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World Heritage serial properties are groupings of several heritage component parts that share common themes and values. This paper examines how these serial properties, as well as their individual component parts, are influenced by serial interpretive dynamic, and how this dynamic affects on-site interpretation. We demonstrate these issues through the Israeli serial property inscription of the Biblical Tels – Megiddo, Hazor, Beer-Sheba (2005). We chart the revisions along the inscription process to point out the presence of an interpretive dynamic. We describe interpretive dynamic as the effect of the justifications of the nomination over heritage significance and interpretation, both within the realm of World Heritage and in each heritage property locally. This paper concludes that interpretive dynamic is an inevitable part of the serial process. We argue that the dynamic represents a gap between the frequent use of series as an inscription catalyst and their essence as value-oriented constructs. Considering this, we criticise the overuse of serial inscriptions and call for a revised definition that re-addresses the important place of interpretation in this process. [ABSTRACT FROM AUTHOR]

Based on the view that community participation can be defined as the continuous trans-local mobility and localisation of not only organisations and individuals but also various nonhuman elements such as information and events, this paper explores how the community participation of Hong Kong in the conservation of Pokfulam Village is understood as socially extrospective and introspective processes. This paper is aimed to reveal how the knowledge of Treasure Hill in Taipei has been adapted (or not) to the community participation of Hong Kong's Pokfulam Village's heritage conservation. This provides insights into how the global flow of people, information, discourse, and technology has influenced the community participation in heritage conservation, especially across the Pacific Rim cities. Finally, the research discusses how local community can play a role in the dynamic local social structure of conserving their heritage, as well as 'whose heritage' in the mobility of global knowledge. [ABSTRACT FROM AUTHOR]

During the COVID-19 lockdown, cultural heritage institutions responded promptly to this difficult time by launching a series of digital collections of traces of this historical moment. Due to the limitations of the lockdown, such collections have generally focused on the intimate dimension of the pandemic, representing represented the outside world (streets, shops, cultural venues, etc.) as a site of emptiness. This paper examines the 'Windows in lockdown' initiative, which aimed to collect photographs of the messages displayed in physical locations during the lockdown period. The collection was carried out through an action research approach based on a participatory platform and social media. A collection of 1,224 photos taken in France between March and May 2020 was built. This paper analyses this collection through a social semiotics approach. The analysis highlights the role played by the outside world as a generator of an alternative collective memory during COVID-19. [ABSTRACT FROM AUTHOR]

The pervasiveness of digital media has profoundly transformed how we preserve and promote intangible cultural heritage (ICH). With the growing popularity of Douyin, a video-focused social networking platform, ICH inheritors in China have begun to post videos that showcase their artisanship. On the one hand, the affordances of Douyin encourage its users to keep up with the latest trend, subjugating them to mimetic participation; on the other hand, heritage policies in China foster the top-down formation of nationalist identity. Therefore, how heritage practitioners negotiate between the top-down authority of policies and the horizontal mimesis of the platform is a matter of concern. This paper applies performance analysis to explore the Douyin videos of a Chinese craftsperson, Li Niangen, a municipal ICH inheritor whose Douyin videos are highly popular. ICH policies in China and the affordances of the platform may support the formation of distinct identities. However, by assuming multiple and even contrasting roles in his videos, Li is fully engaged in none of them. This paper proposes that the presentation of multiple roles copes with the conflicting logic in Chinese society. In addition, the misalignment of these roles may simultaneously utilise and unsettle the administrative and digital authorities. [ABSTRACT FROM AUTHOR]

Heritage is defined and maintained through complex and changing processes. In what ways might heritage scholars and practitioners understand dynamic complexities theoretically, methodologically and ethically? Through reflections on involvement in environmental and cultural heritage initiatives with Maya communities in southern Belize, this paper argues for an explicit forefronting of community aims and goals in heritage-focused project design and implementation. It demonstrates how cultural anthropologists involved in collaborative projects with archaeologists, non-governmental and/or community organisations may use ethnographic approaches to push collectively towards decolonial, community archaeologies. The challenges of ethnographers and archaeologists working together to document heritage past and present are critically and reflexively analysed, using frameworks rooted in environmental anthropology to capture the fluid and negotiated nature of heritage constructions by exploring what it means to live a 'good life' in Maya communities in Belize. The insights generated for developing a decolonising approach for future work of this type are also considered. By challenging what constitutes project 'success', and discussing the questions simultaneously posed and revealed by the long-term community projects detailed here, the paper argues for a more collaborative, nuanced and fluid conceptualisation of what constitutes heritage, and who is served by its documentation and dissemination. [ABSTRACT FROM AUTHOR]

