In an allogeneic environment as Dobruja, the identitary continuity of communities can only be achieved through permanent conservation and enhancement of intangible cultural heritage. Demographically majoritary being until 1877, Tartars and Turks were the ones who founded most localities in Dobruja. They have maintained their ethnic-linguistic, religious and cultural identity over time, succeeding to express themselves in traditional spirit, despite of denationalization factors to which they were subjected. A significant part of the intangible cultural heritage of Tatars in Dobruja, is the current musical folklore, which demonstrated in time its strength and value. This paper analyzes the song Ey, guzel Qîrîm! - Oh, my beautiful Crimea/, which I discovered during collecting current folk music of Tatar community in Dobruja. Inspired by sufferings caused by brutally leaving the native land, this melody has the status of patriotic song for all Tatars, regardless of their origin or the place they are living now. Considered to be representative for the Crimean Tatars of the entire world, this relatively young creation, having been conceived in the second half of the twentieth century, presents similar characteristics with the alienation Doina of the traditional Dacoromanian repertoire. [ABSTRACT FROM AUTHOR]