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This article takes the notion of the ‘disaster utopia’ as a starting point for reconsidering the impact of the Japanese triple disaster of 11 March 2011 (3/11). It has often been observed that disasters may lead to utopian longings for a better world, and that these may, in some cases, lead to long-term social and political change. Drawing particularly on the ideas of Charles Fritz and Rebecca Solnit, the article briefly surveys the history of ‘disaster utopianism’ in Japan before exploring the specific versions of the search for ‘world renewal’ that emerged from 3/11. I argue that the ideas put forward by Fritz and Solnit can help us to reassess some of the widely accepted images of the response to 3/11. The 2011 disaster generated visions of a new world which, although profoundly divergent in their social implications, shared a common vocabulary centred upon terms such assaisei(regeneration) andkizuna(bonds of community). Exploring trends in postwar Japan through the prism of the ‘disaster utopia’ can, I suggest, shed new light on the processes of political change that have affected Japan in the years since 3/11. [ABSTRACT FROM PUBLISHER]

Following the March 2011 Tōhoku earthquake, tsunami and the subsequent nuclear meltdowns in Fukushima (referred to collectively as ‘3.11’), critical discourse in Japan has become increasingly tense. Public debate about nuclear power has polarized society, and commentators, as well as ordinary citizens, are pressuring each other to choose between two ideological extremes. With this stifling atmosphere in the intellectual world, fiction has become an important creative venue outside the constraints of other written publications, such as non-fiction and journalism. The fictional aspect of what is known as ‘3.11 literature’ allows authors to express their opinions freely, portraying a side of Japanese society that does not appear in mainstream media. One such author is metafiction writer Takahashi Gen’ichirō, who spearheaded these fictional responses to 3.11 with his 2011 novel,Koisuru genpatsu(A Nuclear Reactor in Love). Through an analysis of this text, I will argue that this seemingly playful, experimental and at times even offensive work contains a serious exposé of problems confronting literary and political expression in post-3.11 Japan. [ABSTRACT FROM PUBLISHER]

This article aims to give an outline of recent developments in Ishinomaki, one of the cities worst affected by the Great East Japan Earthquake in March 2011. Before the disaster, the harbor town faced depopulation, aging residents, and a lack of prospects for the young, like many other stagnant regional cities. Since March 2011, Ishinomaki has seen an influx of short-, mid-, and long-term volunteers and young ambitious individuals who have moved from urban areas to initiate their own revitalization or social business projects. Drawing on and showing the limitations of Richard Florida’s notion of the ‘Creative Class’, this paper approaches Ishinomaki’s recent reinvention and transition from production to postindustrial multi-functionality as a phenomenon that can be seen as both a renaissance movement as well as the result of the structural instability of the labor market caused by Japan’s transition into a mature postindustrial economy. [ABSTRACT FROM PUBLISHER]