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The research deals with (the ceremonial preoccupations in the performances of the Iraqi playwright) the Iraqi ceremonial theater with a specificity that emerges as an Arab theatrical style that relied on reviving the legacies and popular folklore drawn from mythology and tales, as what was called quasi-dramatic phenomena as the foundations of an authentic Arab theatrical style employed in harmony with dung overlap with the ritual manifestations of The ceremonial dimensions are seen as one of the most important formative elements of the Arab ceremonial theater and one of the foundations of rooting. Those appearances, which came as constructive foundations, produced an idea that was reflected in the theatrical show with its festive style with an Arab identity, and that this reflection was represented in the operational structures of the theatrical show according to the Arab theoretical vision, and the research had focused on the representations of the festive appearances. The methodological framework came to review the research problem, the need for it and its importance in addition to defining and defining the terms. As for the second chapter, it came on two sections. Under the title (Celebratory Visions in Arab Theater Performances), the researcher went to create an approach between celebration and celebration in its philosophical dimension and the theatrical artistic work in Arab theater performances. The researcher adopted the descriptive, analytical and intentional approach in selecting and processing the sample in the third chapter of the research, and adopted the indicators that resulted from the theoretical framework as a tool for measurement.

يتطرق البحث الموسوم (الملحنون الأكراد ودورهم في الأغنية العراقية/ أحمد الخليل انموذجاً) الى ماقدمه الملحنون الأكراد الذين عملوا في المؤسسة العامة للإذاعة والتلفزيون في بغداد... حيث أن الكثير من الموسيقيين والملحنين الأكراد كانوا يعملون في تلك المؤسسة منهم العازف, والملحن أمثال (فؤاد عثمان) و(رضا علي) و(أحمد الخليل) و(إبراهيم الخليل)... وغيرهم.... وكان للملحن احمد الخليل دوراً مهماً في تلحين العديد من الأغاني العراقية بالاضافة الى للغته الأم الكردية لحن العديد من الاغاني باللغة العربية أيضا... وكذلك اكتشافه لعدد من المغنين العراقيين الذين اصبحوا نجوماً معروفين في الساحة الغنائية... كما ساهم الملحن الكردي (أحمد الخليل) على مدى أكثر من أربعين عاماً متواصلة على تقديم الحاناً متنوعة لأصوات مختلفة, ولمواضيع متعددة... ويرى الباحثان أن هذا الملحن يستحق الدراسة والتحليل لأعماله الغنائية, ومعرفة جهوده, ودوره في مسيرة الأغنية العراقية منذ الخمسينيات... هكذا صاغا عنواناً لبحثهما (الملحنون الأكراد ودورهم في الأغنية العراقية/ أحمد الخليل انموذجاً). يتضمن الإطار النظري للبحث مبحثين أولهما مسيرة الأغنية العراقية منذ الثلاثينيات إلى اليوم... أما المبحث الثاني يتطرق إلى الألحان الغنائية التي قدمها الملحن الكردي (أحمد الخليل) على إختلاف مواضيعها وفتراتها الزمنية... اما الفصل الثالث فسوف يتطرق الباحثان إلى تحليل بعضاً من الحانهِ وصولاً إلى دورهِ في مسيرة الأغنية العراقية... وفي الفصل الرابع يستعرض الباحثان النتائج, والاستنتاجات التي توصلا إليها... إضافة إلى توثيق التوصيات, والمقترحات, والمصادر, والملاحق.

The World Cup is one of the most watched sporting events, and since 1966 has found the so-called mascot, representing the host country for the events of the football World Cup, we find that the amulet wears a clear indication of what distinguishes the son of the country where the global event or the amulet is the character of one of the animals or birds common in the country of the event, and therefore we find the dimensions of the graphic and also elaborate It is characterized by its nationalism A political dimension and far from exceeding the limits of the geography of the country where the World Cup.The design of the World Cup mascot requires graphic designers team, as it is a Cartoon character that requires a graphical and psychological treatment (it must have excessive gravity and be clearly defined), also it contains on important vocabulary represented by the corporate identity, Its value through the visual identity, therefore must be nationalized and express the spirit of the country in which the events of the World Cup is held through various graphic treatments.Since the World Cup is characterized by attracting many foreign visitors interested in this unique and large event, because the arrival stations (airports, international and internal train stations, bus stops and subway stations) is the first thing to consider this visitor, so the search focuses on the advertising of the arrival stations that It contains on design and applied of the mascot of football World Cup.

The poem presented to the child is a type of poetry that is defined as balanced rhythmic speech that suits the child's mindset. Perhaps the child’s poem is written in a colloquial language that the Egyptian child understands or is in an Arabic language so that you need to explain the meanings of her words and then their verses, and in most cases children’s digital books that contain On poems in illustration are equal in that with children's stories books, so they have characters drawn in the style of cartoon or natural style, and they have artistic richness, either in terms of accompanying backgrounds or the colors that they cover, all of which pour into the melting pot of attractive artistic direction.There is no doubt that the design of cartoon characters accompanying children's digital poems requires the cooperation of both the poet, because he has the talent and imagination that translates the poetic verses of the poem into graphic forms, and the designer who coordinates the literary material (the poem) with the drawing and takes into account the appropriate technical specifications of the book and technical methods When print it.because the cartoon character in children's digital book poems requires an important graphic and psychological treatment, it must have a set of specifications such as (excessive gravity through the shape and color of her clothes and the anatomical composition of it and then its suitability for the age of the children), and also because it contains psychological vocabulary it must describe Precisely the poem accompanying it, through expressions and gestures emanating from it, and in fact we can almost be tempted that the first thing that a child looks at when browsing a book that contains a collection of poems is cartoon characters and their environments with different patterns.

