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This work presents the results of the study of plasterwork decorations located on the stalactite vaults of the Hall of the Kings in the Alhambra (Granada, Spain) by means of Raman micro-spectroscopy. Field investigations were carried out in situ using a portable Raman spectrometer during a conservation campaign in a completely non-invasive manner. In addition, taking into account the results obtained, a well-directed sampling was carried out to obtain complementary information by means of laboratory studies. Despite several practical problems during the non-invasive field studies (like difficulties for probe positioning and vibrations of the scaffolding), almost all the pigments present in the decorations of the Hall were identified using excitation at 785 nm: cinnabar, minium, carbon black, natural lapis lazuli and synthetic ultramarine blue. In addition, evidence of different degradation mechanisms of the red pigments was obtained in situ. On the contrary, the identification of blue-greenish and green pigments had to be performed on microsamples using a Raman microscope with excitation at 514 nm in the laboratory. In samples with blue and green areas, azurite severely degraded to clinoatacamite was identified. These were probably the remains of the oldest blue decorations. In addition, a technique for green decorations consisting on copper chlorides mixed with a small amount of lapis lazuli was identified. Other degradation products, identified in the laboratory regardless of the color of the pigment, were calcium oxalates. Finally, the laboratory studies also enabled the investigation of the stratigraphy of the pictorial layers. In this way, the presence of re-decorations with overlaying layers of pigments even of different colors was revealed. Copyright © 2014 John Wiley & Sons, Ltd. [ABSTRACT FROM AUTHOR]

Mural paintings of exceptional quality, which can be discerned in spite of their extensive mechanical damage and colour fading, have been uncovered in the church of St. Gallus in Kuřívody, Northern Bohemia, dated to the second half of the 13th century. Materials research with particular use of portable X-ray fluorescence, Raman micro-spectroscopy and powder X-ray micro-diffraction revealed the presence of rare pigments. In Kuřívody, it is only a second identification of intentionally used yellow mineral crocoite (PbCrO4) in European art. Its identification is facilitated by providing a very good Raman scattering, even when present in small amounts in fragmentarily preserved colour layers. Light yellow mimetite (Pb5(AsO4)3Cl) was never before mentioned as intentionally used pigment in Europe. Its finding in Kuřívody, however, corresponds more likely with undesirable physical-chemical conditions causing its formation by alteration of orpiment (As2S3) and minium (Pb3O4). Obtained results highlight the importance of Raman spectroscopy for direct identification of mineral pigments in low concentrations, which may be crucial for interpreting cultural heritage objects in historical context. By materials, the almost forgotten paintings in Kuřívody can be seen as outstanding and rare example of ancient artistic tradition that has spread to Europe from Mediterranean in early Middle Ages. After all, mineral crocoite was already used by ancient Egyptians to paint sarcophagi and degraded orpiment decorates the walls of the Nefertari's tomb in Thebes. Copyright © 2014 John Wiley & Sons, Ltd. [ABSTRACT FROM AUTHOR]