Search

In this article, we report on a follow-up session that was organised to share findings with children about a participatory research project they had been involved in a few months earlier. This was motivated by the ethical concern that it is the children’s right to be informed about the results of the research. In the process of reflecting on the research project, however, the children diverted the researcher’s focus onto aspects of the research that mattered to them. Rather than discussing the results and the benefits of the research, the children were keen to discuss issues of representation, questioning the researcher about pseudonyms, transcribing and their role and presence in the dissertation. The follow-up session opened up a transformational space where both the child participants and the adult researchers gained new understandings about research processes and relationships. We argue that such retrospective reflection can be a beneficial tool to explore children’s post hoc interpretations about the research, while developing researcher reflexivity. [ABSTRACT FROM PUBLISHER]

In this paper, we examine the methodological possibilities of working with personal textile objects, such as clothes in need of mending, beloved personal blankets, and knotted rag dolls. Our focus is on a transdisciplinary project that sought to collectively explore how the bodies of professionals working for the Colombian Transitional Justice System are affected when engaging with narratives of war and conflict. We contend that textile making in this context serves a dual methodological purpose when facilitating spaces of careful research. Firstly, this material practice enables participants to pause and immerse themselves in their own experiences, something that in turn is generative of personal reflections. Secondly, the created objects become appreciation devices capable of documenting and eliciting memories that continually engage participants and researchers in new inquiries. Consequently, this paper contributes to the understanding of object-oriented methodologies as inherently relational and situated. Moreover, it aims to comprehend textile making practices as capable of unfolding care as a research practice. [ABSTRACT FROM AUTHOR]

This article explores how solicited paper diaries, and the accompanying materials, are carefully handled over the course of one research project. It foregrounds the value of attending to mundane moments with research materials, by tracing tangible material encounters together with intimate fieldnote reflections. Through drawing upon theories of materiality with feminist and relational ethics of care, this article centralises paper diaries as a key mediator of relationships and care within research. It considers the micro processes of choosing diaries, posting them, receiving and storing them and tracing the emotionally charged moments as a researcher in everyday research situations. Such reflections, from the perspective of the researcher, look to offer insights into research relationalities and care. It argues that these momentary fieldwork reflections extend understandings of material methodologies by emphasising relational intimacies as a researcher and connects material and sensory understandings with feminist ethics of care and researcher reciprocities. [ABSTRACT FROM AUTHOR]

Within qualitative research, much can be learned from the influence of researcher positionality on the research process. Reflecting upon ethnographic fieldwork undertaken for a doctoral study, this paper explores how researcher positionality not only shapes research motivations but also situates the researcher and the 'researched', impacting how data is created and interpreted. There is a long history of engaging with positionality in qualitative research, however, oftentimes this engagement is purely descriptive, providing a 'shopping list' of characteristics and stating if these are shared or not with participants. It is important for engagement with reflexivity to go beyond providing a 'shopping list' of positionality statements to develop deeper discussions about the fluidity of positionality across the research process. Using the previously established concept of 'kitchen table reflexivity', I reflect on how talk allows researchers to outline shifts and adaptability in positionality as research progresses. I expand this concept to argue that kitchen table reflexivity can occur in conversations during fieldwork with participants, utilising a range of in/visible tools at the researcher's disposal. For example, the spaces between fieldwork encounters, the 'waiting field', is often where observations and informal discussions with participants take place. Using fieldnotes and interview data, this paper outlines how positionality fluctuates and interweaves with the theoretical, methodological, and analytical approach taken. The paper concludes by restating the importance of meaningful engagement with positionality throughout qualitative research, in order to avoid static and hollow positionality statements. [ABSTRACT FROM AUTHOR]

The purpose of this paper is to explain and describe the use of presuppositional interviews as means of the researcher being able to expose their own, often unknown, assumptions about the phenomena of interest. Within this, we provide a philosophical and practical account for the development and use of a presuppositional interview from an insider perspective to expose insights which influence researcher reflexivity and directly impact on the research process. Author A's hermeneutic phenomenological study seeks to gain insights into the lived experience of children learning mathematics in outdoor environments, such as forests and woodland. The paper describes how the reflexive method of presuppositional interviewing helped him to understand more about his research position and find a clearing in his 'Being in the Wood.' A template for a presupposition interview schedule is presented. [ABSTRACT FROM AUTHOR]

Although there is an ageing population in Europe which acts as an increasingly influential social and economic force, there remains limited scholarship concerning the involvement of older people in research. This paper responds to the question of how visual participatory research engages older people through three illustrative case studies, set in England and Italy, all of which incorporated different visual elements within their participatory design. These cases highlight; the value of the visual as a trigger for memories as an entry point for research discussions, that the sharing of experiences is facilitated by both the participatory and visual elements of the approach and that greater engagement is forthcoming once trust is established through the socialisation of older research participants. Reflections and good practice suggestions are offered to other qualitative researchers on the practicalities of adopting this approach. [ABSTRACT FROM AUTHOR]

