51. Protecting the Performers' Rights: An Analysis of the Relevant Law in the Indian Copyright Regime.
- Author
-
Wani, Aftab Jeelani
- Subjects
MORAL rights (Copyright) ,SOCIAL & economic rights ,CONSTITUTIONAL amendments ,INTERNATIONAL obligations - Abstract
In the traditional copyright regime, performers had no specific rights as those granted to an author or a creator of a work, since they were considered only as intermediaries between the author and the communication of his work to the public and hence not capable of possessing rights like an author or a copyright owner. With the advent of copying technology in the 20
th century, the copyright system was at stake, and performers could not protect themselves from exploitation of their works. However, subsequent protection against unauthorized exploitation was granted to performers under 'neighboring rights' or 'related rights'. Only economic rights were granted to them initially under the international agreements, and subsequently, moral rights were granted for the first time at the international level through World Intellectual Property Organization (WIPO) Performances and Phonograms Treaty (WPPT) in 1996. Though the Indian Copyright Act, 1957 recognized the performers' economic rights in 1994, it did not provide for any moral rights until the Copyright (Amendment) Act, 2012 came into effect. This paper attempts to analyze the development of law relating to the performers' rights in the Indian copyright regime under the influence of different international agreements, and how far the provisions of the Copyright Amendment Act 2012 in India with respect to performers' rights have made the Indian Law compatible with different international instruments. [ABSTRACT FROM AUTHOR]- Published
- 2014