Heritage-making's intrinsic dissonance has been thoroughly established in the field of critical heritage studies, and yet it is a reality that continues to be obscured in heritage practice in settler colonial cities. Authorised heritage discourse continues to project existing state-led systems of heritage-making as a self-evident 'public good' for current and future generations. In settler colonial cities, this increasingly includes attempts to incorporate Indigenous views and values into its framing. However, existing statutory processes that uphold normative approaches prove resilient to change. Continued prioritisation of tangible artefact amid private property rights impairs the heritage field's ability to acknowledge alternative possibilities and to genuinely engage in decolonising transformation. This paper examines three cases where heritage dissonance has erupted into protest and protection action outside of the authorised heritage discourse: the Old Swan Brewery in Perth, Western Australia; Ihumātao in Auckland, New Zealand; and the West Berkeley Shellmound in Berkeley, California. It analyses the contestation of values that led to protest action, what 'authorised' attempts were made to heritagise each case and to what result. In so doing, the paper demonstrates how existing processes of statutory heritage-making continue to be inadequate for Indigenous and emerging heritage aspirations. [ABSTRACT FROM AUTHOR]

The aim of this paper is to develop and discuss mad studies as a methodology and mad reading as a method for critical heritage studies. In doing so, this paper acts on persistent calls to discuss methodologies in critical heritage studies as well as calls to explore the heritage connected to psychiatric hospitals and madness. The text introduces and develops mad studies as a methodology for critical heritage studies, here explained as a way of seeing and analysing heritage from the perspective of mad-centred knowledge productions. The article further develops mad reading as a method for analysing heritage. Mad reading is explained as (1) a situated method, (2) a different way to approach the object of study (3) a method to expose and challenge sanism and (4) a method to reveal madness where it is not clearly visible. The paper is predominantly theory-driven but situates the discussion in relation to previous and ongoing research in heritage studies. [ABSTRACT FROM AUTHOR]

As cultural carriers of intangible cultural heritage (ICH), practitioners are key stakeholders in its inheritance and tourism use. Master-apprentice transmission is a major mechanism of generational inheritance. This paper examines ICH masters and apprentices at the Arts & Crafts Museum of Hangzhou, China, and analyzes the cultural composition of handicraft ICH and its intergenerational evolutionary mechanisms. Semi-structured interviews with two generations of practitioners and participant observation were undertaken. Research results reveal that intergenerational evolution involves multifaceted stakeholder interactions centred on practitioners with the support of government, management of the museum and participation of visitors. With patterns of family and master-apprentice inheritance, two generations of practitioners facilitate the evolution of handicraft ICH though both co-creations and conflicts. Second, six cultural attributes for handicraft ICH as of material, pattern, shape, technique, image and system are identified to visualise the process of intergenerational evolution. Third, driven by internal and external factors, ICH evolves through tracks of inheritance, selection and variation as presented through the above six cultural attributes. Moreover, the interdependence of cultural elements highlights the heritage framework of handicraft ICH and reflects the fluidity of authenticity. Accordingly, theoretical contributions and future research directions are offered for the sustainable development of handicraft ICH. [ABSTRACT FROM AUTHOR]

UNESCO's Convention Concerning the Protection of the World Cultural and Natural Heritage (1972) (Convention) provides the highest level of international recognition for outstanding universal heritage places. While the Convention has been instrumental in aiding heritage preservation, arguably it has also reinforced a problematic 'culture' and 'nature' division in protected area management. This is not a new observation. One solution that attempted to address this issue was the introduction of the World Heritage (WH) 'Cultural Landscape' category in 1992. Yet, as of 2023, there are only 127 Cultural Landscape properties of the total 1157 properties on the WH List (10.9%). Poor recognition of the category appears particularly acute in some regions, such as Australia-Oceania, and in this paper, we consider this apparent under-utilisation with a systematic review of the literature about the category. Our analysis reveals significant and concerning regional variations in both use of the cultural landscape category and in research about it. In our current era, when better recognition of First Nation heritage is demanded, and when greater protection of heritage assets is required, further uptake of the Cultural Landscape category has the potential to redress these pressing societal concerns. [ABSTRACT FROM AUTHOR]

