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Reviews the theatrical production "Driving Miss Daisy," by Alfred Uhry, starring Dana Ivey and Morgan Freeman and performed at the John Houseman Theatre in New York City.

Reviews various theatrical productions performed in various theaters in New York City. "The Rich Full Life," by Vina Delmar; "The Rugged Path," by Robert E. Sherwood; "State of the Union," by Howard Lindsay and Russel Crouse.

The article reviews the exhibition "Pierre Bonnard: The Late Interiors," at the Metropolitan Museum of Art in New York City.

The article reviews the exhibitions "Chagall and the Artists of the Russian Jewish Theater," at the Jewish Museum in New York City, and "Mystic Masque: Semblance and Reality in Georges Rouault," at the McMullen Museum of Art in Boston, Massachusetts.

The article reviews the art exhibition "Poussin and Nature: Arcadian Visions" at the Metropolitan Museum of Art in New York City.

The article reviews the exhibition "Georges Seurat: The Drawings" at the Museum of Modern Art in New York City.

Reviews the art exhibition of works by El Greco at the Metropolitan Museum of Art in New York City. Focus on Spain by modern artists and writers; Conflict between Catholicism and aristocratic traditions; Success of the artist Francisco Goya in Spain; Consideration of the Flemish and Gothic influences on the work of El Greco; How many of the paintings by Goya and El Greco focus on tragedy such as war; Response of England and France to Spanish paintings; Reflections from Gertrude Stein regarding the influence of Spanish painters on French artists.

Reviews the theatrical productions, "Omnium Gatherum," written and directed by Theresa Rebeck and Alexandra Gersten-Vassilaros, which is being performed at the Variety Arts Theater in New York City; and "Anna In the Tropics," written by Nilo Cruz and directed by Emily Mann, which is being performed at the Roger S. Berlind Theatre in Princeton, New Jersey.

Reviews the ballet performance "Revelations," choreographed by Alvin Ailey and premiered at the Kaufman Concert Hall in New York City in 1960.

Reviews the painting exhibition featuring the works of European painter Jean-Baptiste-Camille Corot at the Metropolitan Museum of Art in New York City ending on January 19, 1997.

Reviews the exhibition "Splendors of Imperial China," a collection of Chinese art drawn from the Palace Museum, at the Metropolitan Museum of Art in New York.

Reviews the art exhibition "Picasso and Portraiture," on view at the Museum of Modern Art in New York City in the summer of 1996.

Provides information about the concept of "dybbuk" featured in a ballet choreographed by Jerome Robbins of the New York City Ballet. Definitions of the term; Analysis of the Robbins-Bernstein version of ballet presentation; Popularity of the shows "Romeo and Juliet," and "Wuthering Heights"; Comparisons of the presentation with other ballet performance; Overview of various ballets, including "In the Holy Place," "The Dream," "Exorcism," and others.

Reviews the dance performance "Les Biches," performed by the Dance Theater of Harlem in New York City. INSET: MOVING TO PHILADELPHIA?.

Reviews two theatrical productions performed as of November 1998. "Villa Villa" written by Richon Baldinu and Diqui James and performed at the Daryl Roth Theater in Union Square, New York City; "Wit" written by Margaret Edson and performed at the MCC Theater, New York City.

The article reviews the exhibitions "The Natural Paradise: Painting in America 1800-1950," at the Museum of Modern Art and "Modern Portraits: The Self and Others," at Wildenstein.

Focuses on the performance of various dance companies that participated in dance extravaganza in New York City. Companies credited with bringing a different type of crowd to the dance; Characteristic features, dance styles and popular items of these companies; Astounding growth of the audience for dance; Show of "Trinity," choreographed by Gerald Arpino and featuring Gary Christ.

Reviews the art exhibition by Andy Warhol at the Museum of Modern Art in New York City. Information on the exhibits; Focus on the book "The Philosophy of Andy Warhol," by Pat Hackett; Description of the life and work of Warhol; Report that Warhol in his lifetime inspired a great deal of hostile criticism; Warhol as a perfectionist.

Reviews Robert Lepage's theatrical drama "The Seven Streams of the River Ota," performed at the Majestic Theatre in New York City in December 1996.

Reviews an art exhibition featuring works by Joan Miro at the Museum of Modern Art in New York City.

Reviews the art exhibit entitled "Esso Salon of Young Artists," at the IBM Gallery in New York city.

Reviews the exhibition "Recent Painting USA: The Figure," at the Museum of Modern Art in New York, until May 2, 1962.

Presents information regarding the New York City Opera Co., which has just completed its sixth fall season under Laszlo Halasz, who has directed the company since the beginning. Reasons for Halasz's success including his appeal to the musical audience by concentrating on the integrity of the musical worker rather than on the display of individual voices; Information that there is a significant change in the attitude of opera public; Climax of Halasz's achievement which is the City Center's first production of Sergey Prokofiev's fairy-tale operatic comedy, "The Love for Three Oranges."

Reviews the theatrical production "Solid South," by Lawton Campbell and performed at Lyceum Theater in New York City.

Reviews the theatrical production "The Architect and the Emperor of Abyssinia," by Tom O'Horgan, presented at the La Mama Theater in New York City.

Reviews three theatrical productions being shown in New York City. "The Gospel at Colonus," by Lee Breuer and performed at the Lunt-Fontanne Theater; "M. Butterfly," by David Henry Hwang and performed at the Eugene O'Neill Theatre; "Juan Darién," produced by the Music Theatre Group at St. Clements Church.

The article reviews the musicals "Ionization," composed by Edgar Varèse and conducted by Nicolas Slonimsky and the "Coronation of Poppaea," by Claudio Monteverde and performed by the Juilliard School of Music in New York City.

Reviews the opera and musical "Bomarzo" performed in New York City in 1967.

The article reviews theatrical productions in New York City shown in September and October 1926, including "Saturday Night," by Jacinto Benavente at the Civic Repertory Theatre, "The Lion Tamer," by Alfred Savoir at the Neighborhood Playhouse, and "The Captive," adapted by Arthur Hornblow at the Empire Theater.

Reviews the theatrical production "Launzi," written by Ferenc Molnar, which was staged at the Plymouth Theatre in the New York City.

Reviews an exhibitions of paintings held at the Whitney Museum in New York City.

The article discusses the Juan Gris exhibition at New York City's museum of modern art. The earliest painting in the show is a still life and reveals the cezanne link more clearly than the later cubism of Gris or anyone else. A kettle, a pot, a cup and a book are grouped at the edge of a table and all display the geometrical basis the older artist saw in mountains, apples, bathers and country architecture. Almost at once, though, other things begin happening in Gris's work and it seems increasingly unlikely, as the show proceeds, that cubism was such a hot name after all.

Reviews the revue "Change Your Luck," written by Cleon Throckmorton in New York City.

The article reviews the play "Josef Suss," written by Ashley Dukes, directed by Reginald Denham, starring Janet Morrison and Malcolm Keen, performed at the Erlanger's Theater in New York City on January 20, 1930.

The article reviews the play "The Green Bay Tree," by Louis Bromfield, performed at the Maxine Elliott's Theater in Broadway, New York City on October 3, 1927.

Reviews the play "Night in Venice," performed by Mike Todd at the Stork Club in New York City.

The article reviews the plays "Plumes in the Dust," written by Sophie Treadwell, performed at the Forty-Sixth Street Theatre in New York City and "Hamlet," written by William Shakespeare, performed at the Imperial Theatre in New York City.

Reviews the revue "The Grand Street Follies," performed at the Neighborhood Playhouse in New York City.