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This study aims to investigate the aspects of textual coherence in Mamdouh Adwan's poem "On You Life Relies," which was included in his final collection, written while he was battling the cancer that ultimately took his life. The study examines how these mechanisms work together to achieve textual cohesion at the surface (linguistic) level through reference, repetition, and various syntactic relations, which in turn achieve a kind of deep semantic cohesion. To do this, the study used a descriptive statistical method to identify the elements of coherence in the text under study and then employed an analytical method to highlight the effect of these elements in connecting parts of the text, leading to a comprehensive understanding of the text. The study concluded that these elements work together to achieve textual cohesion within the poem to the extent of giving it life and renewal, which opens the door to interpretation for the reader, away from ambiguity and obscurity. Adwan demonstrated his ability to use different types of textual cohesion tools, giving them an aesthetic function at the formal level and a meaningful function at the semantic level. [ABSTRACT FROM AUTHOR]

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Copyright of Arab Journal for Scientific Publishing is the property of Research & Development of Human Recourses Center (REMAH) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The French critic Philippe Lejeune drew the distinctive boundaries of autobiographical writing and the set of terms of trade in the text within a textual charter he called the epigraphic enactments, but this prevents the emergence of a new narrative. What this art imposes on a clear reference charter, by matching the writer's name with the central character narrator, After that, the so-called mixed narrative types appeared that fluctuate between biography and novel or story and biography, until in the last two decades we reached the popular term in Arab criticism “self-imagining”, where this term will become the subject of this study’s question. From this point of view, we will discuss in this article the study of my grandfather’s lanterns and my grandfather’s candies by Haitham Bahnam Barada, which responds in ma.ny aspects to this emerging writin. [ABSTRACT FROM AUTHOR]

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Copyright of Çukurova Üniversitesi İlahiyat Fakültesi Dergisi (CUIFD) is the property of Cukurova Universitesi Ilahiyat Fakültesi Dergisi (CUIFD) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Contemporary Islamic Studiens Magazine is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Hakikati temsil ettiğini savunan birbirinden farklı dinlerin birbirleri ile karşılaşmaları durumunda takınabilecekleri üç temel tutumdan bahsetmek mümkündür: Dinî dışlayıcılık, dinî kapsayıcılık ve dinî çoğulculuk. Bunlardan dinî çoğulculuk, özetle, hakikati temsil etme hususunda tüm dinlerin eşit olduğu kabulüne dayanır. Dinî çoğulculuğu savunabilmenin önündeki engellerin en önemlileri farklı Tanrı tasavvurları, vahiy ve nübüvvet kabulleri olarak sıralanabilir. Bu engellerden en azından bir kısmının dildeki referans problemi ile ilişkili olduğu söylenebilir. Zira, bağlamında değerlendirilmeyen ifadelerin referansları konusunda yapılacak yanlış çıkarımlar dinî çoğulculuğun önünde aşılması güç engeller oluşturmanın yanında, dinî dışlayıcılık için de bir zemin oluşturmaktadır. Özellikle bir önerme “inanmak” gibi bir fiilin nesnesi olarak kullanıldığında ortaya çıkan önermesel tutumlar söz konusu olduğunda referans probleminin daha belirgin hale geldiğini rahatlıkla ifade edebiliriz. Bu çalışmada öncelikle dinî çoğulculuk yaklaşımı ana hatlarıyla ele alınmakta, ardından önermesel tutumların bir inanç deklarasyonu olarak kullanımı incelenmektedir. Son olarak, önermesel tutumlardaki referans probleminin dinî çoğulculuğun önündeki referansa dayalı engelleri kaldırma çabasına katkı sağlayıp sağlamadığı değerlendirilmektedir. Böylece, önermesel tutumlar çerçevesinde referans probleminin, dinî çoğulculuk için semantik bir temel teşkil etmesinin imkânı irdelenmiştir. Makalemizde böyle bir imkânın var olduğu sonucuna ulaşılmış ve bu durum temellendirilmeye çalışılmıştır.

