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The article discusses the representation of power in temple decoration in Archaic central Italy, by showing that these Archaic terracotta acroteria were part of an iconographical code that fits perfectly within the culture of ostentatious power in a period characterized by deep political conflicts marking the end of the regal power structure. The author's point of departure are the central acroteria representing Athena and Heracles, all dating from the third quarter of the 6th c. and decorating temples dedicated to goddesses of birth and light, in Rome, and in four neighbouring cities. She also argues that a careful collection of all the primary data is essential to provide a clear starting point for any interpretation of imagery displayed on Etrusco-Italic temple roofs.