1. Engendering Tionghoa nationalism: Female purity in male-authored Sino-Malay novels of colonial Java
- Author
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Chin, Grace V.S.
- Subjects
Nationalism ,Femininity ,Regional focus/area studies - Abstract
The recurring trope of female purity holds an important place in the Sino-Malay literature of colonial Java from the late 1910s to the 1930s, a turbulent and transformative sociopolitical period that also saw the rise of Tionghoa (Chinese) nationalism in the Dutch Indies. Used mainly by male writers who dominated the Sino-Malay literary scene, the gendered trope features polarised femininities--the archetypal virtuous Tionghoa girl, and the Westernised modern girl who defies Confucian traditions--and reflects the male perspectives and sexism of the time. I contend, however, that the trope reveals ideological motivations that go beyond patriarchal concerns, as it is also employed to articulate and perpetuate nationalist and anti-colonial ideas and views. Using theories of gender and nation as well as anthropological concepts of purity and pollution, I examine how the female body's inscribed purity draws on embedded epistemologies of race and gender to represent Tionghoa identity and nationalism in two male-authored Sino-Malay novels, Liem Hian Bing's Valentine Chan atawa rahasia Semarang (1926) and Tan Chieng Lian's Oh..... Papa! (1929). As my readings show, female purity as a nationalist ideology validates Tionghoa masculinity as the defender and guardian of not just woman's virtue, but also of an imagined morally and culturally superior Tionghoa nation., In the Dutch Indies from the late 1910s till the 1930s, women's independence, agency, and bodies became a subject of heated debates and contestations among the local-born, acculturated Peranakan Chinese [...]
- Published
- 2021
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