1. Sex, art and sophistication: the meanings of 'Continental' cinema.
- Author
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Barr, Mischa
- Subjects
- *
FOREIGN language films , *TRADE publications , *COSMOPOLITANISM , *ASSIMILATION (Sociology) , *MULTICULTURALISM - Abstract
From the late 1930s until the early 1970s, foreign language films were commonly categorised by Australian film exhibitors and distributors as 'Continental'. Continental films were earmarked for exhibition to audiences described as 'discerning' and 'sophisticated', epithets which distinguished their more 'discriminating' taste from the popular preferences of mainstream cinema audiences. But 'Continental' had ambiguous connotations. Foreign language cinemas exploited the association of 'Continental' with high culture, for example, by appropriating French icons, but 'Continental' could also mean scurrilous and sordid. It was the Continental cinema audience's apparent transcendence of these moral ambiguities, its seemingly effortless appreciation of 'art', and its cosmopolitan approval of select aspects of foreign 'culture' that demonstrated its sophistication and cultural distinction. In its attitudes towards sex, art and ethnic diversity, the Continental cinema audience anticipated the more widespread social and cultural changes that would transform Australian society in the 1960s and 1970s. [ABSTRACT FROM AUTHOR]
- Published
- 2009
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