Search

Marshall Allen, a member of the Sun Ra Arkestra, celebrates his 100th birthday after spending nearly 70 years with the band. Allen's journey into music began in the 1940s during World War II when he played clarinet and alto sax in the 17th Division Army band. He joined the Arkestra in 1958 and became a key member, embracing abstract experimentalism and contributing to the band's reputation as architects of the New Thing. Allen continues to lead the Arkestra, touring and keeping Sun Ra's repertoire alive. [Extracted from the article]

Saxophonist Chris Potter has released his latest album, Eagle's Point, which marks a return to his small group jazz roots. The album features collaborations with pianist Brad Mehldau and the rhythm section from the Wayne Shorter Quartet. Potter describes the album as a modern-day renovation of the classic acoustic jazz model, combining his past influences with his present musical direction. He emphasizes the importance of live collaboration and the unique magic that comes from musicians playing together in the moment. Potter also discusses his diverse musical influences and his hope to communicate these experiences to a younger generation of musicians. The album is available on Edition Records and the quartet will be performing at the North Sea Jazz Festival. [Extracted from the article]

Saxophonist and multi-instrumentalist Courtney Pine, who turns 60 this year, reflects on his career and his ongoing thirst for musical and spiritual knowledge. Pine has been a prominent figure in the British jazz scene for over four decades, releasing numerous albums and receiving accolades for his contributions to jazz music. He has faced obstacles and prejudice throughout his career but has remained defiant, using his music to broaden the scope of jazz and connect with audiences. Pine continues to mentor and support younger musicians, and he looks forward to the future with an open mind and a desire to continue pushing boundaries in his music. [Extracted from the article]

This article provides a collection of reviews on various jazz recordings and musicians. It includes a compilation album featuring New Orleans drummers who played a significant role in early jazz, a live recording paying homage to British tenor saxophonist Bobby Wellins, and a concert recording of renowned guitarists Louis Stewart and Jim Hall. The article offers insights into the music and historical context surrounding these recordings. Additionally, it reviews a live recording by the Gerry Mulligan Quartet, BBC sessions by the New Jazz Orchestra and the Neil Ardley Group, an album by Uruguayan group OPA, and Patrice Rushen's debut album. [Extracted from the article]

This article discusses several jazz albums, providing brief descriptions of each. Tigran Hamasyan's new album explores a prog rock sound and is part of a larger multimedia project based on an Armenian folk tale. Monika Herzig's all-female band, Sheroes, releases an album in a post-Chick Corea, melodic fusion style. Marquis Hill's album combines bop-influenced jazz with hip hop, R&B, neo-soul, and electronics. Ingrid Laubrock and Tom Rainey's album features improvised dialogues between saxophone and drums. The article also highlights other jazz albums by various artists, describing their unique qualities and styles. [Extracted from the article]

This article from Jazzwise Magazine provides reviews of several jazz albums. The first review discusses the album "London Vibes - Suite For Freedom" by Tom Ollendorff and Fabrice Tarel Quartet, praising Tarel's compositions and the meticulous performances. The second review is for the album "Big George" by One For All, featuring George Coleman, highlighting the fresh and vibrant music of the collective. The third review is for the album "Learning to Be" by The Other Way, describing it as having a mix of genres and moods. The fourth review is for the album "Truth Seeker" by Ivo Perelman, featuring Mark Helias and Tom Rainey, praising Perelman's improvisational skills. The final review is for the album "Find Your Flame" by Nubiyan Twist, commending the band's inventiveness and range. [Extracted from the article]

The article discusses two emerging musicians in the British jazz scene. The first musician, Emily Masser, is a singer and saxophonist who has gained acclaim for her performances on the album "Introducing Emily Masser." She began her musical journey at a young age, influenced by her saxophonist father, and eventually pursued studies in saxophone and voice at the Guildhall School of Music and Drama. The second musician, Maddy Coombs, is a saxophonist who has been making a name for herself in the jazz community. She values the sense of community in jazz and prefers to focus on playing with people she knows rather than building a social media presence. Both musicians have been influenced by a variety of musical experiences and are actively involved in the jazz scene. [Extracted from the article]