Side comments and conversations in focus groups can pose challenges for facilitators. Rather than seeing side comments as problematic behavior or "failed" data, we argue that they can add to and deepen analyses. Drawing on focus group data with grade nine students from a study on early work, in this methodological paper we discuss three patterns. First, side comments have highlighted where participants required clarification, and illustrated their views and questions about the research process. Second, side comments added new data to our analysis, including personal reflections, connections to others' comments, and information about participants' uncertainties about the research topics. Third, these comments offered insight into peer relations and dynamics, including participants' reflections on age, and how they deployed gender relations in their discussions. Provided that their use fits within established ethical protocols, we argue that there is a place for attention to side comments, especially in focus group research with young people where adult-teen hierarchies and peer dynamics might lead young people to engage more with peers than directly respond to researchers' questions. [ABSTRACT FROM AUTHOR]

Engaging in 'reflexive practice' throughout the research process (Benson and O'Reilly, 2022) and a 'reflexivity of discomfort' (Hamdan, 2009) through an intersectional lens, this article presents a reflective account of accessing and conducting observations and interviews at a South Asian women's organisation, in North England, to explore Pakistani and Bangladeshi Muslim (PBM) lone motherhood. It critically explores how researchers' own subjectivities and intersecting identities – in this case, my intersecting identities and positionalities as a young British Pakistani Muslim women, researcher and volunteer – impact interactions in different circumstances with different groups of participants and the importance of having continuous critical self-awareness. Moving beyond simplistic insider–outsider debates, the paper contributes towards further developing reflexivity debates taking an 'intersectional reflexivity' approach. It argues for thinking about the research process and engagements in the field as socially constructed, changing, adapting and negotiated overtime and to utilise intersectionality to unpick broader categories. Finally, it encourages researchers to adopt reflexivity in their research practices. [ABSTRACT FROM AUTHOR]

This paper examines how sexual harassment is often mediated through the making of imagined complicities that are constructed to imply that an alliance/compliance underpins the relationship and 'justifies' the harassment. It is concerned with how the making and doing of intimacies engages with broader hierarchical structures of power, including structures of inequality. Fieldwork is viewed as a site in which the politics of intimacy exposes normative expectations and structures of inequality. Specifically, the discussion exposes how processes of Othering are mobilised by participants as a means to cultivate imagined complicities but expose discrimination. The paper calls for a reappraisal of the focus placed on building rapport and/or a sense of familiarity in qualitative research to take account of multiple forms of intimacies and risks they can entail. This is increasingly prescient in light of the renewed emphasis on participatory methods and co-production which entail closer working relationships. [ABSTRACT FROM AUTHOR]

This paper develops a methodological framework for event-ethnographic research in online and offline settings based on the authors' ethnographic experiences in the fields of environmental governance and sociotechnical transition before and during the COVID-19 pandemic. Drawing on empirical event studies, we outline the particularities of organized events as ethnographic research sites, identifying key challenges related to the spatio-temporal ephemerality, socio-material infrastructures and interactive unboundedness of events. We address these challenges along three axes of reflection, asking how we (1) attend, (2) infrastructure, and (3) take part in organized events. The framework we propose promotes a co-constructive understanding of organized events and raises broader methodological issues regarding power dynamics, our role as ethnographers in transdisciplinary contexts and fair and transparent ethnographic data collection. The framework is designed to explore how the (post-)pandemic transition from real-world to virtual event interactions affects both our research fields and our ethnographic research in transdisciplinary contexts. [ABSTRACT FROM AUTHOR]

This paper provides insights from experiences in data gathering and recruitment from two research projects on disability/mental health in Ghana. The focus of the study explores stigma amongst individuals diagnosed with mental illness and their caregivers. The study investigates the positioning of the researcher in a superior light by participants which often wrests power from those who should be considered the true experts of their own circumstances. Inequality in the interview process thus carried the risk of impacting the quality of the data, as some participants did not consider themselves as 'experts' of their condition. The paper explores strategies for addressing these challenges of hierarchy and inequality in the research process in the Global South. Based on the study, we report on our experiences as follows: (1) ensuring that participants are empowered to engage with researchers; and (2) training local researchers to engage in culturally sensitive research processes. [ABSTRACT FROM AUTHOR]

Digital maps have been taken up as a productive tool in both activism and academic research. However, there has been less consideration of their use as a research method in qualitative social sciences research. This paper aims to contribute towards scholarship on qualitative research by providing a critical reflection on the use of digital mapping as a research method in a feminist research project on street-based harassment in Australia. Drawing on practices of reflexivity, as well as comments made by participants across 46 qualitative interviews, I consider how digital mapping can be used to facilitate feminist research, arguing that it represents a generative instrument which lends itself to the development of in-depth insights from participants. Yet, mapping also delimits the epistemological possibilities of qualitative research, and I consider how this method simultaneously constrains what can be known about street harassment. [ABSTRACT FROM AUTHOR]

The emotional dilemmas and challenges facing researchers within the research process are beginning to be documented within the literature, and academic interest in them is in ascendency. This paper adds to this growing discourse by taking a reflective journey through 19 years of research practice. It presents an honest and revealing manuscript highlighting in particular, the researcher's emotional dilemmas experienced when disengaging from participants at the end of longitudinal research studies. It uses case studies to highlight some of the challenges in maintaining the participant–researcher boundaries and the emotional dilemmas this creates when trying to say goodbye. It argues that blurring the boundaries of participant–researcher relationships and establishing a trusting relationship can present emotional difficulties for researchers during and long after the closure of a research study. [ABSTRACT FROM AUTHOR]