The identity of any graphic film poster is derived from the identity of the Egyptian cinematic film associated with the film, which is announced by the Poster. The drama of Egyptian film novels is often an important element in highlighting the features of the portrait which applied in graphic film poster, If the novel is of a romantic type on portrait art that is follow graphic film poster, we feel that the portrait and the delusion of the expressions in the form of the novel, Valporthp of the millennium The cinema is originally a reflection of what the novel will tell us. In other words, it is a summary of what the character of the real hero is doing in the novel. If the character of the hero is the best of his portraiture.There is no doubt that the spread of cinematic aviaries of ancient Egyptian novels was a gamut of graphic elements, whether graphic drawings painted by talented artists or lines written by experienced calligraphers, but unfortunately this was abandoned by the appearance of photographic cameras, the photographic portraiture replaced the graphic portraiture that decorated the billboards in the cities And the villages of Egypt, and solved the digital lines from the computer fonts and removed the hands of the calligrapher for the film and even advertising posters in general.This research is considered an invitation to revive the art of portraiture of Egyptian graphic films, but in keeping with the technical and digital age that we live. We mean the portraiture designed and decreed by computer, digital applications rich with tools and raw materials for coloring and drawing and by artists who are no less talented than their predecessors, And all this to keep pace with the digital age we are currently living.

Abstract Digital illustrations are mainly used in children's stories, books and magazines, and are rarely found in posters for children because they require a highly talented painter and skilled designer, they also require considerable time and effort, and are therefore replaced by photographs.The Digital illustrations of commercial Guidance posters provided to children by the technical richness, which is rarely found in other means, this is because it is exposed in large sizes, so it is necessary for its artists to pay attention to its attractiveness because it addresses the child, So the digital illustration in the commercial Guidance posters which provided to children carries important elements, such as the promotion of a product or service, while at the same time modifying the child's erroneous behaviors or concepts, Therefore, it contains a pedagogic character, It is the "teacher" who conveys positive ideas and concepts that attempt to build the child personality of the child, and at the same time with its lines and bright colors attract the attention of the child and make him happy, So the guidance of the child through Digital illustrations pedagogy of commercial guidance posters is an important factor in increasing sales of the commodity, and the child learns the pros and cons by negating the child's behavior.A commercial advertisement is designed, implemented and published as the most common type of advertising because it is profitable for advertising organizations. Therefore, commercial advertising is aimed at increasing sales of a product or promoting a service. It is designed primarily to attract customers and make profits, He is a lieutenant of the national economy and a strong supporter of the financial situation of companies, factories and various services.In contrast, the guiding declaration aims to inform the recipient and guide him to conduct. He carries noble goals for the benefit of the recipient as a warning against a certain threat (the fight against epidemics, diseases and various viruses), or following a method (giving vaccinations to children and directing children to stop bullying against And not to raise the sound), or not to follow a method because it harms the person (not dumping the waste on the ground and not waste water or food).

This study was conducted during season to find evaluate efficiency of five insecticides they are Albarq (Triazophos 40% EC Deltamethrin 2.5% EC), Baythroid (Cyfluthrin 5% EC), Falcon (Triazophos 40% EC), Lord (Chlofenapyr 24% SC) and Final (Alphacypermethrin 10% EC); and sticker color traps they are White, Yellow, Green, Blue, and Red To protected Date Palm fruits infested by spider dust mite Oligonychus afrasiaticus (McGregor) and lesser date moth Batrachedra amydraula (Merck). The laboratory results showed that the Albarq insecticide gave the highest mortality percentage of adults dust mite was 95.83% and Falcon insecticide gave the highest mortality percentage of eggs dust mite was 82.87%, while the Final insecticide gave the lowest mortality percentage of eggs and adults dust mite was (59.41, 42.60)% respectively. Either field results showed that exceed Albarq insecticide recorded lowest percent and severity of infestation by spider dust mite on date palm fruits was 3.33% and 0.56 mite/date respectively, and excellence Albarq insecticide effected lowest infestation and absence to dates percentage by lesser date moth was (00, 00)% respectively The White trap sticker recorded lowest infestation percentage for spider dust mite was 56.11%, While the Yellow trap sticker recorded lowest infestation severity for spider dust mite was 9.17 mite/date, and the White trap sticker showed lowest infestation and absence to dates percentage by lesser date moth was 20.67% and 6.12% respectively, comporting with control treatment it recorded highest percent and severity of infestation by spider dust mite on date palm fruits was 82.33% and 16.83 mite/date respectively and highest infestation and absence to dates percentage by lesser date moth was 76.67% and 23.87% respectively. [ABSTRACT FROM AUTHOR]

The study investigated the possibility of removing heavy metal ions (Cd, Pb) from aqueous solutions using adsorption method on the citrus peel (orange), which is a solid waste available in abundance especially in the Syrian coast as well as easy to use at low cost. The optimal conditions for the simultaneous adsorption of the ions (Cd 2+, Pb 2+) on the surface of orange peel (dry, soft) were determined.The concetration of ions was determined using (DPASV) method Which is characterized by Sensitivity and high accurawcy. The results showed that the optimum adsorption conditions were at pH = 5 , equleibrium time = 60 min, and the initial concentration is ( C0 = 50-200) ppm,The application of the Langmuir and Frienlish models showed that Frienlish model is best fited for expressing the adsorption of Pb ions on the surface of dry and soft orange peel and for expressing the adsorption of Cd ions on the surface of soft orange peel , Langmuir model is best fited for expressing the adsorption of Cd ions on the surface of dry orange peel. The method applied its selected terms to realistic samples of processed and industrial waste water, which showed a unique response as a purification method for the water media.