The article discusses two emerging musicians in the British jazz scene. The first musician, Emily Masser, is a singer and saxophonist who has gained acclaim for her unique style and interpretation of lyrics. She started playing the saxophone at a young age and eventually pursued jazz singing. The second musician, Maddy Coombs, is a saxophonist who has been making a name for herself in the jazz community. She values the sense of community in jazz and prefers to focus on music rather than social media. Both musicians have been influenced by their experiences and education in jazz programs and have developed their own distinct styles. [Extracted from the article]

The article focuses on Albert Ayler was a progenitor of free and spiritual jazz, an innovator whose influence on the music is profound. It mentions astonishing Complete ORTF 1970 Fondation Maeght Recordings capturing the saxophonist at the peak of his otherworldly powers just months before his untimely and mysterious death. It also mentions Ayler's music an antidote to rock's consumerist impulses and first embarked on his musical odyssey.

This article discusses the book "Gerry Mulligan: Writings on a Jazz Original" by Steven A Cerra, which is an anthology of writings on the career of Gerry Mulligan, a baritone saxophonist and arranger. The book covers various stages of Mulligan's career, including his early life, the Birth of the Cool period, his move to California, and his work with different bands and musicians. The anthology includes contributions from both British and American authors, making it a valuable reference source for anyone interested in Mulligan's music. [Extracted from the article]

The article discusses several jazz albums and musicians. It mentions Emil Viklický, a pianist and composer from Europe who is recognized for his expressive performances. The article also highlights the album "Songs" by Emil Viklický and Imogen Ryall, which features Ryall's lyrics fitting perfectly with Viklický's compositions. Another album mentioned is "Three Of Us Are From Houston And Reuben Is Not" by Walter Smith III, which celebrates the cultural hub of Houston, Texas. The article also mentions the album "Ebo Taylor" by Ebo Taylor, a Ghanaian highlife pioneer, which showcases his collaboration with Adrian Younge and Ali Shaheed Muhammad. Overall, the article provides an overview of these jazz albums and their respective artists. [Extracted from the article]

The Jazzwise Magazine article discusses three different jazz albums: "Springs" by Møster!, "Elements of Light" by Simon Moullier, and "Fly" by Michael Mayo. The article provides brief descriptions of each album, highlighting the unique qualities and sounds of the artists. It mentions the evolution of Møster!'s sound, Moullier's fusion of vibes and electronics, and Mayo's originality and catchy hooks. The article also briefly mentions "Bleed" by The Necks, describing it as a 42-minute improvisation that is both familiar and different from their previous work. [Extracted from the article]

This article discusses several jazz albums and provides brief descriptions of each. The first album mentioned is "Legend Of e'Boi (The Hypervigilant)" by Darius Jones, which is described as a stark and beautiful reflection of modern times. The second album is "Above Your House" by Henrik Jensen, a piano trio recording that is noted for its creativity. The third album is "Relentless" by Fernando Huergo Big Band, which is praised for its accomplished musicianship. The final album is "Portrait" by Samara Joy, which is described as a Grammy-winning release that showcases the vocalist's artistic expression. [Extracted from the article]

The article discusses two jazz albums: "South Africa and Beyond" by Adam Glasser Quartet and "Blues Blood" by Immanuel Wilkins. The Adam Glasser Quartet album focuses on keeping alive the heritage of South African jazz, featuring South African instrumentalists and paying tribute to pianist Bheki Mseleku. The Immanuel Wilkins album showcases the saxophonist's innovative and meditative approach, incorporating vocalists from diverse musical backgrounds and exploring themes of African-American experience. The article includes an interview with Wilkins discussing his inspiration and the evolution of his music. [Extracted from the article]

The article discusses several jazz albums, including "Weatherwards" by Josephine Davies' Satori, "Portals Volume 2: Returning" by Caroline Davis, "Catching Fire" by Elephant9 with Terje Rypdal, "Wildflowers, Vol. 1" by Kurt Elling and Sullivan Fortner, and "LesGo!" by Devin Daniels. The albums showcase a range of styles and influences, from Celtic jazz to abstract soundscapes to funk and bop. Each album offers a unique and compelling musical experience, with skilled improvisation and creative compositions. [Extracted from the article]