This article discusses methodological adaptations to participatory methods for reflexive environmental management. Reflexive approaches to research methods as process, this article contends, can elucidate social dynamics that standard sampling frames and rote procedures may elide. This argument is supported through a discussion of key insights from scholarship about participatory research methods, as well as auto-reflections on methodical adaptations undertaken while conducting photovoice research on environmental management in peri-urban villages of Southwest China. Reflexive adaptations to participatory methods discussed in this paper include ethnographic attention to forms of refusal, suspended participation, and individual interviews with and without visual aids. These methodological adaptations highlight relations of power between researchers and participants, as well as amongst participants. They also highlight diverse social needs and uneven environmental management processes. Although reflexive approaches to participatory methods are key to producing more widely representational findings and socially just sustainability practices, they are not a panacea for universal inclusivity. Reflexive methodological adaptations have their own limitations and introduce new power relations between participants and researchers. The article concludes with a discussion of how reflexive methodological adaptations bear on research praxis. In particular, the conclusion highlights how reflexive adaptations to research methods are crucial to socially just environmental management and sustainability practices. [ABSTRACT FROM AUTHOR]

The Repeat Question Diary method involves research participants audio-recording many answers to a single question. This article investigates some of the features of the method that are relevant to the study of mobile practices. Particularly, the method encourages participant reflection and the paper argues that this can facilitate the study of mobile practices through enabling participants to notice and analyse previously taken-for-granted, pre-conscious, or corporeal aspects of their practices. The paper also explores the use of audio-recording in diary research and argues that audio-diaries can facilitate participant expression, particularly of emotions, and can avoid the stifling effects of self-editing in written diaries. [ABSTRACT FROM AUTHOR]

With the digital availability of social data helping reshape ethnographic research and thus broadening the mainstream understanding of ethnography, this research proposes a set of strategies to overcome current limitations in doing ethnography. Based on a two-year online and offline ethnographic project on social media use in later life, insights are provided into how the practices and meanings of ethnography are being reconstructed and negotiated in response to the explosion of digital social data and through team practices. This paper reviews how collaborative and interdisciplinary ethnographic reflection is sustained and extended by digital tools, creating a live source of data that can be analysed within the framework of ethnography. As a contribution to current debates on the ’Social Life of Methods’, it also reviews epistemic issues associated with digital data and team ethnography, such as the role of the ethnographer(s), the field(s) and computational data analysis. The article reaches the conclusion that digital team ethnography is a viable option for undertaking thick and descriptive studies about the use of social media, which in turn favours a collaborative, non-hierarchical and dialogue-driven knowledge production process. [ABSTRACT FROM AUTHOR]

Existing work on elite interviewing methods falls short in two ways: first, there is no systematic comparison between the practices of interviewing different elite groups; second, most reflections are confined to Anglo-American contexts. To address these gaps, I reflect on how to tackle variations in elite interviews by analyzing my experience conducting over 150 interviews with a diverse set of elite stakeholders in a Chinese high-tech sector. I aim to make two arguments. First, the elite interviewee's sphere of influence—national or local—is crucial to shaping interview access and power dynamics. Two distinct reference modes are compared: formal national networks and informal local connections, with university professors and government officials as gatekeepers, respectively. Second, to carve out a space for meaningful engagement with an informant, researchers need to adopt different positioning strategies according to the elite interviewee's identity: a trustworthy, policy-oriented scholar for political elites; a neutral, non-profit stakeholder for economic elites; and, a perceptive, well-informed sociologist for professional elites. [ABSTRACT FROM AUTHOR]

Reflexivity involves examining one's background and perspectives in relation to the research topic, participants, and the processes and practices of research. Building on the growing field of utilizing arts-based practices in teaching qualitative research, in this article we examine how one doctoral student's engagement with drawing and painting within and beyond a qualitative research class supported her developing reflexivity. Guided by an interactional ethnographic perspective, we conducted domain, taxonomic, and discourse analyses of the student's art, reflection journals, video of a class presentation, and retrospective reflections she wrote three years later. Through these analyses we make visible that reflexivity through art creates potentials for understanding and transcending one's background to create new opportunities for learning about self and research. We also argue that deepening reflexivity requires a commitment to engage in the discomforts of learning in order to develop new ways of thinking and researching. [ABSTRACT FROM AUTHOR]

Critical epistemologies and methodologies have over time challenged the static and mono-dimensional approaches to fieldwork, allowing researchers to contemplate and conduct their research in spaces of in-betweenness. Despite this important shift, the essentialist idea that both 'the field' and 'home' in a fieldwork setting must be actual places persists. In this article, we challenge the conceptualization and operationalization of 'home' not only as the juxtaposition to 'the field', but also as the embodiment of a place in a specific temporality. We argue that the postulation of 'home' as a constant disregards the non-predetermined and unpredictable nature of fieldwork relationships that are often complicated by implicit and explicit power dynamics, especially in places researchers identify as 'home'. We demonstrate that unequal power relations, especially (1) between the Global North and Global South, (2) between majority and minoritized groups, (3) among genders, and (4) between elites and non-elites, require us to envisage 'the field' and 'home' in relative terms. We propose the reconceptualization of fieldwork place as a hybridized space that conjoins 'the field' and 'home' as 'field-home', particularly at a time when research mobility is restricted by the COVID-19 pandemic. In this way, we extend the literature on issues related to power, positionality and reflexivity in qualitative research, and provide practical insights for those preparing for fieldwork. [ABSTRACT FROM AUTHOR]

