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This research brings an original anthropological approach to the understanding of how the tourism industry negotiates the construction of elusive, magical geographies. Fairy tourism or 'fairy hunting' has been acknowledged since the nineteenth century, but is largely overlooked in tourism literature, despite increasing exposure to fairy motifs through multi-media platforms, including films, gaming, and literature. This study examines fairy festivals using a theoretical framework based on the novel concept of 'liminal affective technologies,' (LATS), that are designed to enhance transformative potentiality. An Interpretative Phenomenological Analysis method is used to analyse how fairy festival producers generate approximations of Fairyland. To create fairyscapes, their organisers devise LATs, such as situating the events in places that are bucolic, mystical and connected to local folklore, and staging workshops, music, and activities, such as wish-making, using fairy-themed motifs, to reinforce the magical narrative. Yet several festival producers 'toned down' the troublesome or Pagan elements of the fairyscape, explaining the surreality of their events to visitors as dreamscapes. [ABSTRACT FROM AUTHOR]

Few tourism sites possess the combined attributes of dark tourism and diaspora tourism, and journeys to these liminal spaces can unearth complex and nuanced emotions. While previous studies have added knowledge to the experiences of diaspora tourists, little is known about the liminal experiences at dark diaspora tourism sites. While most studies attempt to explore the experiences of tourists to destinations, there is neoteric interest in understanding the hermeneutics of these experiences by offering insights into the contextual interpretation of events. To investigate these, we integrate liminality and stimulus organism theories within a framework of interpretive phenomenology methodology. Forty interviews were conducted with dark diaspora tourists. The study revealed minor and major themes including enlightenment, visceral conflicts, identity dilemmas, and renegotiation of diasporic experiences. Ultimately, it is only by probing the interpretations of dark diaspora experiences from visitors' own narratives that deep concealed meanings to liminal experiences can be uncovered. The research indicates that experiences at dark diaspora sites vary and result in diverse effects on individuals' experiences and subsequent interpretations. [ABSTRACT FROM AUTHOR]

Examining transformational festivals can offer conceptual resources for a transformation of tourism into a more responsible and sustainable practice. By thinking together two usually distinct scholarly treatments of "transformation"—those of transformational tourism and those of transformational festivals—the COVID-19 pandemic can itself also be treated as a spatiotemporal threshold for the transformation of the travel industry. This approach can also help deconstruct the mechanisms that sustain deleterious aspects of tourism's guest-host divide. As borders reopen and mobility and recreation recommences, the capacity of transformational festivals—both within and beyond their highly porous time-spaces– to transform their participants offer lessons for the blurring, if not the outright obliteration of the demarcation between guests and hosts. The creative and pro-social responses of members of one such transformational festival culture—Burning Man– to this and past crises are presented as examples for how values such as participation and civic responsibility may help people overcome shared conditions of hardship, and support more sustainable tourism practices in the post-COVID-19 world. Such subversive inter-subjective inversions may bring the recognition, in-itself, and production, for-itself, of a shared humanity of co-creators and participants in not just ephemeral, but accretive transformational social and environmental projects. [ABSTRACT FROM AUTHOR]

Anthropogenic geographic studies in tourism should consider the liminality of the experience. Tourism by definition means a temporal and/or spatial movement takes place. How the tourist interacts and behaves during this transitory experience is a logical progression into human leisure behaviour. Several recent international gatherings of geographers provide the foundation to explore liminality in tourism and we build on those papers in this special issue. The papers are varied in geographies, yet have a central theoretical basis in all things liminal. Invited papers in this special issue are founded on the research presented at two international geography conferences in sessions devoted to tourism. The American Association of Geographers meeting in Boston, Massachusetts in 2017 and the Royal Geographic Society with the Institute of British Geographers in Cardiff, Wales in 2018 gathered geographers from around the world to study this theme. The following papers give the most comprehensive geographic review in tourism to date and we encourage additional dialogue. [ABSTRACT FROM AUTHOR]

