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The purpose of this article is to conduct cultural research of the specifics of the processes of virtual communication and commemoration that arise from the interaction between individual and artificial intelligence in the digital space of culture in the XXI century. The research methodology is based on the principles of interdisciplinarity, combining cultural, historical, and psychological methods of analysis, which allows to deeply understand the various aspects of influence of artificial intelligence on the transformation of communicative models of culture in era of Internet technologies. The scientific novelty. Taking into consideration the emergence of numerous cultural, creative, and leisure practices related to the use of digital tools of artificial intelligence, in the article, the article analyses for the first time the ways and specifics of commemoration using the creation of digital copies of deceased persons based on the tools of artificial intelligence, which are considered in the context of the new communicative paradigm of the digital culture of the XXI century. Conclusions state that from a cultural point of view, the circulation of digital copies of deceased persons in the digital space of culture, which have emerged on the basis of technological progress, aesthetic and socio-cultural demands of society, refers to the category of simulacra and forms precedents of socio-cultural impact on the environment and the person themselves. [ABSTRACT FROM AUTHOR]

The purpose of the article is to analyze the role and place of "museum of conscience" in modern politics of memory and cultural space. The methodology is based on a comprehensive study of a wide range of museum expositions (interviews, reports, museum projects, reviews of museum collections, etc.) and generalization of the obtained material to identify current trends in the development of "museums of conscience" in the context of memory culture. Scientific novelty. On the example of specific museum research institutions (the Sixth District Museum in Cape Town, the Holocaust Memorial Museum (Washington, USA), the Museum of Military Childhood in Sarajevo, etc.) for the first time in Ukrainian historiography, their contribution to the process of deeper study of crimes of the past and its reflection in modern politics of memory and cultural space is analyzed. Conclusions: Places of conscience are museums, memorials, and other historical places, which aim not only to preserve memory but also to stimulate people's conscience. While working with a visitor, they prefer forms that contribute to the involvement of a visitor in discussion and dialogue. The museum exhibit serves as a safe place to discuss sharp issues and reconcile conflicting parties in society. The museum collection and the results of its research are distributed in order to stimulate the human conscience. The task of the museums is not only to preserve the memory about the crimes of the past but also to provide an opportunity for a visitor to establish a connection between this past and today's struggle for human rights. [ABSTRACT FROM AUTHOR]