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In this paper, we piece together threads of communicative processes between residents, architects, and other parties, as found in the lists and letters of the archive of the Byker Redevelopment in Newcastle Upon Tyne (1968-83). Documents that are usually discarded or neglected by architectural researchers - from a stack of various papers documenting residents' lists of complaints, evaluative papers such as an audit report, and architects' memos, to a resident's letter of complaint - enable us to reconstruct, first, how a mainstream practice collected and filed residents' experiences and understanding of their homes, and second, how, through the circulation of those papers in action as files, residents' notes were also embedded in the design process. [ABSTRACT FROM AUTHOR]

This article reviews the eco-social design work of students at the Gallatin School of Individualized Studies at New York University over the last decade. Environmental justice movements and the effects of global warming pose significant challenges to the architecture of dwellings, landscapes, and urban design communities. In response, students have placed socially and ecologically sensitive projects at the center of their design education. The justifiable moral outrage of our students has prompted us and them to rethink the methods by which we teach and imagine social environmentalism from the perspective of equity, inclusion, and the biosphere. [ABSTRACT FROM AUTHOR]

This article focuses on two methods employed in the selection, interpretation, and representation of diverse source materials for developing alternative biographies for my ancestral landscape - Nanhai district in the Pearl River Delta in southern China. These biographies aim to approach Nanhai from a long view of continual transformation, as opposed to prevalent readings of the region that focus on the striking spatial contrasts and large-scale developments that have only come about in recent decades. The chronological reading explores a critical shift in the cosmological understanding of the landscape situated in the 19th century through a selection of historical gazetteer maps, while in the excavational reading the diffuse continuity of the lineage in the present-day landscape of Nanhai is traced. In both methods, the drawing functions as a crucial (research) tool to engage the range of source materials. [ABSTRACT FROM AUTHOR]

This article explores the pivotal role of design as a decision-making tool within multi-stakeholder collaborations, focusing on the early phases of the Rotterdam Central Railway Station and its surroundings project. Spanning from 1996, when it gained National Key Project status, to 2007, when construction commenced, this period precedes the preliminary design, during which the design process becomes the primary method of collaboration among multiple stakeholders, including designers and clients involved in the station area's development. After introducing the post-war reconstruction of the station area and the 'Platform Zero' experiment, this article defines three key stages of design in the initial phase, each of which left a distinct mark on the station project. These stages are: - From 1996 to 2001: Design for political communication. - From 2002 to 2004: Parallel design. - From 2004 to 2007: Design co-creation and integration. To provide a comprehensive view of the design's development, this article includes insights from conversations with architects and planners engaged in the process. In a dynamic exchange between various stakeholders and designers, the evolution of Rotterdam Central Station's design reveals how political decisions have been informed by thorough design studies, offering a platform for robust discourse on critical issues. [ABSTRACT FROM AUTHOR]

This essay delves into the installation designed by Hans Hollein for the Künstlerhaus facade in Vienna in 1985. It serves as an illustrative case of material speculation in architecture, particularly regarding the incorporation of 'historical' elements in contemporary architectural practice. Through a close reading of this installation, realized in the context of the exhibition 'Traum und Wirklichkeit, Wien 1870-1930' (Dream and Reality, Vienna 1870-1930), I discuss how such speculation entails the physical replication of carefully chosen 'historical' forms and their reassembly in what would be best described as a 'fragmentary whole.' However, the reintegration of historical fragments into the present can manifest in diverse ways. I argue that in the installation that reshaped the facade of the Künstlerhaus, Hollein explored two contrasting modes while tracing the possibilities (and pitfalls) of their synthesis. [ABSTRACT FROM AUTHOR]

The potential of implicit architectural knowledge extends beyond the realm of sciences and technology. It is worthwhile to examine its role in art, artistic practices, and artistic knowledge. This article explores several practical examples from art and architecture, spanning the 20th and 21st centuries. These examples shed light on artistic practices that, apart from enhancing designerly qualities and fostering a reflexive approach, may have a significant research impact in architecture. The methods, processes, and topics of these examples are examined, and their potential for critical improvement is highlighted. Particularly, the concept of 'not-knowing' is emphasized as a valuable asset for addressing contemporary and future challenges, not limited to architecture. [ABSTRACT FROM AUTHOR]