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The aim of the paper is to extend the standard set of ceramic vessels used for thermal processing of food with two forms: jugs and colanders. The paper presents the functional analysis of ceramic jugs and colanders made of cooking ware found in early Roman layers of the residential quarter of ancient Nea Paphos, excavated by the Polish Archaeological Mission of Warsaw University at Kato Paphos. The examination is based on the shape of the vessels, the fabric, as well as on specific traces of use visible on the pots, such as mineral deposit on the inside or soot on the outside surface. [ABSTRACT FROM AUTHOR]

The subject of this paper is a reconstruction of the architectural decoration of a façade of the House of Aion in Nea Paphos. During an excavation carried out in 1997 several pieces of decorated architectural elements were uncovered in room 19, among others the fragments of an arch, a lintel, an engaged column, an impost and two consoles. Those blocks served as a base for the reconstruction of the architectural frame of the main gateway. It took the form of a cantilevered, blind arcade of five spans erected above the main gate. Each span consisted of two engaged columns supporting an arch with a shallow niche underneath it, probably for a kind of decorative element. The reconstruction was based on similar architectural details known from the main room of the House of Aion, the Porta Aurea at the palace of Diocletian in Split, and the western façade of the Felix Romuliana Palace in Gamzigrad. [ABSTRACT FROM AUTHOR]

During the 2014 season a late Hellenistic well was explored as part of the excavations on the Nea Paphos Agora. Many special finds, including ceramic vessels, iron and bronze items, and lamps were found. Moreover, on the bottom of the well a piece of textile attached to metal application was discovered. In our paper, we would like to present preliminary examination of that artefact, which is very uncommon considering the rarity of such remains in Cyprus. [ABSTRACT FROM AUTHOR]

Oil lamps as archaeological finds and in museum collections provide a wealth of information. Various types of studies may be applied to investigate their meaning in ancient times. When several methods are used simultaneously, the objects may be interpreted according to distinct aspects, enabling us to study this group of ceramic objects from a multidisciplinary, comprehensive perspective. Such aspects are described in this paper, supplemented by a case study concerning oil lamps from the Agora in Nea Paphos, Cyprus. [ABSTRACT FROM AUTHOR]

The Australian archaeological mission to Nea Paphos in Cyprus has begun exploring the remains of a structure to the rear of the cavea of the ancient theatre on the southeastern edge of the hill known as Fabrika. The preliminary results of this excavation suggest a significantly large post-medieval building constructed using stone taken from the former theatre. The building appears to have been used in some sort of industrial production, the precise nature of which is not yet determined, and is perhaps the source of the etymology of the name of the hill. This paper discusses a need for a reassessment of this area of the city of Nea Paphos in its more recent history, and discusses the needs for a better understanding of the urban relationship between Fabrika and the theatrical precinct during the Hellenistic and Roman periods. [ABSTRACT FROM AUTHOR]

The city of Nea Paphos is the only ancient city of Cyprus to have preserved much of the painted decoration of its buildings and tombs and the following paper aims to present a fresco that has recently come to light in one of the cemeteries of the city. The newly found painting was discovered on the right-hand side of the entranceway to the funerary chamber of a tomb of Hellenistic and Roman date and may be part of a larger decoration that has been destroyed. A human figure, possibly a young man, is depicted inside a frame created by branches bearing pomegranates. The figure is holding a fruit and is turned to his right, possibly towards another person. Behind him, an open mirror hangs from the wall over something that looks like a funerary monument. Although fragmentary, the scene depicts features that have a deeply symbolic meaning observed for the first time in Paphos. It presents an opportunity to examine new funerary iconography and discuss issues concerning afterlife beliefs in the ancient city. [ABSTRACT FROM AUTHOR]

The word 'Paphos' emerged as early as the 7th century BC and was subsequently written in varying manners, firstly on inscriptions and later in literary texts. Yet it is only from about the second half of the 4th century BC that it appears inscribed on coins, solely in Greek alphabetic characters. The word is abbreviated to one, two or four letters, which sometimes form a monogram. On the extremely rare silver coins of the last king of Paphos, Nikokles, Paphos is written in a related form, ΠAΦIΟΝ and the exact meaning of this word will be considered in this paper. A further legend, ΠΒA, written behind the neck of a crowned female head on these late coins and the identification of the head itself have prompted several differing interpretations. The exceptional crown of this figure, the legend and the depiction as a whole will be studied within the political, historical and religious context of Paphos. [ABSTRACT FROM AUTHOR]