Audio recording interviews, focus groups, and naturally occurring interactions have been utilised by social researchers for decades. Yet, the use of audio recordings as a tool to elicit participant responses has received less attention in social science research. This is despite heightened interest in non-traditional techniques such as the use of visual methodologies, and arts-based methods. In this article, I describe how I advanced a known method, vignettes, into an audio narrative to explore perceptions of sex work. This article reports on the methodological rationale for the novel use of audio vignettes, and the capacity they have for memory retrieval, eliciting reflections on lived experiences, and for providing richer attitudinal data. By drawing on 'accessibility theory', this article argues that audio vignettes are a powerful elicitor of attitudes. Furthermore, I claim that audio methods as I define them, can enhance the social scientists' toolkit and that, what I term 'audio sociology' needs further development. [ABSTRACT FROM AUTHOR]

Based on the authors' ethnographies in the fields of taiji, ballet, and yoga, this article outlines and reflects the theoretical and empirical scope of what we mean by "ethnomethodological ethnography." Ethnomethodology and Conversation Analysis (EM/CA) have been juxtaposed and pit against various forms of ethnography and vice versa —for example, by criticizing various theoretical underpinnings of ethnographies, viewing EM/CA as a very limited micro-sociological research method, or by critiquing (auto-)ethnography as egocentric, self-absorbed, and ill-equipped to account for the detail and sequential organization of natural occurring actions and circumstances. Contrary to such deliberations, we highlight their common interest in putting empirical social phenomena first. In getting access to and describing what social phenomena consist of, members' competencies and detailed analysis of recorded data mutually elaborate each other. In this sense, they are potentially not only mutually inclusive but, as we shall argue, the entire field of EM/CA studies depends to some degree on actually doing ethnography. Based on our own ethnographic research, we will then zoom in on the case of taiji practice to highlight the relevance of autoethnography and evaluate how ethnographic reflections of self and body constitute and may foster "uniquely adequate" qualitative research. Ultimately, the aim is to explicate how EM/CA research policies differ from textbook oriented instructions and are better considered as praxeological respecifications of doing ethnomethodological ethnography in particular cases. [ABSTRACT FROM AUTHOR]

Qualitative research is increasingly challenged to think creatively and critically about how accounts of lived experience might be collected, collated, curated, and disseminated. In this article, we consider how forms of participatory filmmaking and animation might assist in the development of methodologies appropriate to accessing, revealing and representing the social worlds of families affected by rare genetic conditions. We trace how participatory animation, specifically stop-motion animation (a filmmaking technique involving incrementally manipulating objects to produce the semblance of motion) offers opportunities for enlivening qualitative research. We discuss the creation of a series of workshops which took participants through the process of producing their own animated film. Stop-motion storytelling as a method enabled us to encounter, and subsequently foreground, different narratives and emotions, whilst creating-together and watching-together prompted novel conversations. We move to reflect on how participatory animation can be a provocative and productive practice in the toolkit of qualitative research. [ABSTRACT FROM AUTHOR]

This paper describes the foundations, introduces a conceptual model, and discusses uses of the commonplace journey methodology, an innovative and mobile qualitative research and pedagogical approach based on existential hermeneutic phenomenology. Using this mobile methodology, the researcher placed a theoretical approach to human–environment relations from outside the scholarly field of outdoor recreation and education in dialogue with travellers’ lived experience, activities, and understandings during an extended canoe expedition. Examples from the data and findings are used to further describe the processes, benefits, and challenges of this phenomenological methodology. Finally, the author describes four analytical techniques used to anchor interpretation and written theoretical accounts in lived practice and physical context. [ABSTRACT FROM PUBLISHER]

How comfortable a read can research that has violence at its core become, before the distance created by language becomes an ethical—and analytical—challenge in its own right? In this article, I explore and reflect on ethical dilemmas of re-presenting violent experiences, following the traction of my research. The article addresses a challenge that scholars are faced with as we conduct, write up, and communicate research on issues to do with violence in general and atrocity crimes in particular. It seeks to stir inter-disciplinary scholarly self-reflection, and feed a discussion on researchers' responsibilities for the stories we ask for, hear, read, analyze, and re-tell by addressing the ethics of re-presenting stories and the people they involve in our teaching and publications, particularly concerning mass violence and war crimes. [ABSTRACT FROM AUTHOR]

In this article, we explore the concept of solidarity in the context of empirical social inquiry, a concept that is underdeveloped in the research methodology literature. We do so by drawing connections and contrasts to other more established methodological concepts such as reflexivity and positionality. We draw upon existing literature as well as reflection and analyses of our personal experiences and research endeavors to illustrate the nature of solidarity as a relationally grounded transformational practice. Through our exploration, we aim to articulate principles that can be utilized to understand solidarity as a methodological concept, based on our assertion that through such an understanding, we are better placed to engage in transformative and justice-oriented research. [ABSTRACT FROM AUTHOR]