Copyright of Journal of Babylon Center for Humanities Studies is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Djoussour El-maarefa is the property of Association of Arab Universities and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Larq Journal for Philosophy, Linguistics & Social Sciences is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Larq Journal for Philosophy, Linguistics & Social Sciences is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Djoussour El-maarefa is the property of Association of Arab Universities and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Drawing on modern revolutioning critical studies, the focus of this paper is on the cohesion characteristic in the poetic structure of Abi Al-Alla Al-Maari’s “Al-Naseem” poem. More specifically, this study examines the extent of efficacy of such means by discussing the concept of “cohesion”, its linguistic means, its applications and its representation in the general casting structure of this poem. The study illustrates the coordination link between the thought of Al-Maari and its life and existence aproach, and between the textual, grammatical and narrative structure. Eventually, the paper makes a case for Maari’s ability to communicate his human message to his recipients through this poem, whereby the poet provided the lamentation of Abu Hamza al-Faqih. He lamented all of humanity, but rather the whole of life.

Copyright of Al-Alama / Al-ՙalāmaẗ is the property of University of Kasdi Merbah Ouargla and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Djoussour El-maarefa is the property of Association of Arab Universities and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Larq Journal for Philosophy, Linguistics & Social Sciences is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of IUG Journal of Islamic Studies is the property of Islamic University of Gaza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper, the use of simple colloquial words by D. robina in hers story "Lubka". The choice of such words has been made so as to be studied, analysed, and distributed into groups in accordance with the appropriate methodology. By the analysis, we have arrived to the fact that the simple colloquial words used in the story by D. Robina have their own thematic references. The sixty-six words have been distributed into three semantic groups, involving forty-two words of negative meanings. This means that the distribution of simple colloquial words is contingent upon their basic negative meaning.

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This study explores the features of the textual cohesion in "Sunset Garden " (hadiqat alghurub) poem by Dr. Ghazi Al- Qosaibi, the last before his death. It highlights the effect ofcohesion on forming the poem's language, which reflects his grief and sense of death. In addition, the study shows the connection between the semantic and syntactic structures and their impact on forming the entire image of the poem. The impact of textual structures is manifested in shaping the image of self-eulogy and through employing various cohesive devices, such as repetitions and references. This study follows the descriptive, analytical, and statistical approaches. The study also aims to highlight the effectiveness of the textual cohesion theory on describing the cohesion in "Sunset Garden' poem and investigate the possibility of applying this theory to other Arabic texts. [ABSTRACT FROM AUTHOR]

Copyright of Alustath is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Academy is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Adab / Al-ādāb is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Adab / Al-ādāb is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Kutadgu Bilig, Atabetü’l-Hakâyık ve Divân-ı Hikmet misâli Türklerin İslâmiyeti kabulünden sonra ortaya konulan her dinî tasavvufî muhtevalı edebiyat mahsulü, içeriğinin zenginlik ve derinliğini, öncelikle iman ettiği dinin temel kaynaklarını kullanmak suretiyle elde etmiştir. Günümüze gelinceye kadar, bu hususiyet böyle devam etmiştir. Divan türü eserler, bunun en göz alıcı örnekleriyle doludur. Salih Baba 1846 - 1906-1907 , dinî tasavvufî Türk edebiyatına kazandırdığı Divan’ıyla alanın mümtaz şahsiyetleri arasında yerini almıştır. Divan’ının kerâmeten zuhura geldiğini de ifade etmek gerekir. Eserinde şairin, diğer divan şairleri gibi, dinin temel kaynağını teşkil eden Kur’ân-ı Kerim âyetlerini ve hadis-i şerifleri ya iktibas ya da telmih yoluyla kullanmış olduğu görülmektedir. Lafzî iktibas yoluyla kullandığı hadislerin, tasavvufî eserlerde hadis olarak meşhur olmalarıyla birlikte, geneli itibariyle hadis ilminin tenkid kriterleri cephesinden problem arzettikleri müşahede edilmektedir. Nitekim tenkid maksadıyla ya çok zayıf ya da mevzû/uydurma rivayetleri kaydeden eserlerde bu hadislere/sözlere yer verilmesi, bu gerçeğin de bir ifadesidir.

