Search

This paper aims to provide a concrete analysis of the immovable property registration system in the Northern Republic of Macedonia, and the public administrative institution that manages these assets. In the focus of the analysis elaborated in this paper, the essence of their legal activity is highlighted and the main principles on which this administrative structure is based are highlighted. The institution that manages the immovable property registration is important to study, as it presents a comprehensive, rich archive, referring to the content and processing of the property data, but also creates the possibility of publishing legal facts through the transfer and modification of jurisprudence titles on them. Problems encountered in the process of real estate registration system enables us to improve, adapt and select those elements that make the registration institution as simple, applicable, transparent and reliable as possible for all citizens at their disposal wealth. Amendments and supplements to the Law on Real Estate Cadastre of 2013 foresee significant changes in the field of real estate registration. The fundamental changes in this law mainly consist in the establishment of the information-geodetic system as one of the important integration systems, which aims to enable the collection, processing, maintenance, use, distribution and single access to the data contained therein. [ABSTRACT FROM AUTHOR]

In this work are included the so-called highland songs or songs of mountaineers. These are folkloric creations who are not expanded in the whole Albanian areas. They are mostly practiced in the North folkloric zones and have their autonomy, conditioned or determined from the specifics of the way how it is practiced. During the whole work, the main features and characteristics of the highland songs or songs of mountaineers will be treated summarily. Along the treatment and argumentation of the theoretical plan, will also be realized several concrete analyses that will be elaborated to support our outcomes. We believe that in this manner it will be shown clearly, completely and generally the range of this special Albanian folkloric type. To achieve such a definition, we begin from the fact that the poetic of these songs is totally noticeable and special compared to the other types of Albanian historical songs in general. Among others, for this type of songs we can notice the way of singing, which is completely different and unrepeatable in the other types of historical songs, the poetic structure with a shortage of poems or with reduced verses, with the lack of pronunciation and comprehension of the poetic text in many cases. [ABSTRACT FROM AUTHOR]