In this article, we remember experiences of our participation in an artistic event for youth of African descent in a Norwegian city to reflect on the potential of arts-based methods for exploring migrant and diasporic youth identities. Reflecting on the process of curating an event titled Afrikanske Dager in Drammen (African days in Drammen) involving young Africans in a Norwegian city, we demonstrate the methodological potential photography making, exhibition and dance performance. We show how processes of collaborative photography making provide spaces for participants to negotiate and think through identity and self-representation. We tease out the potential of dance choreography and performance as avenues for participants to embody and retell old histories from the archive of African presence in Norway. We discuss how the event making process was the site of unstable hierarchies where roles and positions constantly changed and highlight the power relations involved in the collaborative production of knowledge from artistic practice. [ABSTRACT FROM AUTHOR]

The personal character of ethnography makes it meaningful to pay attention to emotions during fieldwork, not the least of which is awkwardness or embarrassment. To make a fool of oneself or to commit a faux pas in the field belongs to the palette of the ethnographic experience, and is often defined as helpful for obtaining new knowledge about the setting. But whereas many ethnographers emphasize the didactic quality of shameful mistakes, this article takes a closer look at instances which proved to be epistemically pointless. By analysing five different instances of embarrassment during fieldwork, the author argues that not all situations in which ethnographers do the 'wrong' thing lead somewhere. Embarrassment may present itself in more prosaic manners, stemming from the ethnographer being relatively uninformed, incompetent or out of place, and they need not enrich field knowledge. Attending to such instances may help us further understand and discuss the conditions of ethnographic practice. [ABSTRACT FROM AUTHOR]

Drawing on two research projects in China, this article provides three contributions to the literature on elite interviews. First, we demonstrate how guanxi (informal, particularistic and personal connections) can help gain access and build trust with elite Chinese interviewees in a dynamic rather than a static manner. Second, we show the relational and ongoing process of elite interviewing, combining the sensemaking and sensegiving efforts of the interviewer and interviewee. We introduce the concept of sense-becoming to describe how researchers can develop a sense of strategy for future interviews. Third, we highlight the value of guanxi and co-positionality for the interviewer and interviewee to enhance interaction during interviews. We conclude by providing a heuristic for conceptualising the salience of guanxi and sensemaking for elite interviews in China. [ABSTRACT FROM AUTHOR]

This research note reports on five online workshops by an international team of scholars, the authors, with shared interests in drug (mis)use. The workshops comprise a novel form of collective international qualitative secondary analysis (iQSA) exploring the possibilities for, and value of, qualitative data reuse across international contexts. These preparatory workshops comprise the preliminary stages of a longer programme of methodological development of iQSA, and we used them to identify what challenges there may be for translating evidence across international contexts, what strategies might be best placed to support or facilitate analytical engagement in this direction, and if possible, what empirical value such exchange might have. We discuss how working across international contexts involved the authors in new 'translational' work to address the challenges of establishing and sharing meaning. Such 'translation' entailed a modest degree of empirical engagement, namely, the casing of empirical examples from our datasets that supported an articulation of our various research studies, a collective interrogation of how, why and which such cases could be used for best translational effect and a collective reflexive engagement with how these cases generated new and novel questions that in turn re-engaged us with our own data in new ways. Descriptions of our datasets, therefore, emerged as multifaceted assemblages of 'expertise' and comprised the evidential bases for new empirical insights, research questions and directions. [ABSTRACT FROM AUTHOR]

Google Docs is a widely used online word processing software. Despite its broad popularity in business and education, Google Docs is under-utilised as a tool to facilitate qualitative interviews within research. In this article, we reflect on our experiences as two PhDs using Google Docs to conduct synchronous, online, written interviews. We present two case studies, which, to our knowledge, are the first to utilise Google Docs to conduct web-based written interviews. In doing so, we (a) outline the development and implementation of the methodology, (b) highlight the key themes we identified when considering the benefits and challenges of conducting interviews using this technology and (c) discuss possible future uses of the methodology. We argue that synchronous web-based written interviews via Google Docs offer unprecedented opportunities for qualitative research. [ABSTRACT FROM AUTHOR]

This article aims to contribute to the literature on power dynamics and researchers' positionality in qualitative research, by shedding light on the experiences of a minority ethnic researcher with a working-class background. Drawing on Bourdieusian concepts, it discusses how middle-class children confronted the researcher with language stigma and how they, while drawing boundaries vis-à-vis those who 'lack' cultural capital, (unintentionally) drew boundaries against the researcher herself. In turn, it illustrates how during interviews with working-class children, manners had to be adopted with which the researcher is no longer familiar. This article calls on ethics committees to more strongly consider how researchers might become 'vulnerable' themselves during fieldwork and to acknowledge intersectional experiences that potentially cause power dynamics to shift, even in research involving groups that are socially believed to have little power, such as children. [ABSTRACT FROM AUTHOR]