The present paper tackles the impact of grammatical reference on the shaping of the textual structure in terms of fulfilling its grammatical coherence and semantic relationships. The researcher has taken three essays from Ibrahim Al Turki's book "Wafq al-tawqīt al-'Arabī": "Paradox, Balance, and Transformation." The paper has relied on a modern linguistic theoretical framework, known as text linguistics. An analytical descriptive approach has been used by the Researcher to highlight and analyze types of references contained in the corpus being studied from a grammatical and semantic perspective in a manner related to the content and purposes of the author. The study, in general, has reached significant results, which can be summed up into the interplay of grammatical reference and the construction of the text, with an emphasis on ensuring its grammatical cohesion and semantic coherence. In addition, it plays a role in the conciseness of language and conveys the stances of the text author in relation to its theme, through linguistic and grammatical devices to express difference, paradox, agreement, transgression and other relations. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Research in Humanities is the property of Tarbiat Modares University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of University of Sharjah Journal for Humanities & Social Sciences is the property of University of Sharjah - Scientific Publishing Unit and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Textual cohesion is one of the important elements of pivotal text and is a set of form (shape cohesion) and semantic (Coherence) tools that contributes the interconnection of text and the interrelationship between its components, so shape cohesion is due to the application of elements which makes the apparent relation between the constituent elements of the text. Reference is a form of shape cohesion that contributes in realization of communication and interconnection of the components of a text, but it does not assume that role alone, but understanding the elements in the context depends on the interpretation and explanation of other elements in the same context which they refer to and this communication is realized through referencing links such as out-of-text and in-context reference, which in-text also refer to two types of prereference and post-reference. The present article seeks to examine the issue of its reference and application in the interconnection of Sharif Mortezas Al-Ghadir ode, a Muslim poet who is also committed to the issues of Islam to reveal how the elements of reference are used and their role in realizing the amount of communication and integrity of the elements of this ode. From the analysis of referential elements in the Sharif Mortezas Al-Ghadir ode, it appears that a set of elements have joined together in shaping this religious story and its semantic structure and, so the present ode is coherent and intertwined, so the elements and means of reference in this ode are varied, as far as we can see the in-text reference has increased in the poet's ode, and at the same time the poet has used more pre-reference elements than post-reference elements and this application has played a significant role in the interconnection and relevance of the ode verses. The artistic secret of this ode is in the referential elements and poetic imagery that makes the poet's intention close to the mind and helps the reader to accept the poet's ode more and more. [ABSTRACT FROM AUTHOR]

Copyright of Al-Mishkat for Humanities & Social Studies / Al-Mis̆kāt li-l-ʿUlūm al-Insāniyyaẗ wa-al-IğtimāʿIyyaẗ is the property of World Islamic Sciences & Education University (WISE) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Women lived under various forms of injustice, deprivation and marginalization, which are largely devoted, especially in societies with masculine concepts Which worked on women's maximum of many areas of life, which was a factor deprived of the most basic rights were customs and traditions, the weapon of the old man's authority to consolidate this exclusion and marginalization The traditions and traditions are a tributary of the social culture, which was biased to masculinity at the expense of women. Women lived in conflict with these references. This conflict was manifested in more than one form and the novelist had a position in this conflict. [ABSTRACT FROM AUTHOR]

Copyright of Al-Mustansiriya Journal of Arts is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Alama / Al-ՙalāmaẗ is the property of University of Kasdi Merbah Ouargla and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of IUG Journal of Humanitarian Research is the property of Islamic University of Gaza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of IUG Journal of Humanitarian Research is the property of Islamic University of Gaza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Arab Journal for the Humanities is the property of Kuwait University, Academic Publication Council and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Pronoun in traditional Arabic grammar has a significant position in its contribution in lexical cohesion of the text, a position similar in modern textual studies. This due to its role in forming reference, which is an important element in text cohesion. Arabic grammar had discussed the concept of pronoun so as the modern linguistics that had categorizes it resulting in text linguistics today. This paper attempts to examine how far both might share the same features with regard to pronoun. This is in order for us to put forward to the others about our tradition and its value. To achieve this, the traditional views on pronoun by Arabic grammarians will be compared vis a vis contemporary text linguistic views. It concludes with the common grounds between the traditional and modern; reference is most obvious with pronouns; traditional Arabic grammarians gave significant attention to this subject when they examine the topic of cohesion in the Holy Koran. Modern linguistics had no different views than that of the traditional Arabic grammarians except in the subject of terminologies. This entails our need to return to our tradition to enable us to benefit from its resourcefulness and for the sake of developing Arabic language and in particular, the disciplines related to the holy Koran. [ABSTRACT FROM AUTHOR]

Copyright of Dirasat: Human & Social Sciences is the property of University of Jordan and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)