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El artículo consiste en la proposición de una lectura del libro Por ser vos quien sois del poeta chileno Armando Uribe. Libro que instaura la presencia del silencio en el texto y que pertenece a una tradición que se ha mantenido vigente en el transcurso del presente siglo en la poesía chilena. The article contains a proposal for an interpretation of the book Por ser vos quien sois by the Chilean poet Armando Uribe which establishes the presence of silence in the text and which belongs to a tradition in Chilean poetry that has remained in force throughout the present century.

En la poesía chilena del siglo XX hay una corriente sostenida de preocupación religiosa, que reaccionando contra el positivismo imperante, busca respuestas a los problemas de la existencia humana en una realidad trascendente. En el artículo el fenómeno es estudiado en tres poetas de generaciones diversas: Gabriela Mistral, Armando Uribe y Jaime Quezada, observando el modo específico de darse lo religioso en cada uno de ellos. Twentieth century Chilean poetry contains a persistent current of religious concern, that reacts against the dominant positivism and looks for answers to the problems of human existence in a transcendent reality. This phenomena is studied in the article in three poets from different generations: Gabriela Mistral, Armando Uribe and Jaime Quezada, focusing on the specific way each one treats the religious theme.

La poesía de Gabriela Mistral conserva numerosos rastros del lenguaje oral y parece exigir para su "performance'" la lectura comunitaria y no la de la soledad de texto y lector. En el presente trabajo se ha denominado "oralidad residual" a este fenómeno, y se intenta, como primer paso de una investigación más amplia, determinar las causas de dicho fenómeno. The poetry of Gabriela Mistral retains many traces of oral language and seems to require conmunal reading for its "performance" and not the loneliness of text and reader. This phenomenon is called "residual oralness" in this work; and an intent is made to determine the causes of the phenomenon as a first step in research.

El artículo da cuenta del paso que se produce desde la escritura enigmática propia de la modernidad a la forma, en muchos casos, más coloquial, de lo que Friedrich llama poesía contemporánea. Una poesía que acerca a los sujetos empíricos y poemáticos, con la intención de desplegar situaciones que al interior de los textos se constituyen en auténticas revelaciones del serThis article accounts for the transition from an enigmatic style of writing characteristic of the modernity toward a form, in many cases more colloquial than that which Friedrich denominates contemporary poetry. It is a poetry which brings the empirical and the problematic subjects closer, with the intention of displaying situations that inside the text, become authentic revelations of being

La presente reflexión tiene por objeto configurar la "poética" inscrita en los textos poéticos de Delia Domínguez para develar el modo como la autora concibe su propio quehacer. La observación se ha realizado respetando el orden diacrónico para hacer visible y registrar el desarrollo escrituralThe present reflexion proposes to configurate the "poetics" inscribed in the poetical wor5k of Delia Domínguez, in order to reveal the way the author conceives her own craft. This observation is made in accord to the diachronic order which makes visible and permits to follow the writing process

This article accounts for the transition from an enigmatic style of writing characteristic of the modernity toward a form, in many cases more colloquial than that which Friedrich denominates contemporary poetry. It is a poetry which brings the empirical and the problematic subjects closer, with the intention of displaying situations that inside the text, become authentic revelations of being.

The present reflexion proposes to configurate the "poetics" inscribed in the poetical wor5k of Delia Domínguez, in order to reveal the way the author conceives her own craft. This observation is made in accord to the diachronic order which makes visible and permits to follow the writing process.

This article discusses three poems by Joaquin Alliende, starting from the most recurrent topic we can find in his poetic texts, that is, the existence of a merciful God who will be able to decode the senselessness that threatens human life. This analysis has been completed on the basis of indirect allusions and textual quotations that connect these poems with the cultural tradition.

This article puts in evidence the tension between a hopeless vision of man and the world in the century that has just concluded, the birth od a new hopefulnes that seems to slipo out of the author against his will, but of which the study shows clear evidence. Matrices of sense which give unity to the book are observed, as well as the relation of the text to the intertext of the Gregorian Requiem Mass of long standing tradition, object of innumerable artistic recreations.