Dark tourism, which deploys taboo subjects and commercially exploits the macabre, has always raised moral conflicts at a collective and individual level while providing new spaces in which morality is communicated, reconfigured and revitalized. Although earlier studies in dark tourism have focused upon the collective notions of morality with a considerable amount of discussion on the comprehension and the manner in which the history and information of dark tourist attractions are presented for tourist consumption, the individual differences of tourist morality and how tourists morally engage with death and its various forms of representation, has been neglected. In order to understand morally transgressive behavior displayed by tourists at emotionally sensitive or controversial sites and the various ways they justify their actions, the narratives of international tourists who are interested in death-related rituals at a cremation ground in India were collected and analyzed. Drawing upon a socio-cognitive theory, the moral mechanisms involved in tourist judgment towards photography of death-related rituals are discussed. It was observed that the cremation ground offers a liminal space for tourists to exercise their moral agency in an inhibitive form, as well as proactive form and that transgressive behavior among tourists is likely if they disengage from processes related to moral conduct using various moral disengagement mechanisms. This behavior arises due to an obscuring and fragmentation of human agency during moral disengagement thereby making it possible for tourists to not take ownership of the consequences of their actions. [ABSTRACT FROM AUTHOR]

Difficult heritage, rooted in difficult knowledge, is not simply difficult because of traumatic content but also because of the responses it can provoke. These responses can include confusion, anxiety, and empathy for the fear and suffering of others. As such, difficult heritage sites can be problematic in tourism, which is typically characterized by expectations of fun and relaxation. Scholars recognize that the tourist experience is liminal in that tourists occupy a state of limbo outside of their normal places and lives. This article argues that difficult heritage can be a liminal experience within tourism by critically analysing tourist reviews of Bonaire's slave huts. The Caribbean island of Bonaire attracts cruise tourists and tourists interested in water sports like snorkelling and diving. Yet, these tourists may visit the slave hut sites as a secondary activity during their stay on the island. TripAdvisor reviewers describe feelings of being both out of time and out of place at the slave huts as they imagine the conditions the enslaved would have experienced, and they describe emotional responses ranging from sadness to revulsion. Additionally, reviewers reflect on their visit to the slave huts after 'resuming' their vacation, particularly focusing on the contrast between their experiences. The approach of liminality has the potential to better understand tourists' experiences of difficult heritage. [ABSTRACT FROM AUTHOR]

The atrocities of Nazi Germany included the radical transformation of natural landscapes. At Ravensbrück (Brandenburg), a lakeside setting became the site of the largest women's concentration camp in Germany, processing approximately 159,000 inmates until 1945. Similarly, at Flossenbürg (Bavaria), a picturesque valley in the Oberpfälzer Wald housed a large concentration camp with approximately 100,000 inmates over seven years and a granite quarry to support Hitler's extensive construction programme. After the war, part of Ravensbrück became a Soviet Army base, while large sections of Flossenbürg were removed to make way for a new housing and industrial development. Along with other former camps (particularly Auschwitz-Birkenau), parts of these landscapes were developed into memorial sites that aim to provide a liminal experience for visitors – a 'rite of passage'. In attempting to regain a sense of place that evokes the trauma of the past, the landscapes of the memorial sites of Ravensbrück and Flossenbürg were recently altered to resemble their appearance in 1945. For visitors, however, the aesthetic experience of these landscapes lies in stark contrast to the narrative they encounter at both sites; they are surprised to see signs of life, objecting to modernisation at Ravensbrück or the existence of a supermarket next to the memorial site in Flossenbürg. This paper examines the transformative processes of these landscapes and explores how their liminality is constructed, experienced and challenged. Through empirical visitor research conducted at both sites, it provides a critical evaluation of the narrative given to visitors and suggests how these important sites can offer a more engaging 'rite of passage'. [ABSTRACT FROM AUTHOR]