This article from Jazzwise Magazine provides a brief overview of several new jazz releases. It mentions albums by artists such as 9 Horses, Phillip Golub, Edison Herbert, Orchestre Akokán, Michael Pagán, Kenny Reichert, Alan Regardin, Ada Rovatti, The Sea Trio, Smag På Dig Selv, Juanma Trujillo, Bill Warfield & The Hell's Kitchen Funk Orchestra, Alice Zawadzki/Fred Thomas/Misha Mullov-Abbado, Miguel Zenón, and more. The article describes the musical styles and highlights of each album, providing a diverse range of jazz genres and influences. [Extracted from the article]

The article from Jazzwise Magazine provides a brief overview of several jazz albums released in October 2024. The albums cover a range of styles and genres, including acoustic trio 9 Horses' minimalist soundscapes, keyboardist Phillip Golub's debut as a bandleader with a meditation on the passage of time, and saxophonist Ada Rovatti's groove-laden jazz funk set. Other albums featured include Orchestre Akokán's energetic Cuban mambo, pianist Michael Pagán's Basie-esque hard-swing, and guitarist Kenny Reichert's satisfying grooves. The article also highlights a vocal chamber trio's recording of poetic folk songs and Puerto Rican saxophonist Miguel Zenón's musical rumination on the cultural and political evolution of San Francisco. [Extracted from the article]

This article from Jazzwise Magazine provides a brief overview of several new jazz releases. It mentions albums by artists such as 9 Horses, Phillip Golub, Edison Herbert, Orchestre Akokán, Michael Pagán, Kenny Reichert, Alan Regardin, Ada Rovatti, The Sea Trio, Smag På Dig Selv, Juanma Trujillo, Bill Warfield & The Hell's Kitchen Funk Orchestra, Alice Zawadzki/Fred Thomas/Misha Mullov-Abbado, Miguel Zenón. The article describes the musical styles and highlights of each album, providing a diverse range of jazz genres and influences. [Extracted from the article]

The article from Jazzwise Magazine provides a brief overview of several jazz albums released in October 2024. The albums cover a range of styles and influences, including minimalist soundscapes, meditations on time, Latin mambo, Basie-esque hard-swing, jazz funk, and more. The article highlights the unique qualities of each album and provides a glimpse into the diverse and vibrant world of contemporary jazz. [Extracted from the article]

The article discusses the work of Santa Barbara-based master saxophonist Charles Lloyd returns with Trios: Chapel, the first of three spiritual Trio albums, featuring guitarist Bill Frisell and bassist Thomas Morgan. It discusses that the second album of the trilogy, "Ocean," was recorded in Lloyd's hometown of Santa Barbara in the 150-year-old Lobero Theatre, a venue Lloyd has played more times than any other in his lifetime.

"Parallels" by Brandon Sanders and "Parallels" by Joe Sanders are two jazz albums reviewed in Jazzwise Magazine. Brandon Sanders' album showcases traditional jazz with a touch of contemporary pop, while Joe Sanders' album highlights his skills as a composer and producer. Adam Scrimshire's "Music For Autumn Lovers" offers a melancholic yet hopeful soundtrack for the autumn season. Catherine Russell and Sean Mason's "My Ideal" features Russell's heartfelt vocals and Mason's skilled piano accompaniment, blending old and new jazz styles. Each album presents a unique perspective on jazz music, catering to diverse tastes within the genre. [Extracted from the article]

The article from Jazzwise Magazine discusses three different jazz albums released in 2024. The first album, "Unfinished Business" by Perfect Stranger, marks the band's debut after 50 years of existence, blending jazz, fusion, prog, and third stream elements. The second album, "Morse Code Through the Lights" by Playtime, reflects on the band's resilience and creativity during the pandemic, showcasing their ability to overcome challenges through collective effort. The third album, "Lights On A Satellite" by Sun Ra Arkestra, celebrates the 100th trip around the sun for leader Marshall Allen, highlighting the band's musical achievements and paying homage to Sun Ra. [Extracted from the article]

The article discusses three different jazz albums: "Bach Jazz" by Emil Carlsson Rinstad, "Spin" by Nik Bärtsch's Ronin, and "The Dark, The Light, The Grey and The Colorful" by JD Allen. Each album is analyzed for its unique musical style and contributions to the jazz genre. The review highlights the talents of the musicians involved and provides insights into the creative processes behind the albums. Overall, the article offers a comprehensive overview of these jazz works, catering to diverse musical tastes and preferences. [Extracted from the article]