Across Eastern Germany, many castles and stately homes were used as shops, schools or community buildings during the GDR. Since the 1990s, many of them have been turned into museums. This paper discusses the challenges of dealing with the history of socialist reuse in East-German heritage buildings comparing the former Prussian castles of Schönhausen (Berlin) and Rheinsberg (Northern Brandenburg). The comparison is based on five in-depth semi-structured interviews providing insights into the considerations of curatorial decision makers. It shows that there is still a high sense of uncertainty in how to address the GDR past, in particular when the role of the building was not clearly political. Personal recollections of the recent past lead to uneasiness in addressing this part of history. At the same time, the paper shows how attitudes have changed over time. Today, the GDR past is increasingly seen as an opportunity to connect to a wider audience and foster a more participatory and democratic memory culture. [ABSTRACT FROM AUTHOR]

This paper calls for a maritime turn in critical heritage theory. Drawing on recent work on ocean and maritime ontologies, it takes up the idea of the 'ocean in excess' to argue for a maritime imagination that overcomes the separation of land from water, culture from nature. The paper begins by sketching out the terracentric norms that have come to underpin critical theory around cultural heritage. From there, recent insights on ocean ontologies are cited to show how they can open up new ways of thinking about existing strands of critical heritage work. The second half of the paper turns to the issue of ocean governance and the complex politics that arise from competing ontologies. This provides the foundation for a discussion of the transoceanic heritage discourses that are now emerging, as countries seek regional, come global influence in world affairs. Understanding these and other developments requires moving beyond the earthly, such that we more robustly engage with a multivalent heritage politics that operates across air, water and land. [ABSTRACT FROM AUTHOR]

Implemented in the early 2000s by the Ave Basin Regional Development Agency (ADRAVE), the Ave Basin Industrial Heritage Route (IHR) was deactivated without fully establishing a lasting circuit to showcase the region's industrial history. This paper aims to identify and critically analyse the contributing factors to the IHR's inability to create a sustainable industrial heritage circuit. Drawing insights from industrial heritage tourism studies and examining academic papers produced by members of ADRAVE during the IHR implementation to publicise the route, as well as an urban intervention in one of its hubs (Sampaio, Ferreira & Co. Riba d'Ave), the study reveals missed opportunities and challenges in the IHR's implementation, calling for a revaluation of strategies to effectively preserve and promote industrial heritage in Portugal. The analysis highlights the impact of dominant memory narratives shaped by local political and economic powers, hindering community engagement, and discouraging local involvement. The findings extend beyond Ave Basin, emphasising the importance of more inclusive approaches that involve local communities in heritage conservation initiatives. [ABSTRACT FROM AUTHOR]

Hong Kong's cultural heritage and tourism offerings include several prominent symbols and legacies drawn from the waters that surround it, including dragon boat racing, Tin Hau temples honouring the Goddess of the sea, and iconic junk boats sailing on the harbour. Within the growing field of Hong Kong heritage studies, however, there has been little work addressing these and other aspects of its maritime past. This paper addresses this contradiction, of the simultaneous presence and absence of maritime heritage. It does so by considering the story of the 'coming ashore' (上岸) of people who lived on boats in the fishing centre of Aberdeen on the south side of Hong Kong Island. In the 1960s, many of them moved into Yue Kwong Chuen, an early public housing estate which is now being redeveloped. Drawing on archival research and oral history interviews, we consider the significance of the estate as an important example of the heritage of public housing that sheds light on the status of boat dwellers, excluded for centuries in South China, and their eventual incorporation into land-based society. The paper contributes new insights on collective memory and identity formation in Hong Kong under and after colonial rule. [ABSTRACT FROM AUTHOR]

This paper aims to delineate the transformation of theatre design in Hong Kong, which was initially born out of Chinese settlements, through socio-cultural dimensions. It studies the factors that altered the design of theatre buildings from the early colonial years in the 1860s to around the second World War in the late 1930s. By adopting a postcolonial analytical framework as well as interpretive-historical and archival research methods to examine primary resources including government documents, historical photos and drawings, interviewing descendants of cinema operators and architects, as well as film archivists and architectural historians, this paper details how socio-cultural factors evolving building regulations and the local industry had impacted upon the transition of theatre architecture over half a century, witnessing indigenous efforts that resisted certain colonial narratives in the design process. The paper also scrutinises what potentials the architectures, demolished or still existing, can serve in the context of theatre heritage in postcolonial Hong Kong. [ABSTRACT FROM AUTHOR]