Despite the growing number of pregnant women engaging in outdoor adventure activities, very few studies have explored pregnancy or the specific needs and challenges of pregnant women in tourism research. To fill this gap in the literature, we examine the participation of pregnant women in adventure tourism through the theoretical lens of liminality. Conceptualising pregnancy as a liminal stage in which women are 'suspended' between two statuses, opens diverse possibilities to delve into women's experiences of embodiment, bodily image and control. In this sense, pregnancy is understood as an 'internal change', which adds specific challenges to women's practice of adventure tourism, including bodily changes and different perceptions of risk-taking. Similarly, the context of adventure tourism provides an ideal space to reflect on liminal transitions and the 'outside changes' that pregnant women go through in the predominantly masculinised spaces that characterise this tourism segment. Semi-structured interviews were conducted with 35 Mexican women who actively pursue adventure tourism and who had engaged in these activities during at least one pregnancy. The analysis indicates the importance of norms and social expectations experienced by pregnant women when doing adventure tourism. The concept of the 'rhizomatic body' proved to be a valuable tool when looking at the social taboos, prohibitions and rules that apply to pregnant women in specific sociocultural contexts (in this case, Mexico). By reframing and reconceptualising pregnant women and their practice of adventure activities, the social construction of pregnancy is elucidated. Finally, the study contributes to the understanding of alternative models and experiences of being a woman in gendered spaces, while shedding light on relevant behavioural patterns among pregnant tourists and the sociocultural impacts of these patterns. [ABSTRACT FROM AUTHOR]

The term limen was introduced to anthropological studies following Van Gennep's theories (1960) about liminality. Among them, Victor and Edith Turner (1978) defined pilgrimage as a liminal experience, as it implies being between two existential levels that, through rituality, favours reflection. In this sense, the case of The Way of St. James (Spain) is an interesting field or research as it is loaded with contemporary meanings. Its landscapes assume the nature of spiritual and therapeutic ones; here, the physical and built environment, social conditions and human perceptions produce an atmosphere favourable to spiritual healing. On the basis of these emotions, liminality is the essence of this pilgrimage experience, not only during the same, but especially afterwards. As a matter of fact, this spiritual journey involves the search for one's self once back home, thus acting in the process of formation of the individual. Drawing on the need for improving researches on landscape perception approach in tourism studies, we pretend to singularise the pilgrimage landscape from a liminal perspective in order to point out the need for liminality before, during and after the pilgrimage. This is achieved by exploring perceptions and emotions expressed in a corpus of travel literary production. These narrative works are not limited to describe the pilgrimage experiences; rather they make liminality a literary theme to magnify their experiences. As a result, the concept of liminal literary landscape is used to refer to pilgrims' desire to revive liminality through the pages of travel narratives, in order to continue enjoying these emotions and feelings. These travel narratives are producing new literary modes based on the geographical exploration of the landscapes of The Way in relation to human feelings. [ABSTRACT FROM AUTHOR]

The townships of South Africa are peri-urban neighbourhoods defined by racial segregation, economic disparity, and geographic isolation. A product of the racist policies of apartheid, these spaces exist as exclusively black or 'coloured' neighbourhoods that present limited opportunities for mobility for residents. Since the end of apartheid, townships have increasingly come up under the tourists' gaze as sites/sights of resistance, difference, and, urban adventure. While much of tourism scholarship on liminality to date has focused on tourism landscapes creating liminal opportunities for tourists, this paper details how tourism encounters may also become liminal opportunities for tourism hosts under certain conditions. While the tourism encounters take place in the familiar landscape that is home, they become liminal occasions in which to come face-to-face with the previously inaccessible Other and transform one's relationship with them, with themselves, and with their home space. In conducting a critical discourse analysis with the texts of interviews with 16 township residents, a number of liminal moments were identified in participants' descriptions of tourism encounters. Themes identified in this research include: (1) Pertaining to a change in social standing, economic state, relationships to/with the other; (2) Desire for engagement, transformation through encounter; (3) Transformation of one's understanding of the physical landscape, and; (4) Transformation of one's understanding of self. These themes are elucidated through the use of creative analytic practice (CAP) and demonstrate that while tourism encounters in the spaces of home do not involve a physical relocation, they can have a transformative effect in people for whom such encounters with the Other were previously forbidden. [ABSTRACT FROM AUTHOR]

The liminal status of mountains makes them attractive destinations for adventure, and related tourism and recreation activities. Stemming from critiques of Nepal's growing adventure tourism industry, and recognising the centrality of Sherpas' roles within it, of interest are the ways Climbing Sherpas experience liminality in mountaineering. Liminality, an anthropological concept introduced by Arnold van Gennep (1960), becomes transformative as Sherpas use encounters with death and periods of uncertainty to take stock of the purpose of their lives. Moreover, analysis of narrative findings reveal that Sherpas assert individual freedom and collective agency in response to the dangers and demands of Nepal's commercial mountaineering industry, thereby shifting power relations on the mountainside. These findings challenge assumptions of immobile host populations that underlie some of the current understandings within tourism scholarship. Additionally, exploring the liminal landscapes of the mountainside draws attention to critical concerns regarding tourism (and its associated industries) as a mechanism for economic development. [ABSTRACT FROM AUTHOR]

