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The article explores the transformation of poet Pier Paolo Pasolini from a revolutionary figure into a marketable icon, emphasizing the paradoxical nature of his posthumous portrayal. It reflects on the commodification of Pasolini's works and the reduction of his critique to a mere aesthetic object, thus diluting the potency of his social commentary. It underscores the danger of his legacy being overshadowed by superficial adulation rather than genuine engagement with his ideas.

The article delves into the poetic legacy of Calabrian dialects, particularly focusing on the works of Ciardullo and the cultural significance they hold. It intertwines personal memories with critical reflections and cultural considerations, acknowledging the richness of dialectal poetry and its resonance with Calabrian heritage. It highlights the depth of Ciardullo's literary contributions and the societal reflections embedded within his works.

The article explores the humanistic rediscovery of the pastoral eclogue in France during the first Humanism, focusing on the poetic works of Jean Gerson and Nicolas de Clamanges. It states that these poets, influential figures in the intellectual life of France during the Great Schism, incorporated classical forms and structures into their poetry, particularly reviving the classical genre of pastoral eclogue.

The article offers an extra-textual and contextual interpretation of the intellectual or simply emotional relationship that Gianni Rodari's writings maintain with art. It mentions how the author manages to transpose the classic concept of ut pictura poesis, which, since Antiquity, means "imitation of the real world", into the process of the "construction" of fantasy worlds.

The article offers an outline of 20th century Apulian poets mainly focusing on their capacity to get rid of the dominating models. It mentions that moving away from the influence of the main cultural centres and going beyond any form of marginalization, this tradition achieves its fully-fledged position in both the national and the international literary framework.

The article focuses on Mallarmé's poetry and its genesis in the ‘deep' of the unconscious are analyzed, through a new original model of psychocritics, as a specimen of modern lyric. It mentions that in the kaleidoscopic phantasmagoria of its meanings a metaphor of poetry, and at the same time its essence appears as the elective poetic universe for an in-depth understanding of the fundamental mechanisms of the genesis and birth of a poetic text and of the mystery of beauty tout court.

Copyright of Revue Européenne de Recherches sur la Poésie is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Européenne de Recherches sur la Poésie is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)