This paper explores how the framework of object biographies can be used to analyse our digital activities, both disseminating and expanding these same biographies. During the digitisation and cataloguing processes, biographies are not only – and in limited format – recorded, but are also expanded by the affordances of the digital medium. Similarly, digital interpretation and engagement programmes, and their reception by museum audiences contribute to the establishing of new relationships around the object and the emergence of new narratives. User-generated content is also a witness of contemporary interpretation and networks emerging from public interest in, and use of, cultural heritage objects. The case-study of the Victory of Samothrace, and its traces in the Louvre's own digital offer and among audiences' data is used to discuss the range of digital content surrounding an object. This paper argues that all these instances of an object in the digital sphere are worth studying as adding new chapters in its life-history, in an ever-changing scenario of both ephemeral and meaningful digital representations. The relationship between originals and this digital content is considered as multifaceted, documenting, mediating, and expanding the original object biography, but also enabling digital surrogates to develop their own independent biographies. [ABSTRACT FROM AUTHOR]

Heritage is a cultural process that is constantly exposed to contestation and therefore to reconstruction, resignification and repositioning. This paper goes beyond anthropocentric interpretations and recognises that heritage often involves other species in human-defined heritage practices. Based on an ethnographic approach, this study examines how contemporary practitioners of Charrería – a Mexican equestrian sport – embrace their intangible cultural heritage and problematise some of the interactions between the species involved. It evidences how Charrería participants navigate tensions between national identity and pride in their cultural heritage, on the one hand, and the ethics of involving other animals in sport and human heritage, on the other. The animal ethics issues involved threaten not only the social licence to operate of Charrería as a sport, but also the status and preservation of Charrería as heritage. This paper concludes that international and national organisations that institutionalise heritage play important roles in guiding efforts to protect and maintain intangible cultural heritage while addressing the changing ethical demands of interspecies relationships. [ABSTRACT FROM AUTHOR]

This paper employs the concept of multidimensional heritage to examine colonial statues in Africa since the era of independences through transnational, diachronic, and multi-thematical perspectives. Colonial statues are viewed as transnational phenomena, with a focus on the African continent, emphasising the complex and evolving connections to former colonial powers in Europe. To capture the complexity of heritage uses, which is often best comprehended over an extended period, a diachronic approach is employed, and three periods are considered: colonial statues at independence (1950s to 1980); revival of (neo)colonial statues (1990s-2000s) and renewed contestations (since the 2010s). The paper also delves into various ways in which the past is used and interpreted through colonial statues, discussing aspects such as public memory, identities, diplomacy, aid, and justice. [ABSTRACT FROM AUTHOR]

In the contemporary Greek Cypriot popular music scape, we witness various and varying instances that feature cultural heritage elements: the frontman of a hard rock band performing in a vraka, the traditional male trousers; a trap song making references to lefkaritiko, a traditional lace; a metal band opening their album with an acapella tsiattisto, a traditional oral poetic style. This paper discusses these and other instances by placing them in the wider historical and political framework of the Republic of Cyprus. Distinguishing between tradition and heritage, as well as place and space, it suggests that the creative turn to the cultural past of Cyprus can be interpreted as a redefinition of the modernisation and decolonisation process of the Republic of Cyprus, which is accomplished through an inward look that emphasises the geographical and cultural particularities of the island. This inward look, it is argued, speaks back to the historical process of decolonisation that was defined by external references (attachment to the motherland(s), desire for Westernisation, and opposition to the 'Other'). The decolonisation process, itself the cause and effect of conflict and sentiments of ethno-nationalism, defined the identity of postcolonial Greek Cypriot subjects. [ABSTRACT FROM AUTHOR]

This paper provides a historical analysis of the peak and demise of the international view on cultural heritage. In the 1980s, cultural internationalism emerged as a conservative reaction against the adoption of the 1970 UNESCO Convention, which organises the restitution and return of stolen cultural properties. Internationalist and cosmopolitan scholars who have claimed that cultural heritage 'belongs to humanity', generally condemned restitution, and pushed back against the ratification of the Convention. The international view on cultural property became traditionally dominant in milieus such as universal museums, antiquity markets and some academic disciplines. However, over the past half-decade, the growing importance of research on provenance has challenged cultural internationalism in two areas. Firstly, research on provenance focused on art and archaeological crime has shown that artefacts allegedly excavated in the past are often the proceeds of recent looting, especially in conflict zones. Secondly, recent studies on historical provenance have revealed that many objects were collected using colonial violence. As a result, developments in criminology, postcolonial history, and indigenous peoples' rights have generally led to the retreat of cosmopolitan narratives on cultural property. Ultimately, this paper highlights that cosmopolitanism in cultural heritage has historically hinged on the imperialist past. [ABSTRACT FROM AUTHOR]