"Urban Chaos" by Nick Adema is a jazz album that serves as a musical commentary on the grieving process following the trombonist's mother's passing. Despite its title, the album is not somber, featuring a mix of folk and contemporary jazz elements. On the other hand, "Oceanic" by Atlanticus is a UK-US collaboration that explores humanity's relationship with the oceans through a five-part suite, reflecting the band's commitment to environmental advocacy through music. Both albums offer unique perspectives and musical experiences within the jazz genre. [Extracted from the article]

The article from Jazzwise Magazine discusses various musical performances that showcase the power of silence and pauses in music. It highlights instances where musicians intentionally stop playing to create suspense and engage the audience. Saxophonist Josephine Davies also shares her top five essential albums, emphasizing the emotional depth and creativity in each selection. Additionally, the article mentions an upcoming concert in Brighton featuring pianist Gwilym Simcock and the Brighton Philharmonic Orchestra performing works by Wayne Shorter and Duke Ellington. [Extracted from the article]

Nat Birchall Unity Ensemble performed at Cafe OTO in London, featuring Nat Birchall and his quintet along with special guests Mark Wastell and Alan Skidmore. The first set showcased Birchall's avant-garde style, while the second set had a more propulsive feel with intense solos from Skidmore. The concert ended with a swinging rendition of "John Coltrane" that received a standing ovation. The article also mentions other performances by Trio HLK and the Eric Dolphy: Freedom of Sound Festival, which celebrated the artistry of Eric Dolphy with various musicians and ensembles. [Extracted from the article]

This article from Jazzwise Magazine highlights two new releases in the classical and world music genres. The first is a tribute album by Bassekou Kouyate and his band Ngoni Ba, featuring the powerful vocals of Amy Sacko. The album showcases stripped-back arrangements that allow the listener to appreciate the interweaving textures of the ensemble. The second release is an intriguing jazz interpretation of classic folk-rock songs from the late 1960s and early 70s by saxophonist Sean Khan and his band, featuring veteran vocalist Jacqui McShee. The article also briefly mentions a new recording by pianist Bertrand Chamayou, focusing on John Cage's prepared piano works. [Extracted from the article]

This article from Jazzwise Magazine discusses three different jazz albums. The first album, "In The Fullness Of Time," features mesmerizing vocals by Ganavya and distinctive trombone and saxophone performances. The second album, "Live at Mezzrow," showcases the return of Ken Peplowski after a health setback, with his tenor and clarinet playing impressing the reviewer. The third album, "Magical Incantation," by Ivo Perelman and Matthew Shipp, explores a unique language of their own through their individual sounds and collaborative improvisation. While not reaching the heights of their previous work, the album still showcases their artful improvisation. [Extracted from the article]

This article discusses several jazz albums and musicians. The first album, "The Cloth I'm Cut From" by Mike Monford, features a multi-generational ensemble and incorporates various styles of jazz, including hard-bop, soul-jazz, and Afro-Latin influences. The second album, "Small Things Evolved Slowly" by Sam Norris, showcases the saxophonist's compositions, which blend chamber jazz with freer playing. The third album, "Miniature America" by Miles Okazaki, consists of 22 vignettes that demonstrate Okazaki's command of improvisation and new music composition. The article also highlights a live performance by pianist Jordina Milla and bassist Barry Guy, praising their individual sounds and their ability to create a dynamic and inventive conversation through their instruments. [Extracted from the article]

The article discusses three different jazz albums: "The Cloth I'm Cut From" by Mike Monford, "Small Things Evolved Slowly" by Sam Norris, and "Miniature America" by Miles Okazaki. Each album is described in terms of its unique style and influences. The article highlights the diverse range of musical elements present in each album, including hard-bop, soul-jazz, jazz violin, Afro-Latin rhythms, and hip-hop. The article also emphasizes the individuality and creativity of the artists, as well as their ability to blend different genres and create cohesive and captivating music. [Extracted from the article]

