440 results on '"*SHORT story (Literary form)"'
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2. Reading "Moments of Being" Between the Lines of Bach's Fugue: Lyric Narrative in Virginia Woolf's "Slater's Pins Have No Points.".
3. 'Brightness Falls': Magic in the Short Stories of Mary Butts.
4. Twelve Good Men or Two Good Women: Concepts of Law and Justice in Susan Glaspell's "A Jury of Her Peers."
5. Pedagogy of the Undressed: Sherwood Anderson's Kate Swift.
6. 'Loyal Saints or Devious Rascals': Domestic Servants in Edith Wharton's Stories 'The Lady's Maid's Bell' and 'All Souls'
7. "He thinks he's a failure--fancy!" Henry James's "The Lesson of the Master".
8. A Teacher and His Student: Subversion and Containment in Camus's "The Guest".
9. Beating the Bounds with Ambrose Bierce, or Learning to Read without Getting Shot.
10. Kafka's "Bucket Rider": What's It Like To Be Rejected.
11. ' 'YOUNG GOODMAN BROWN': HAWTHORNE'S 'DEVIL IN MANUSCRIPT' ': A REBUTTAL.
12. THE METAPHORICAL LEVEL IN WOLFE'S 'THE SUN AND THE RAIN'
13. Bibliography.
14. THE IDEA OF HISTORY IN GRAHAM GREENE'S 'THE DESTRUCTORS'
15. THE SHORT STORY: REVISION AND RENEWAL.
16. MÉRIMÉE'S 'FEDERIGO': FROM FOLKTALE TO SHORT STORY.
17. SPEAKING ABOUT SHORT FICTION: AND INTERVIEW WITH JOYCE CAROL OATES.
18. THE CRUCIAL BALANCE: A THEME IN LESSING'S SHORT FICTION.
19. THE MEANING OF CHEVYSSAUNCE: COMPLICATED WORD PLAY IN CHAUCER'S SHIPMAN'S TALE.
20. THE FLAWED TEXT OF 'BABYLON REVISITED': A CHALLENGE TO EDITORS, A WARNING TO READERS.
21. THE LOOK OF HEMINGWAY'S 'IN ANOTHER COUNTRY'
22. READING THE MAP IN 'A GOOD MAN IS HARD TO FIND'
23. ATMOSPHERE AS TRIGGERING DEVICE IN THE TURN OF THE SCREW.
24. 'I STAND HERE IRONING': MOTHERHOOD AS EXPERIENCE AND METAPHOR.
25. WHO IS THE LIGHTENING-ROD MAN?
26. CONRAD'S FIRST STORY AND THE SAVOY: TYPESCRIPT REVISIONS OF 'THE IDIOTS'
27. SERGEANT X, ESMÉ, AND THE MEANING OF WORDS.
28. THE RESTIVE BRUTE: THE SYMBOLIC PRESENTATION OF REPRESSION AND SUBLIMATION IN KATE CHOPIN'S 'FEDORA'
29. PINYE SALZMAN, PAN, AND 'THE MAGIC BARREL'
30. 'YOUNG GOODMAN BROWN': HAWTHORNE'S 'DEVIL IN MANUSCRIPT'
31. A READING OF JOYCE CAROL OATES'S 'FOUR SUMMERS'
32. MOTIVE AND METAPHOR IN FAULKNER'S 'THAT EVENING SUN'
33. MILLENNIAL EMBRACE: THE ARTISTRY OF CONCLUSION IN RICHARD WRIGHT'S 'FIRE AND CLOUD'
34. NABOKOV'S 'THE VANE SISTERS': EXUBERANT PEDANTRY AND A BITER BIT.
35. MANIPULATION IN SHIRLEY JACKSON'S 'SEVEN TYPES OF AMBIGUITY'
36. THE 'FRAME' OF THE TURN OF THE SCREW: FRAMING THE READER IN.
37. 'WHERE ARE YOU GOING, WHERE HAVE YOU BEEN?': SEDUCTION, SPACE, AND A FICTIONAL MODE.
38. PARADISE REVISITED: TWAIN'S 'THE MAN THAT CORRUPTED HADLEYBURG'
39. FEEDING THE SPOILED PRIEST: CARLETON, MOORE, AND THE ANGLO-IRISH SHORT STORY.
40. SALINGER CRITICISM AND 'THE LAUGHING MAN': A CASE OF ARRESTED DEVELOPMENT.
41. HENRY JAMES'S FIRST STORY: A STUDY OF ERROR.
42. HOME TO HER TRUE COUNTRY: THE FINAL TRILOGY OF FLANNERY O'CONNOR.
43. PERSEPHONE IN EUDORA WELTY'S 'LIVVIE'
44. A TRIUMPH OF THE EGO IN ANDERSON'S 'THE EGG'
45. THE GREAT GODDESS IN NEW ENGLAND: MARY WILKINS FREEMAN'S 'CHRISTMAS JENNY'
46. AESTHETIC IMPETUS VERSUS REALITY IN THREE STORIES OF JOSE DONOSO.
47. 'NEVER ANYTHING THAT FADES...': STEELE'S ELEUSIAN MYSTERIES.
48. THE PRISON OF THE SELF: ISOLATION IN FLANNERY O'CONNOR'S FICTION.
49. MAKER VERSUS PROFIT-MAKER: B. TRAVEN'S 'ASSEMBLY LINE'
50. PYNCHON'S SPANISH SOURCE FOR 'ENTROPY'
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