This paper discusses the role of the menhu in the protection of Wushu Intangible Cultural Heritage (WICH) and the possibility of developing it as part of WICH community, based on the analysis of the concepts of community in sociological theory, community in the Convention of Intangible Cultural Heritage. Menhu members master skills and enact their inheritance and reproduction for a long time and have a stable and continuous sense of identity in their inherited skills and cultural identity, thus constructing them as a cultural community. Menhu members always actively participate in the recognition, protection, and inheritance of WICH. However, due to the unclear identification of community entities and the criticism of the menhu as a negative culture in folk martial arts, its status and value have not been recognised in the protection of Intangible Cultural Heritage (ICH), and the identity of its community entity has not been clarified. This paper argues that respecting the complexity of folk martial arts cultures, and establishing a community recognition system that aligns with the realities of WICH, expressing approval and emphasising the subjectivity of the menhu is of practical significance for ensuring the continuous inheritance and dissemination of WICH. [ABSTRACT FROM AUTHOR]

For the past century, Mexico has tightly managed its heritage resources to emphasise the achievements of Prehispanic civilisations which contribute to national patrimony. Public interest in these great civilisations has fuelled an impressive national archaeological programme that has resulted in cutting-edge research and sometimes helped elevate the status and visibility of living indigenous communities. However, nationalist narratives of the past tend to be somewhat monolithic, and in the case of Mexico, they have emphasised hierarchical, exploitative states with powerful, urban capitals. The social value of Aztec identity and icons has become so potent that even in places with unique archaeological signatures and their own exceptional histories, local heritages are often intertwined with the Aztec narratives. This paper analyses two modern monuments in the small central Mexican town of Xaltocan, reflecting on long-term and recent developments in the region that have influenced the perceived social and political values of narratives of the past and the identities connected to them. Based on these analyses and drawing on interview responses from current residents, I argue that the monuments are important testaments to the complex ways that locals conceptualise and strategically articulate their heritage. [ABSTRACT FROM AUTHOR]

Over the last 25 years, a number of concepts that broadly centre on human suffering, conflict, and death have developed and proliferated in heritage studies. As a 'trauma and truth telling' discourse is embraced globally, there is a marked increase in the recognition of heritage connected to trauma, suffering and tragedy. Yet, despite the breadth and depth of research in this space, psychological trauma has been largely unexamined in the field of heritage studies. Therefore in this interdisciplinary paper, we ask: what is trauma? What is the relationship between trauma and heritage? And what does it mean to be trauma-informed? We introduce the concept of trauma-informed heritage (TIH) and suggest that heritage connected to traumatic events can be conceived as trauma-heritage (TH). Together, the TIH and TH concepts shine a light on heritage connected to trauma, which is multiplex and multiscalar. We offer this framework to better acknowledge and understand trauma and critically explore the relationships between trauma and heritage. This frame will provide awareness of the impact of trauma on people in the wake of traumatic events and help mitigate the risk of re-traumatising, now and for the future. [ABSTRACT FROM AUTHOR]

In this paper, I explore negotiations of heritage in heritage forests from three case studies in southern Mozambique using oral history, field walking, video documentation and conversations. I argue that at local level there are processes of negotiation, authorisation, and legitimacy of heritage in forests. Such local forms of heritage negotiation and heritage discourse are authoritative and need to be recognised in both the planning of heritage conservation, and also in nature conservation. This recognition can strengthen local custodians to safeguard forest patches as locally protected areas, and opening room for heritage practitioners to be engaged by local people in the process of cultural heritage management. [ABSTRACT FROM AUTHOR]