The article titled "Mosaic" from Jazzwise Magazine discusses the album of the same name by Nicole McCabe, a Los Angeles alto saxophonist. The album showcases McCabe's malleable and elastic version of jazz, blending post-bop and fusion with melodies at the forefront. The article praises McCabe's passionate and powerful playing, as well as the artistic maturity and arranging ambitions demonstrated in the album. Another article in the magazine highlights Vinicius Mendes, a Brazilian saxophonist and composer, who crafts jazz-samba with harmonics that push and pull, inspired by Horace Silver and Hermeto Pascoal. Mendes' two LPs released on the Notes on a Journey label are described as complex yet accessible, coolly executed, and irresistibly sunny. Lastly, the article discusses Pat Metheny's album "MoonDial," where he explores a modified sound palette using a custom-made guitar, resulting in a repertoire of 14 originals and standards that capture the "magic of this new sound." Metheny's solo performances on the album are described as subtle, nuanced, warm, and human. [Extracted from the article]

Christine Jensen, a Canadian saxophonist and composer, has released a new orchestral album called "Harbour." The album features pieces written over the past decade, including a commissioned piece called "Fantasy on Blue" that celebrates the 60th anniversary of Miles Davis' "Kind of Blue." Jensen's sister, Ingrid, plays trumpet on the album. Other guest musicians include Gary Versace on piano and Chet Doxas on tenor sax. The album is a collection of lushly arranged and richly detailed tunes that explore themes of turbulence and the preciousness of the titular harbor. [Extracted from the article]

The article discusses three different jazz albums: "Flying High: Big Band Canaries Who Soared" by Champian Fulton, "A New Day" by Giovanni Guidi, and "Standards II" by Noah Haidu. The first album is a tribute to the original big band canaries and features various vocalists performing jazz standards. The second album is an accomplished set by Italian pianist Giovanni Guidi and his international quartet. The third album showcases the mastery of trio playing by Noah Haidu and his band. Each album offers a unique and enjoyable experience for jazz enthusiasts. [Extracted from the article]

The text discusses three different albums in the jazz genre. The first album, titled "The Key (Became The Important Thing [& Then Just Faded Away])" by Chris Corsano, is a solo album by the improvising percussionist. The album showcases Corsano's diverse musical background and includes elements of free jazz and avant-rock. The second album, "Cultzck" by Etienne Charles Creole Orchestra, explores the cultural traditions of Charles' Creole heritage and combines big band protocols with calypso influences. The third album, "Entity" by the Neil Cowley Trio, is a melancholic and mysterious album that showcases Cowley's piano skills and incorporates elements of minimalism and electronic music. [Extracted from the article]

This article from Jazzwise Magazine provides reviews of several jazz albums. The first album, "Change of Course" by Sebastien Ammann, features a quintet that plays cohesively and showcases imaginative solos. The second album, "Something About Believing" by Tim Armacost, is led by Armacost's post-Getz tenor sax and features a three-horns-no-chords lineup. The third album, "This Is Not For You" by Matthew Bourne, is a solo piano album that is immediately rewarding and showcases Bourne's expressive economy. The fourth album, "Beyond This Place" by Kenny Barron, features Barron's warm and skillful piano playing, along with a talented group of musicians. The article praises the album for its repertoire, which includes Barron's originals and standards. [Extracted from the article]

The article discusses the history of local radio stations in the USA during the 1920s and 1930s, which provided employment opportunities for musicians. It mentions musicians like Art Tatum and Fats Waller who had regular slots on these stations. The article also highlights the production of "transcription records" that allowed local stations to air performances by significant jazz and swing players. It mentions Art Tatum's recordings for Standard Transcriptions and the unofficial albums that featured his tracks. The article concludes by mentioning upcoming jazz festivals in Lowestoft and Scarborough, featuring artists like Soweto Kinch, Barb Jungr, Hejira, and Gareth Lockrane. [Extracted from the article]

A new live recording from saxophonist Wayne Shorter and his Quartet will be released on Blue Note Records. The album, titled Celebration Vol. 1, was curated by Shorter before his death in 2023 and features a previously unreleased live performance from the Stockholm Jazz Festival in 2014. This release adds to the band's recorded legacy, which began in 2002, and showcases their deep musical empathy and improvisation skills. In other news, Ronnie Scott's, a famous jazz club, will be closed for refurbishment in August, with shows relocated to Ninety One Living Room. The club's main room will undergo renovations, including refreshed decorations, a new bar, and upgraded lighting and furniture. During the closure, Late Shows will be held at Ninety One Living Room, and the club will reopen in September with exciting bookings, including performances by Guy Barker, Nigel Kennedy, and Booker T. Jones. [Extracted from the article]