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This paper is an introductory study of the works by the Viennese-born composer Pia Palme, who characterised the community of Austrian female artists as a productive and particularly innovative one. Palme herself is part of this productive and lively scene, but her role in it is twofold, for she is well known not only as a performer and composer but also for her cultural, political, and feminist engagement. From 2007 to 2013, together with the vocalist Gina Mattiello, she organised e_may, a festival dedicated to commissioning and performing pieces by contemporary women composers. Both e_may’s international programme and Palme’s œuvre show that Pia Palme is an internationally oriented artist. Born and living in Vienna, she has been collaborating with artists from all over the world since the beginning of her artistic career. Without a doubt, the exploration of Pia Palme’s works and their specific position in the Austrian music scene relates to gender and women’s studies, as well as to Austrian music studies. Writing a portrayal of Pia Palme means exploring a specific female contribution to contemporary Austrian music. However, at the same time her œuvre raises questions about the terms “female” and “Austrian” themselves: How can these categories be understood? This article’s objective is therefore to illuminate, with the help of Pia Palme’s œuvre, what the label “woman composer” and “Austrian music” might mean in this specific context.