This paper is concerned with people's attachments to historic urban places they experience in their daily lives. The topic has received growing emphasis in the realm of heritage studies, given its importance to the conservation and management of historic urban environments. Drawing on qualitative data collected from thirty in-depth interviews carried out in Edinburgh, Scotland, I explore the multiple ways in which (known as dimensions in place attachment literature) people develop attachments to historic urban places: from a kind of autobiographic attachments which were grounded in their everyday living and memories, and those of their families to intellectual attachments wherein they showcased their deep appreciation for the attributes that define a historic place. I also seek to demonstrate a class-specific nature of attachments at the intellectual level, adding a politicised view to the complexity of the phenomenon. In so doing, I demonstrate the many ways in which historic places are important to people's enjoyment of lives in the city, and the various roles the history of places and/or their historic attributes played in forging such attachments. I conclude the paper with discussions on findings related to the current state of knowledge in place attachment research and implications for heritage practices. [ABSTRACT FROM AUTHOR]

This paper employs the concepts of heritage-making, communal identity formation, and landscape production to analyse the spaces that contribute to local, provincial, and national identities. Specifically, we examine how these spaces, now valued for their natural and historical significance, shape contemporary collective identity. Our study is located in the Andes mountain range, in an area called Manzano Histórico, in central- western Argentina, which is part of a larger nature reserve created to protect the headwaters of the basin and mountain areas from large-scale economic projects. This paper utilises a qualitative methodology that combines archaeological and historical studies with ethnographic techniques and a survey to describe and analyse the millennial occupation of the region. This continuous occupation has been shaped by multiple ways of inhabiting the world, some dominant and others marginalised or made invisible, resulting in ongoing present-day tensions. The heritage landscape proposed is a partial result of these tensions, a textured, fractured, and patched product of diverse, historically enabled practices. By analysing these spaces, we aim to acknowledge the various ways of being in the world that intersect within them, as well as the identity formations of alterity that hierarchise or invisibilise these practices. [ABSTRACT FROM AUTHOR]

Narva, Estonia's easternmost city, was once famous for its baroque Old Town, but this was sadly destroyed during World War II. When Estonia regained its independence from the Soviet Union in 1991, the border town quickly became a site of complex memory politics, intensified by a widely felt loss of its former architectural and industrial status. This was particularly manifested in growing nostalgia for the Old Town and discourses on rebuilding it, despite the changed urban dynamics. Building on a media archaeological approach, this paper explores the role of nostalgia and local memory politics in conditioning the emergence of novel kinds of mediations of the 'lost city', especially in the form of specific mobile media and augmented reality (AR) applications aimed at mapping the whole of the city and allowing experiencing it first-hand. Second, the paper studies the roles these same forms and mediations play in further channelling the nostalgia and modes of reproducing Narva's destroyed Old Town. [ABSTRACT FROM AUTHOR]

This Introduction makes the case for a more critical engagement with oceans and the maritime within critical heritage theory. We lay out a research agenda that more consciously foregrounds aquatic domains in debates about conservation, sovereignty, governance, state power, and the politics of memory. In laying the ground for the papers that follow, we portray oceanic geographies and maritime heritage as politically and culturally charged arenas in order to argue that oceans are far from neutral or culturally egalitarian spaces and are subject to human-imposed hierarchies and competing ontologies. We scrutinize the dynamic interplay between maritime and marine realms to challenge conventional understandings of space, territory, and ownership, advocating for a reimagined approach to heritage that recognizes the ocean's pivotal role in shaping human history and culture. [ABSTRACT FROM AUTHOR]

Long considered a cultural contact zone, the Mediterranean has become a weaponised border zone keeping refugees from Africa and the Middle East away from 'Fortress Europe'. The Mediterranean has become excessively dangerous to cross, leading many commentators to call this maritime space a 'massive graveyard'. The widespread indifference and enmity towards migrants in Europe is, amongst other things, countered by documentary and commemorative projects by artists drawing attention to the suffering of drowned refugees. In this paper, I zoom in on documentary and memorial artistic projects by Mimmo Paladino, Jason deCaires Taylor, Christoph Büchel, Ai Weiwei and Đỉnh Q. Lê. In the frequent absence of dead bodies and specific grave sites on the 'high seas', they make claims regarding the humanity, singularity and memorability of the human lives of refugees drowned at sea. Based on a description of the artworks and their public, I make two interlinked theoretical arguments. First, the commemorative materialisations by contemporary artists are temporal claims to constitute the cultural heritage of the future. Second, given the sea's aquatic materiality, the commemorative claims of these art projects require that commemorative materialisations must spatially move from the flux of the sea to the fixity of the land. [ABSTRACT FROM AUTHOR]

