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The article analyzes the format of the Spider-Man animated series (1994-1998), which combines elements of a procedural series and a serial series. The importance of studying both the narrative format and the representation of the world in the series is highlighted. It is concluded that the recurring narrative elements in the series are not only the result of production factors, but also contribute to the construction of the protagonist's social and personal world. The article was written by Arturo Encinas Cantalapiedra and Rodrigo Miguel Morgado Gonçalves from the Francisco de Vitoria University in Spain. [Extracted from the article]

The richest experimental animation requires hybrid processes for its production. These processes can derive from different artistic disciplines, from different software, they can be produced with analog or technological means and all of this can be mixed to obtain a new and unique result. In this contribution we make a journey through the evolution of experimental animation and its current development to analyze its narrative, artistic and aesthetic possibilities. In addition, we propose a catalog of techniques that are commonly used in this type of animation and offer new hybrid techniques created by our research group. [ABSTRACT FROM AUTHOR]