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Ovid's narrative of Phaethon's failed attempt prematurely to emulate his father in his unique expertise can be read as a reflection on the virtues and limits of Lucretius' philosophical poetry. The paper suggests that, while he gives much credit to the De Rerum Natura's literary quality and its striving for the sublime, Ovid also critiques the hubristic connotations of Lucretius' rejection of divine authority and agency from the workings of nature. The second part of the article explores how this particular version of the myth touches upon issues of poetic authority, political positioning, and Oedipal competition. [ABSTRACT FROM PUBLISHER]

Odes 4.1 is difficult to understand on a literal level. At its beginning Horace is complaining that Venus, after leaving him alone for many years, is attacking him, that is, he is feeling a reawakening of sexual desire. But after suggesting that the goddess go off to visit Paullus Fabius Maximus and describing the rewards the young man will give her, he returns to himself. Now, he says, he is delighted by neither woman nor boy nor by the prospect of mutuality in love, that is, he is not in the grip of eros. Additionally, the use of iuuare, ‘delight’, with a person as subject seems to be without any parallel. These problems disappear if in l. 29 we read mi for me: ‘I no longer have either woman or boy (as lover) nor do I have the hope of mutual affection.’ Horace's having no lover and no hope of one is compatible with his feeling a generalized desire for sex or a desire for someone unattainable. The tone of the last two quatrains is affected as well as the contribution of the poem to the fourth book of odes. [ABSTRACT FROM PUBLISHER]

An analysis of the formal features of the ‘epitaph’ of the poet Naevius reveals the handiwork of a later author who admired the older style of poetry represented by Naevius and used the allusive features of that style to reflect on the changing character of Latin poetics and its relationship to Hellenism. The very poetics of the epigram reveal a thoughtful attempt to admit Hellenic affect without sacrificing Roman sensibilities. Especially important is the relationship between divine and mortal and the proper hierarchy of the social world. The epigram is, in short, one literary reflection of the cultural and social struggles of the mid-second century b.c. [ABSTRACT FROM PUBLISHER]

The article offers poetry criticism of the poem "Odes 4.8" by Horace. It explores the line count of the ode which is not a multiple of four as always seen in Horace's odes. It states that many editors have given their views on why this ode has violated Horace's rule of line-counts divisible by four. The author offers arguments and interpretation on the deletion of lines 17 and 33 as well as its characters.