In an era of species extinction, ecological destruction and uncertain futures, the separation of nature and culture within conceptualisations of heritage has become increasingly untenable. Although the limitations – and even damage – caused by the separation of these ontological categories is widely accepted within heritage studies, scholarly interventions calling for more connected ontologies are commonly framed within the context of the terrestrial. This article departs from these terra-centric approaches to instead consider the potential of an oceanic imaginary to problematise and even dismantle these dualist categories. With a specific focus on the Belitung, an ancient shipwreck found in Indonesian waters, this paper dwells on the wreck's submerged interlude between loss and discovery. It considers the impact of this millennia-long extended period underwater in terms of marine ecosystems and more-than-human growth and destruction. By attending to the process by which ship becomes wreck becomes reef, this article thus draws necessary attention to the ways in which wreck becomes heritage, thus offering insights into how values are ascribed to underwater cultural heritage, and how this both perpetuates, and disrupts, the nature-culture binary. [ABSTRACT FROM AUTHOR]

Increasingly there is an understanding of the complexities of heritage within UK research, practice and policy. This has contributed to a growing recognition of intangible heritage, however there remains low awareness, and lack of sustained support, for Intangible Cultural Heritage (ICH). This paper outlines a case study - 'The Man Engine Pilgrimage' a popular performative heritage event in 2016 that celebrated the ten-year anniversary of Cornwall as a WHS, designated 'Outstanding Universal Value'. Central to this heritage performance was a twelve metre tall mechanical puppet, replicating parts of the mining process, which made a pilgrimage across the Cornish landscape, visiting old mining sites as an act of community remembrance, spatial identity and celebration. These events called attention to ways that 'heritage' was used and celebrated through formal and informal processes and practices. The study in particular provided insight into structural changes in official heritage processes in Cornwall that facilitated bridging processes or entry points for 'from-below' voices and intangible heritage. The latter included performing Cornishness, which is explored as the living, sensorial embodied performance of heritage in public. This is a reflexive cultural process, where values and symbolic meanings are seen in action – a 'loose' space. Within this performativity meanings and values are created, negotiated, confirmed or refuted in this process of heritage making. [ABSTRACT FROM AUTHOR]

This paper examines how monumental preservation at the Taj Mahal leveraged the broader goals of national and international agencies including UNESCO and other UN bodies, the World Bank and the Asian Development Bank, to address the wicked problems of pollution, pro-poor tourism, and sustainable development. I suggest that the Taj, and more specifically its future preservation, is bound up in a set of conflictual connectivities and centrifugal forces that far exceed normative heritage and conservation practice. Thus the Mughal tomb became 'the critical receptor' and nodal site for an onslaught of international technical, economic, developmental and conservation schemes attempting to link cultural conservation with environmental concerns, in concert with social and economic uplift, well-being and urban resilience. What remains after decades of foreign studies, consultancies, technical reports, preservation monitoring and novel technologies? And how might we disentangle those wicked problems encircling monumental preservation in an era of environmental and political toxicity. [ABSTRACT FROM AUTHOR]

Kubor Kassim is a century-old, serene Muslim cemetery in Singapore. Although many of its surviving 3,000 graves are unidentified, the graveyard contains elaborate tombs from internees of notable background, including community leaders and respected Muslim sheikhs ;(religious leaders and scholars). Kubor Kassim also houses a surau ;(prayer house) where religious classes are conducted, and offers its own miniature ecosystem of flora and fauna, including banyan trees and hornbills. Asia's rapid urbanisation subjects cultural heritage to tensions that threaten its preservation and poses dilemmas for decision-makers. The choice between expansion and protection is rarely straightforward, and controversies intertwine development, urban planning, sustainability, memory-shaping, and identity-building. For most of its short history as a nation, Singapore has had to make challenging decisions regarding the use of its territory. Space is a highly sought and tightly controlled commodity in such a land-scarce, fully urbanised and densely-populated country. Kubor Kassim is one of the latest examples of these tensions. Surrounded by private residential properties, in an area affected by population pressures and earmarked for future residential development, the cemetery is at risk of disappearance. Given Kubor Kassim's uncertain future and being mindful that a heritage site's tangibility cannot be replaced, this paper posits digitalisation as a preservation alternative. Using tools such as digital documentation and archiving, virtual mapping capturing with 360-degree technology, interactive maps, podcasts, and UAV (drone) photography and filming, this investigation explores encounters with the cemetery that can also act as its' memory insurance policy' in case of destruction or disappearance. The research includes comprehensive documentation, field works to record the site, interviews, and surveys. The paper urges reflection on the importance of cultural heritage in Asian cities, often threatened by the very process of urban growth and development. It also demonstrates that the design of parallel digital worlds can provide respectful and sustainable ways of preserving the priceless memories associated with cultural heritage. [ABSTRACT FROM AUTHOR]