The intersection between social media, liminality and nature-based tourism experiences hasn't been the focus of previous tourism research. Such intersection, on the other hand, is illustrative of how social media relate to the constitution and performance of tourism spatialities, tourist identities, storytelling and place-making, and can lead to relevant theoretical contributes. We aim to investigate how liminality is expressed in relation to nature-based experiences by tourists on social media, and what role social media plays in mediating liminality during nature-based tourism experiences. The analysis is based on a participatory netnography of images and text posts, as well as online interviews with users of the popular social media Instagram. Findings show that the expression of tourism experiences in nature is closely related to specific notions of liminal otherness as opposed to the urban life and the everyday, where nature and wilderness are expressed as related to the genuine, the authentic and a true inner self. Creative combinations of pictures, captions and hashtags make it easier for tourists to express the contrast between the natural landscape and the everyday landscape once they returned home. These combinations also relate closely to performances of resistant and alternative selves and communities. At the same time, such performances are mediated and contested between freedom of self-expression, surveillance and social norms, an aspect that makes their liminal nature ambiguous. [ABSTRACT FROM AUTHOR]

A Festa do Boi is a festive celebration linked to the Catholic liturgical calendar, which is celebrated in Allariz (Galicia-Spain). This festival reappears in the 1980s and like other popular festivals, it collects traditional elements and re-builds them into a new festive ritual, more in line with the new temporal and spatial configuration of the late 20th century. They are festivals in which tradition is combined, in representation of the local community, and the tourist approach (Prats, 1997). This event can be analysed as a spontaneous communitas (Turner, 1974a), a happening between hosts and guests (Smith, 1992), where the liminal space can be occupied by tourists as 'others' necessary for the identification of 'ourselves'. The participation of tourists in the festive ritual is carried out from two liminal positions: an unstable state because their daily life has been broken by the movement and involvement required in the festivals with the role of equals, but different. Both actors are required for the exaltation of collective identity. The level of satisfaction of tourists with the liminal experience based on the feeling of belonging and identification with the host community and the hedonistic perception, to provide a more holistic view of the festive ritual. A self-administered on-site survey was conducted on 393 tourists attending the 700th edition of A Festa do Boi in Allariz (Spain). The results suggest that hedonism acts as a precedent for satisfaction evaluation, and satisfaction evaluation for the attendees´ future intentions. In addition, the liminal experience has a two-dimensional structure composed of the individual changes experienced and of the festive ritual. [ABSTRACT FROM AUTHOR]

The concept of liminality informs the experience of tourism, yet little is known about how liminality is performed in the context of 'cruises to nowhere' that sacrifice terrestrial destinations for endless 'seascapes' of liminality. Fuelled by alcohol, round-the-clock parties and endless buffets, cruises to nowhere are an increasingly popular addition to the Southern African cruising season. Understood through a sample of South African based multi-day ocean-going cruises without a destination, results take literally the notion that tourist liminality involves boundary crossing into the unknown on the limitless horizon of the high seas. Using netnographic methods, boundary crossings are traced through the intended and practiced activities on-board cruise-to-nowhere experiences. Involving a mix of sun, sea, sex and especially alcohol, cruises to nowhere engineer the destination-free seascape as a liminoid playground. Reflecting on South African-based cruises to nowhere offered during the southern hemisphere summer cruising season, the findings of this research call for a more deliberate focus on the liminal aspects of ship-based tourism. At the same time, conclusions chart a course for what may be termed debauchery tourism. Building from work in cruise tourism geographies, alcotourism and party tourism, findings do not intend to moralise debaucherous shipboard tourism, but rather to explore the liminal setting of the cruise ship and the sea where cruises to nowhere offer round-the-clock drinking and partying as a liminal destination in and of itself. [ABSTRACT FROM AUTHOR]

