impor-tant due to printing technique of prints it contains. Namely, the photographs were multiplied by the collotype printing process, the latter being put into prac-tice only several years before, which makes the album a pioneering achievement of the photomechanical printing on the Croatian soil. It was conceived and com-pleted on the occasion of the First General Croatian Teachers’ Assembly held in Zagreb in 1871. Standl’s motifs of Zagreb were photomechanically multiplied in Munich at the establishment of Joseph Albert, a photographer, one of the inven-tors of the collotype printing. The procedure was refined and became commer-cially available only two years before Standl’s album was made. Standl most prob-ably became aware of the possibilities of the photomechanical printing and of the basic features of the collotype process via the Photographische Correspondenz jour-nal, the official organ of the Vienna Photographic Society, whose member he was from early 1866. Albert’s collotype prints illustrated more than one issue of that professional journal, the latter being available to Standl every month as the Soci-ety’s member. In all likelihood, the Croatian and Zagreb photography for the first time thus became aware of the possibilities provided by then brand new photo-mechanical prints and thanks to Standl and the financial aid of the Main Com-mittee of the Teachers’ Assembly, they were able to see and obtain examples of the new invention with motifs of Zagreb. The results of the research presented in the paper – by reconstructing the context of creation of Standl’s photo album and by precisely determining the making process of the prints it assembles – enrich the history of photography in Croatia with new insights and indubitably confirm the already known importance of its author as the most renowned protagonist of the photographic medium in the 19th century Croatia. [ABSTRACT FROM AUTHOR]

Copyright of Sociology & Space / Sociologija i Prostor is the property of Institut za drustvena istrazivanja u Zagrebu (Institute for Social Research of Zagreb) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociology & Space / Sociologija i Prostor is the property of Institut za drustvena istrazivanja u Zagrebu (Institute for Social Research of Zagreb) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bankarstvo Magazine is the property of Association of Serbian Banks and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost is the property of Institute of Ethnology & Folklore Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost is the property of Institute of Ethnology & Folklore Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Stanovništvo is the property of Demographic Research Center of Institute of Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Studia Ethnologica Croatica is the property of Studia Ethnologica Croatica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper we tried to determine with more precision in which period the church ... sancti Stephanis regis circa Drauam was assigned its patron saint - St. Stephen the King. Based on written and archaeological material sources on the examples of two highly important mediaeval centres south of the Drava, Zagreb and Knin, both with churches whose patron saint is St. Stephen the King, the time and the spatial preconditions that rendered a location eligible to have a sacral object dedicated to the most glorious ruler of the Hungarian throne, Stephen I was determined with more precision. The Hungarian dynasty pursued its aspirations for the lands south of the Drava, among other things, by a cultural policy reflected in the spread of Christianity through the church organization, and one of the methods was the assignment of a patron saint to chosen sacral buildings. Only five other are known, which were situated next to important communications as an essential factor in connecting the Hungarian Pannonian territory and its centres with the territory south of the Drava. The conclusion was reached that the consecrations took place after Andrew II first consecrated the Zagreb church, after issuing the document in 1217/1227, and at the latest until the rule of Bela IV (-1270) in the second half of the 13th century. That act, as well as the wide distribution of those churches in the area of the Zagreb diocese, was probably motivated also by intense activity of bishop Stephen II. At the moment of the consecration to St. Stephen the King, the church in Torčec had already been constructed, in favour of which speaks the number of neighbouring settlements, whose existence is documented by systematic archaeological excavations of that area, as well as by the find of a deformed S-ring. The considerable number of neighbouring settlements first of the Early and later also of High Middle Ages, at a given moment resulted in the need to form a parish centre and to continue with the burials around it. A testimony to its continuity is provided by archaeological excavations carried out at the site of Cirkvišče, as well as by the situation in the first half of the 14th century, documented in historical written sources. [ABSTRACT FROM AUTHOR]