In recent decades, postmodern, poststructuralist, and social constructivist theories, and the methodologies and methods they have informed, have been criticized for focusing primarily on human actors, discourses, and actions. Simultaneously, so-called posthuman theories have been developed that decentralize the human, reject an unquestioned use of the dualism of human/nonhuman, and emphasize the importance of the material world in the production of the social. A key concern for current qualitative inquiry is to develop methods that contribute to the critique of human-centered analysis. In this article, I explore what we learn about the material world when we do not use verbal methods or written data but image details of moveable formations, which are made into silhouettes using Karen Barad's agential realism. After introducing posthuman methodology I perform a silhouettes analysis focusing on old age. The intention is to demonstrate that silhouettes analysis makes it possible to gain new insights into the features of materialities of old age in a way that classical image analysis would not allow. In addition, silhouettes analysis produces an alienation effect that disturbs practiced viewing habits and assumptions, and can thus serve as a research tool promoting reflection. I conclude with a discussion of the advantages and limitations of silhouettes analysis for gerontological and posthuman research. [ABSTRACT FROM AUTHOR]

Though qualitative research has become more prevalent in practice over the last 30 years, there is still considerable uncertainty among researchers regarding how to ensure inter-rater consistency when teams are tasked with coding qualitative data. In this article, we offer an explanation of a methodology that our qualitative team used to achieve systematic coding of our dataset in a way that preserved the contextual, subjective nature of the data, lent itself to the deductive and inductive creation of a layered codebook, and ensured consistent application of the codebook to varied types of data. This methodology prepared us to draw logical and substantiated conclusions during subsequent analyses; hence, the process serves as a welcome addition to the literature on consistently coding qualitative data in a manner that honors its defining characteristics. [ABSTRACT FROM AUTHOR]

The 'witness seminar' as a method for recording contemporary histories is neither well known nor widely employed. By inviting a number of people who were involved in a particular historical event to come together and tell this history collectively, the method enables the production of rich and compelling accounts of contemporary histories. In this article, I introduce the method and the procedures followed in four witness seminars that I organised and co-convened on various topics relating to HIV. I then go on to reflect on the value of this method and how the connections between seminar participants both gave shape to the narrative produced and were also telling of the collaborative history of HIV. [ABSTRACT FROM AUTHOR]

With growing social science interest in the potential for images to facilitate access to embodied experience, this study re-examines the relative value of visual and verbal methods in body-oriented research. Taking one lead from Kyrölä's (2016) idea of body image as the relationship between representation and corporeality, and another from Gendlin's (1993, 1995, 1997) methods for attending to and articulating from pre-reflective experience, we develop a method that juxtaposes words and images to explore the role of pre-reflective understanding on body image among teenage girls. The study highlights both an influencing role for pre-reflective understanding in body image and the availability of pre-reflective understanding to participants. While recognising persistent challenges in communicating embodied experience, we propose a method for engaging and working with embodied or pre-reflective experience in social science research by integrating the verbal and the visual in a specific way. [ABSTRACT FROM AUTHOR]

This article explores the use of vignettes in qualitative research from a post-humanist and multi-species perspective. Drawing on methodological principles espoused by Karen Barad and Donna Haraway, as well as empirical data from the Dementia Dog pilot project in Scotland, UK, we explore the use of vignettes as a technique for understanding human–dog relations in dementia. In so doing, we outline an approach to using vignettes that is guided by principles of diffraction, which is contrasted with humanist principles of interpretivism, reflection and representation. Moving away from humanist methodology, we argue, calls for new approaches to evaluating the quality of vignettes. This involves disrupting conventional approaches, within which vignettes are defined by their purpose and evaluated according to fixed criteria (e.g. validity, authenticity and trustworthiness). In their place, we argue for an approach to evaluating vignettes that is rooted in performativity and guided by the question: What can a vignette do ? [ABSTRACT FROM AUTHOR]

This article explores the idea of the body as a research tool in ethnographic fieldwork, looking specifically at how the body can play a part in facilitating and developing relationships in the field. I use my experiences of fieldwork, undertaken in a Chinese community centre in the North West of England, to explore this in two ways. Firstly, through the process of using the body to learn a physical skill – Tai Chi – alongside the other centre members; and secondly through my pregnancy in the field, in order to consider what is communicated and enabled through the particular nature of specific bodies in the field. Both examples explore fieldwork as embodied, relational and intersubjective; in both, relationships with research participants are forged and developed in different ways through the body. Implications are drawn from this in relation to the impact of the research participants on the researcher and in relation to aspects of building relationships in the field that do not rely solely on verbal interactions or shared language, particularly in multi-cultural and multi-lingual research sites. [ABSTRACT FROM AUTHOR]

As the number of digital technologies expands, entering more domains of everyday life, people's activities, bodies and preferences are rendered into constantly changing flows of digitised information. The interdisciplinary field of critical data studies has emerged in response. In this article, we outline the design and development of methods employed in our new project 'Living with Personal Data' as a move towards expanding the knowledge base and methodological approaches of critical data studies. Our approach takes up more-than-human theoretical perspectives and research-creation methods to elicit the affective and multisensory contexts of people's feelings, practices and imaginaries concerning their digital data. We describe a set of workshops established to experiment with some new methods we have devised for our project's fieldwork. The article ends with some reflections on what these theories and methods can offer for a reimagined digital data studies that can acknowledge and surface more-than-human dimensions. [ABSTRACT FROM AUTHOR]