Using data derived from a qualitative and quantitative study of four English cathedrals (Canterbury, Durham, Westminster, and York), I argue that these buildings combine high cultural capital with considerable liturgical flexibility, and that the latter has helped cathedrals become highly popular parts of the church and heritage landscape. In examining the ritual forms made available to visitors, including regular services, informal acts of piety such as the lighting of candles, and varieties of pilgrimage, I argue the need for a more nuanced theoretical vocabulary than is currently in play in order to describe the ways in which informants engage with liturgy. Drawing on both ritual theory and urban sociology, I juxtapose a more conventional depiction of ritual as involving entry into set-apart and liminal frames of action with the observation that many visitors engage in more 'lateral' forms of participation, where sacred and secular, official and non-official, blend in complex ways. Such 'laterality' emerges not only from contemporary responses to ritual engagement, but also out of characteristic ways in which urban publics engage with variegated city space. My broader argument is that the notion of ritual 'laterality' is a highly productive means of characterizing encounters between contemporary visitors and heritage sites of religious significance. Use of this category avoids a clear separation or hierarchy of value between sacred and profane realms of action, or between religious believers and tourists. An investigation of lateral interactions between visitors and such sites also assumes that informal, ambiguously articulated, and less public behaviors may be as sociologically significant as formal and easily visible ones. I conclude that ritual behavior in cathedrals points to wider trends in the encounters between diverse urban publics and ostensibly sacred spaces. [ABSTRACT FROM AUTHOR]

Hotels are spaces of temporary accommodation, but they are also important temporary spaces for an increasingly mobile and segmented workforce with different backgrounds and motives. In this paper we wish to address the temporary and transitional nature of hotel work by employing the term ‘liminality’. More specifically, we analyse the hotel as a liminal space for transient workers that view this work as a temporary endeavour. By drawing upon data from a study of hotel workers in Norway, we discuss how the liminality of hotel work may be understood. Here, we turn to an important debate within tourism studies on the blurring relationships between consumer and producer identities in resorts, often referred to in terms such as ‘working tourist’ or ‘migrant tourist-worker’. For a relatively privileged group of workers, the hotel becomes a space of liminal lifestyle pursuits as well as a space of work. We also contrast this privileged group with a different and less privileged liminal group of ‘expatriate workers’. Transient lifestyles and consumption of recreation among workers can have problematic effects in terms of reducing solidarity, and we wish to develop this further by investigating how worker representation and solidarity develops in liminal spaces of work. While strategies of liminality may have a transformative impact on the individual, their aggregate effects might simultaneously alter the way in which hospitality work is negotiated – from the collective to the individual level. As such, hotels as employers of working tourists pose a great challenge to collective representation, and may undermine effective worker action for less privileged groups of workers. The final section of this paper addresses this challenge, asking what bearings the individualism that dominates liminal work spaces has for trade unionism in the hospitality industry. [ABSTRACT FROM PUBLISHER]

Adventure and imagination are constant companions in creating landscapes and geographies in travel writing. Authors of travel texts cast the gaze from viewing platforms informed by Western discourse as they engage aesthetic dimensions of time and space to position the liminal in their narratives. In narratives of mobility the 'arrival' scene appears as a defining moment: one must cross a threshold and maintain a movement or passage involving temporal and spatial dimensions of liminality. In representing landscape, authors work with discourses of colonialism, post-colonialism, Orientalism and imperialism to formulate a discursive framework of what this paper positions as late twentieth century 'western cosmopolitical perspective'. Liminality is positioned as a tool to formulate metaphors, authorize discourse and characterize landscape through articulations of the gaze. This paper examines the writings of three women authors who wrote about their travels to the Islamic Republic of Iran in a particular historical moment - between the Islamic Revolution and US President Bush's 'Axis of Evil' declaration in 2002. Tracts of texts are drawn from the 'arrival' scenes to explore the various ways these writers frame their narratives according to the 'I' who focuses the 'eye' through a lens orientated by their cosmopolitical imagination or worldview. The gaze, articulated through discourse, provides a powerful view that may not reflect reality, but reflects what Western readerships may want to see as 'apparently' real. [ABSTRACT FROM AUTHOR]