1. Vocal warm-up increases phonation threshold pressure in soprano singers at high pitch
- Author
-
Ciara Leydon, Tamara Motel, and Kimberly V. Fisher
- Subjects
Larynx ,Adult ,medicine.medical_specialty ,Voice Disorders ,Voice Quality ,Differential Threshold ,Vocal warm up ,Fundamental frequency ,Audiology ,LPN and LVN ,Vocal rest ,Voice therapy (transgender) ,Speech and Hearing ,medicine.anatomical_structure ,Voice Training ,Otorhinolaryngology ,Phonation ,medicine ,High pitch ,Humans ,Speech ,Female ,Singing ,Mathematics - Abstract
Summary: Vocal warm-up is thought to optimize singing performance. We compared effects of short-term, submaximal, vocal warm-up exercise with those of vocal rest on the soprano voice (n=10, ages 19โ21 years). Dependent variables were the minimum subglottic air pressure required for vocal fold oscillation to occur (phonation threshold pressure, P th ), and the maximum and minimum phonation fundamental frequency. Warm-up increased P th for high pitch phonation ( p =0.033), but not for comfortable ( p =0.297) or low ( p =0.087) pitch phonation. No significant difference in the maximum phonation frequency ( p =0.193) or minimum frequency ( p =0.222) was observed. An elevated P th at controlled high pitch, but an unchanging maximum and minimum frequency production suggests that short-term vocal exercise may increase the viscosity of the vocal fold and thus serve to stabilize the high voice.
- Published
- 2003