This article re-conceptualizes the highly ambivalent relationships between researchers and research participants in conflict zones, with a focus on recognizing respondents' multiple and fluid positionalities. Standardized and dominant approaches to qualitative research are largely based on essentialist and infantilized portrayals of research participants and neo-colonial assumptions regarding the research relationship: informants are presumed to be inevitably vulnerable and in need of external protection, while the researcher is positioned as the omnipresent expert in control of the research process. In reality, however, research participants rarely exclusively occupy the 'oppressed victimhood' axis of identity and frequently take on active roles in the research and data collection process in a myriad of ways. I elucidate how especially in (post-)conflict zones, research participants frequently re-shape power dynamics by exercising agency over the researcher and the research process. While previous studies have considered how informants' agency can shape processes of knowledge production, in this article I expand this focus by examining how key-informants can, and frequently do, facilitate the researchers' safety and security. I specifically draw on personal experiences of empirical research in Northern Uganda. I demonstrate how in a particular moment of post-conflict insecurity – while being trapped in-between the exchange of gunfire between the Ugandan police and an armed group – one of my key-informants ensured my physical protection and safety, thereby exercising power over me and the research relationship. The key-informants in this context thus occupied multiple positionalities – ranging from informant to protector, evidencing that research relationships are never static but rather contextual, shift and fluctuate. Such ambivalent and fluid power dynamics are more reflective of the lived realities of qualitative research and can influence the research process by positioning researchers and research participants on more equal terms. [ABSTRACT FROM AUTHOR]

We present research findings from an arts-based research (ABR) project that aimed to redress the symbolic effects of negative recognition associated with place-based stigma. Focusing on two prominently stigmatised neighbourhoods in Melbourne and Hobart (Australia), we explain the rationale for the study and how arts-based tactics were used for phenomenological explorations of familiar environments and to generate alternate, faithful and compelling portrayals of neighbourhoods that stemmed from residents' actual experiences. Our approach to ABR blended sociological concerns with socially engaged practices that emphasised creative and dialogic tactics, provocations and immersive experiences. We explain how art-based tactics were incorporated into artist residency projects that comprised four parts: local induction; excursions to art galleries; a six-week workshop programme; and exhibition events. Following this, interviews were conducted with artist-residents at the conclusion of the projects. Both the artistic outcomes and participants' reflections provide evidence that blending socially engaged art practices and participatory methods can help residents and researchers navigate the internalised effects of stigma in processes of meaning-making. [ABSTRACT FROM AUTHOR]

Working in a participatory research project with young people who are disabled, care-experienced or otherwise disadvantaged, collaborative fiction writing was a core method of hearing and amplifying their voices. We discuss how meanings were made in this iterative process of capturing resonances in the different stages of the research, resulting in the creation of stories filtered through many different participants. Through individual and joint reflections on the complex processes of constructing the 48 short stories, we demonstrate how collective storytelling can address criticisms of fictional research outputs as (in)valid social science, and argue instead that the resulting stories can be considered rigorous and faithful research findings. We suggest that these research outputs preserve and proliferate the meanings of marginalised young people, and challenge the absence or distortion of existing narratives about their lives as experienced by themselves. [ABSTRACT FROM AUTHOR]

People with a diagnosis of dementia have often been the subjects of qualitative research; by contrast, this article sets out to reflect on the positioning of people living with dementia in inclusive or 'co-produced' research and the connections between the personal and the collective voice in research. The article seeks to explore the unique hallmarks of inclusive dementia research, compared with some of the other models of inclusive research. Drawing on our experiences in one study, we describe the stages at which the research was set up, how a group of people living with dementia got involved in doing research, and their role in a conversation analysis of video interaction. We then use short extracts from recorded data of our meetings to discuss some of the tensions and challenges in this type of inclusive research, including political identification, the unequal power balance in inclusive research and the unique contributions of people living with dementia. Our ensuing argument is for a type of guided spontaneity, where lived experience (and future lived experience) has a space to be valued and to offer insights for research. The implications of inclusive research are about the practical, and about impact. These messages are contained in a postscript written by the last three authors Roy James, Sandy Read and Harry Davis, who are the members of the dementia research group. [ABSTRACT FROM AUTHOR]

Methods educators who include qualitative data analysis software (QDAS) in their teaching see the software as an opportunity to bring authentic experiences of analytic practice into classrooms. However, we currently lack a shared language for outlining and understanding what this analytic practice could or should entail. By expanding Silver and Woolf's 5-Level QDAS® pedagogy, I introduce a theoretical framework of analytic practice with QDAS designed for methods educators to reflect on their curricula, and for academic leaders and administrators to reflect on their institutions' overall educational ecologies regarding qualitative methods. Further, I illustrate how barriers to integrating QDAS reflect broader issues in qualitative methods education, specifically regarding analysis training and apprenticeship. Given these barriers, I suggest that discussions of the positive or negative impacts of QDAS should focus less on the users and the software itself, and instead more on the way we teach, or fail to teach the practice of qualitative analysis. [ABSTRACT FROM AUTHOR]

