Contemporary global art forms, including architecture, are related to the data of the intellectual and aesthetic transformation that took place in the structure of art in the different historical era, starting with the arts of ancient civilizations in Iraq, Egypt, Greece and Greece, through the art of the Middle Ages and the Renaissance, and ending with what the arts of modernity and beyond have become. Technological techniques, methods and materials that contributed to giving a new vision for the completion of artistic works, which was reflected in the results that emerged as a result of that artistic vision and aesthetic experience, through which various artistic works were generated and different technical techniques were employed (colors, metals, wood, plastics and glass) with the formations of optical units. With cultural symbols between the two structures of architecture and the requirements of contemporary culture, in addition to that, the new innovations represented by the emergence of the computer have given indications of scientific and technical development, especially after it was subjected to experimentation in the field of fine arts and contemporary architectural designs as it saved time and reduce the effort that was exerted in the stages of work completion Artwork.The research came in four chapters: The first chapter was concerned with the methodological framework of the research represented by the research problem, as it was demonstrated through this research by dealing with the study (the aesthetics of visual discourse of cultural symbols in contemporary architecture) with the nature of the concept of cultural symbols and the mechanisms of their operation in the contemporary global formation (contemporary architecture as a model). The problem of the research is that the nature of plastic arts in general is affected by the structures surrounding it with an influence that appears to be a logical product through touching those arts to influences of socially, religious, scientific, psychological and political pressure, as the relationship between cultural symbols and contemporary architecture is linked to fundamental characteristics found in the post-industrial or consumer society, An urgent necessity for the relationship between cultural symbol and cultural change in European and American societies and architecture at this stage, which is a more advanced level than the first level in the stage of modernity, due to the emergence of new contemporary sculptural currents such as compositional sculpture, moderate sculpture or what is known as (minimal art) and sculpture Conceptual, whose aesthetic propositions were shaped by the impact of postmodern philosophy and the major epistemological transformations that took place in The second half of the twentieth century in the structure of contemporary plastic art, especially contemporary architecture, and this is what is functionally confirmed according to the relationship of culture and art to the general development that takes place in human societies throughout history, and the study crystallized with the aim of identifying the visual discourse of cultural symbols in contemporary architecture. As for the limits of research, it was concerned with studying the aesthetics of visual discourse of cultural symbols in contemporary architecture by analyzing pictorial models of the visual formation of contemporary architecture for the period from (1955-2010) and spatially represented by contemporary architectural models completed on the ground and implemented in many countries (Europe, United States of America) As for the second chapter: it included the theoretical framework as it contained three topics: The first topic dealt with the semiology and characteristics of the mark in cultural discourse, the second topic: the contemporary postmodern culture, and the third topic contemporary art and architecture. As for the third chapter: it includes the research procedures included - (research, research sample, research method, research tool, and sample analysis) and the adult (5) model from his research community of (50) architectural models, and the researcher adopted the descriptive approach and in the fourth chapter: the researcher reached Several results, including:- -Symbols of contemporary architecture have been converged with nature, out of the ordinary, and have been similar to the cultural symbols of the city, as non-geometric shapes have been implemented that approach organic, industrialized shapes and the nature of the culture of global societies.-The constructivist treatments of the architectural elements in contemporary architecture relate to the aesthetic levels that are determined by the symmetry of the symbols of the visual and cultural units between the structures of architecture and sculpture and the requirements of contemporary culture. The conclusions reached by the researcher are:- -Large countries are distinguished as global centers by investing in the capabilities of art and merging them with technical and engineering sciences to accomplish various functions, including what is cultural, political, propaganda and economic, sending speeches with cultural symbols in the centrality of these countries that build these huge projects.The researcher also suggests conducting the following studies:. 1) Aesthetics of visual discourse of cultural symbols in environmental art . 2)Aesthetics of visual discourse of cultural symbols in contemporary Iraqi art [ABSTRACT FROM AUTHOR]