In September 2008, over the course of excavations at the Early Roman House, the bust of a young man was discovered in Room 24. He is depicted with curly hair and is wearing a conical cap. The author of this paper discusses the possible identification of the sculpture. There are two differing ideas. According to the first, the young man could be identified as one of the Dioskouroi, while the other theory considers him to be Attis. The author does not determine conclusively which of the concepts is appropriate, because both are supported by strong evidence. [ABSTRACT FROM AUTHOR]

The Eastern necropolis of Nea Paphos is one of the most significant funerary landscapes of Cyprus, primarily because of its connection with the capital of the island during the Hellenistic and Roman times, and therefore of importance for the archaeology of the Eastern Mediterranean. The first systematic exploration of the site took place in the 1980s in the form of rescue excavations. Only limited research has been undertaken since then. This article discusses the necropolis based on unpublished material from the rescue excavations. It presents the tombs' architecture; partially reconstructs the burial ground; reveals the extension of the necropolis; triggers questions related to the dynamics between nearby necropolis, and its potential correlation to satellite habitation sites. [ABSTRACT FROM AUTHOR]

The rocky hillock of Fabrika in the north-easternmost part of ancient Nea Paphos, founded during the late 4th century BC, is of key importance for understanding the early phase of the town planning, but at the same time very difficult to be methodically explored. Both its eminent location and geology made it a natural source of building material throughout the ages, greatly hindering any accurate reconstruction of the site development. However, the data collected so far strongly suggest that the arrangement of the southern part of the hill was of a cultic nature. Therefore, on undertaking a joint project with Université d'Avignon, we decided to focus the research on the southern part of the hill where, near the top of an Early Hellenistic theatre, there are rock-cut outlines of a temple possibly devoted to Aphrodite Paphia. During two seasons of fieldwork (2018-2019), we retrieved some important information regarding both an original Hellenistic arrangement of the sacred area and its later (Late Roman/Byzantine and Medieval) use. Some new observations were also made regarding the topographical details of the area. [ABSTRACT FROM AUTHOR]

During the first excavation campaign of the Paphos Agora Project (3rd July – 6th August 2011), an interesting object was discovered. In Trench II, Area 2 (Room 5), in the upper, late Roman layer, an oval amulet was found (siltstone, 39.41 × 41.32 × 4.81mm). The layer is dated to the 6th century AD, partially due to the presence of ceramic objects of the Cypriot Red Slip Ware type (Hayes form 2, AD 450-550). The obverse of the amulet contains a schematic, simplified figure of a sitting Harpocrates and below the mummy of Osiris in a boat, as well as depictions of animals (a crocodile, a rooster and a snake) and symbolic astrals (a half-moon and a star). On the reverse, however, an eight-line text of the so-called ιαεω- palindrome, consisting of 59 letters of the Greek alphabet, was carved. According to the current state of knowledge, it was translated in the following way: “Yahweh is the bearer of the secret name, the lion of Re secure in his shrine”. Both the depiction and the text carved into the surface of the amulet clearly indicate the influence of the Orient and the context of solar ideas; the object may be dated to the 5th-6th century AD. [ABSTRACT FROM AUTHOR]

32 stamped amphora handles were excavated on the Agora site in Paphos (ancient Nea Paphos), Cyprus, within the framework of the Paphos Agora Project conducted by the Department of Classical Archaeology of the Jagiellonian University Institute of Archaeology under the direction of Professor E. Papuci-Wladyka since 2011. Most of them were found in contexts dated from the Hellenistic to the Roman period. There are, however, a few stamped handles that were uncovered in definitively uncontaminated Hellenistic contexts. Most probably all of the stamped handles date to the Hellenistic period. They come from Greek amphora production centres including Rhodes, Knidos, Thasos in the Aegean and from Sinope on the Black Sea coast. Most of these stamps are commonly known, although there are several examples of a special interest. [ABSTRACT FROM AUTHOR]