Research on emotion is fraught with methodological limitations, as feelings can have non-discrete, ephemeral, and ineffable qualities. Audio diaries offer a method for capturing the sequential and varied experience of emotions as they emerge from everyday life. Following theory and methodological development in the sociology of emotion, we examine how audio diaries might be used to capture (a) candid emotions that emerge spontaneously and may reflect unpopular or negative social views and experiences, (b) the self as unfinished, and (c) processes of emotional reflexivity that exist alongside the diverse emotions that infuse everyday life. We explore how waveform visualization of audio recordings might be meaningfully combined with qualitative analysis of transcribed data to illustrate emotional contours in situ. We draw on audio diaries collected from 48 nurses from two US hospital systems to explore the possibilities and limitations of using audio diaries in emotion research. [ABSTRACT FROM AUTHOR]

We critically reflect on insights from our experiences as female researchers on a creative writing project in a men's prison, including the emotional impact on the men involved and the ways in which our role as participant researchers impacted deeply on us. Juxtaposed starkly with the physical constraints of the prison, a sense of journeys emerged as significant throughout the study, particularly the symbolic crossing of boundaries. We draw on theories of performativity from both Feminist and Symbolic Interactionist perspectives to frame our understanding of the experience of being participant researchers in prison creative writing workshops, and also consider associated ethical issues. [ABSTRACT FROM AUTHOR]

The hands involve knowing, sensing, and intuition. In our use of them as qualitative researchers, we have the capacity to enrich our understanding through our tactile engagement with things and people. Drawing on Heidegger (2003) and Merleau-Ponty's (2014) phenomenology, this article examines the use of the hands in a qualitative study with a commercial aeroplane pilot, in which the hands were integral for understanding how to operate an aircraft simulator and fly a Cherokee aeroplane, used for training commercial pilots. By being there and engaging with things, we can attempt to acquire an optimal grasp of our research participant's worlds, thus providing insightful ways of knowing and making sense of our qualitative data. [ABSTRACT FROM AUTHOR]

Over the past years an increasing number of digital learning environments based on Full-Body Interaction have been developed. Research in this field is often based on Designer-Driven approaches and is only recently employing Participatory Design techniques. However, these participatory approaches have reported relevant challenges related to including users in the design of spatial and bodily qualities of interaction. These shortcomings require extending research methods to effectively focus on embodied resources in the essential design and evaluation processes. To address this issue, we propose a methodological approach that combines multimodal analysis with Participatory Design techniques to include embodied resources in the participatory design processes for Full-Body Interaction. The proposed approach is applied to the iterative design of two Full-Body Interaction Learning Environments. Through the analysis of the outcomes of these case studies, we discuss the affordances multimodal analysis can offer to inform and guide the design process for embodied interaction. [ABSTRACT FROM AUTHOR]

In this article we describe and critique a methodological exercise that brings together multimodality, ethnography and walking in order to investigate the city. Drawing on the experience of enacting our methodology in central London, we describe how an openness to the full range of meaning-making phenomena encountered during an unscripted excursion through the city provided ways of thinking critically about our relationship with the city. This research is undertaken against a backdrop of a growing critical interest in the complex and shifting nature of the urban environment, reflected in the range of approaches that investigate how we understand and experience our surroundings. Central to this methodological approach is the intersection of ethnography and multimodality which, when brought together within the device of an unscripted walk, provides valuable opportunities for thinking critically about our surroundings. [ABSTRACT FROM AUTHOR]

Current research ethics processes, based on the mantra of privacy and institutional protection, take a paternalistic approach to research participants that leaves them open to harm. Reflecting on our own research/consultancy as a case study to illustrate the current flaws, we explore our and our subjects’ experiences within the wider political context of institutional ethical rules and the Australian NHMRC guidelines. In doing so we argue for fundamental changes to the modern research ethics processes – a system that treats participants more as research collaborators rather than victims in waiting. A complete review of ethics processes is needed to empower participants and researchers to recognize the reality of the process as co-created and negotiated. This includes changes at the top level of research administration – a shift in ethics policies and procedures as well as greater education in ethics with commensurate trust for active researchers. [ABSTRACT FROM AUTHOR]

This study triangulates offline and online research methods to examine how and why young activists in Zimbabwe and South Africa use Facebook for political purposes. It demonstrates that like traditional participant observation, which was popularized by classical anthropologists, algorithmically ‘occurring’ data gathered through social media ethnography provides some of the richest information to burrow into the everyday political lives of young activists (who are generally presented in mainstream literature as having disengaged from traditional forms of political participation). Building on Postill and Pink’s (2012) typology of social media ethnography, this study proposes a seven stage criteria for conducting online participant observation on Facebook in the era of data ‘deluge’. These stages include: background listening, friending/liking, interacting, observing, catching up, exploring, and archiving. Based on the author’s multi-sited fieldwork experiences in Zimbabwe and South Africa, this study argues that online like offline participant observation has context specific methodological dilemmas which require innovative flexibility and ethical sensitivity on the part of the qualitative researcher. It also discusses various ethical dilemmas which the author encountered during the multi-sited fieldwork as well practical strategies other researchers can use for delurking, archiving and safeguarding participants’ privacy and confidentiality. [ABSTRACT FROM AUTHOR]