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The current research inspired by Foucault's concept of panopticon,analyzes within the novel The Mister President the power relationships as a manifestation of a speech ruled by a logocentric structure of surveillance and denunciation. The work also studies the relevance of this text considering the presence of the panopticon in the represented continental reality as a coercive mechanism of control capable of normalizing the identity of the individuals and determine the political and interpersonal relationships. [ABSTRACT FROM AUTHOR]

In the following pages, inspired by Sartre's concept of "regard" and Foucault's concept of "panopticon," we consider the role of regarding and of panoptical watching in the film Aguirre, God's Wrath (Aguirre, der Zorn Gottes), by Werner Herzog. We point out how the bodies of Aguirre's fellow conquistadors are dominated by him; how, by this relation they are transformed; and, finally, we discuss the meaning and nature of the film, which is more linked with the representation of a sublime individual (in the Kantian sense of the word erhaben) than with a mere story about the American Conquest. [ABSTRACT FROM AUTHOR]