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The article presents the discussion on Ana Beatriz da Silva's childhood experience in a cramped maid's room has shaped her view on the outdated and inequitable practice of including such rooms in Brazilian homes. Topics include Brazil's reckoning with its history of slavery, the role of architecture in perpetuating inequality; and the growing rejection of these spaces by younger generations.

The article focuses on Hayao Miyazaki's hand-drawn animation in his new film, "The Boy and the Heron," praising its classical style, but notes that the movie, like many modern anime films, extensively uses computer animation, blending techniques seamlessly.