This paper explores the processes of naming streets in four Swedish post-asylum landscapes and, consequently, the processes of constructing heritage. The paper shows that the memorialisation of (1) hospital buildings, staff members and architects; (2) the hospitals surrounding nature and park landscape; and (3) historical periods predating the hospital and the time of deinstitutionalisation are central ways in which heritage is constructed. The paper further explores how different discourses materialise in the name-giving processes. The examples are further discussed in relation to arguments made by scholars about how the past of the post-asylum landscape is remembered. In doing so, assumptions about what the heritage of post-asylum landscapes consists of are critically discussed. [ABSTRACT FROM AUTHOR]

This paper investigates how heritage-led regeneration has mediated the reconfiguration of North Shields Fish Quay. North Shields is a town in the North East of England, once home to among Britain's largest deep-sea trawling fleets. Following the collapse of the trawling industry in the late twentieth century, ongoing fisheries crisis, and undelivered Brexit promises, fishing heritage has become valued as a tool for social and economic development. However, this deployment of heritage generates both opportunities and threats. Situated between contemporary archaeology and critical heritage studies, this paper employs archaeological ethnography and critical discourse analysis to examine the material and discursive unfolding of heritage-led regeneration at North Shields Fish Quay. I situate heritage-making in the Capitalocene and argue that heritage-led regeneration represents a capitalist response to capitalism-induced crisis. By foregrounding the long-term exploitation and alienation of fishing communities, and their physical and social separation from the landscape, this paper demonstrates that heritage-led regeneration profits from, perpetuates and obscures these abuses. [ABSTRACT FROM AUTHOR]

This paper examines dissonant heritage from the perspective of sustainability, i.e. should we maintain and preserve artefacts from our Soviet past, such as the war memorial in the Antakalnis cemetery, which honours soldiers of the USSR who died fighting on Lithuanian soil during the Second World War? Currently, there is an intention on the part of Lithuania's political authorities to remove this apparently dissonant monument. Its presence – and/or removal – raises more than a few issues of sustainability, including those of the socio-cultural environment, policy(ies) for heritage, and matters pertaining to the legal system. Accordingly, the paper analyses this particular example of Lithuania's dissonant heritage by reference to the relevant literature, and also by presenting historical aspects of both the cemetery and the memorial. The opinions of the cemetery's visitors concerning the Soviet memorial are also analysed. The empirical research covers the purposive group of Antakalnis cemetery visitors during All Soul's Day (2 November 2022). [ABSTRACT FROM AUTHOR]

Heritage relies, to a large extent, on notions of endangerment and consequential attempts to arrest or reverse processes of loss and change. The papers in this special issue engage critically with this underlying orientation, exploring the social and cultural work which is produced through efforts to avert loss. In doing so, the papers also point towards alternative ways of valuing objects, places and practices which are not solely determined by notions of endangerment and risk. We suggest three general themes which connect critical investigation of these issues across the varied natural and cultural heritage contexts through which these papers work – the inevitability of loss; the politics of loss; and the potential in loss. These themes have significant implications not only for the future of natural and cultural heritage preservation, conservation and management but also in mapping out future research directions for critical heritage studies. [ABSTRACT FROM AUTHOR]

Landscapes are composed of physical places, affording meaning-making and value creation from everyday heritage based on personal experiences, life histories, memories, traditions and heritage practices. Individually held values form the basis for attachment and connection between people and places. Place attachment develops into a sense of place, belonging and identity. Despite the Burra Charter and Faro Convention's aspiration to include people in the assessment process, individual, subjective or emotional connections to place are often overlooked within heritage decision-making. When places are altered, neglected or damaged, such connections can be lost, and the quality of place diminished. Most changes to landscapes happen as part of the planning process, which is not currently able to account for individual connections but based on views expressed in the language of the Authorised Heritage Discourse (AHD). This paper presents a method to meaningfully integrate insider or individual knowledge into the framework of local planning and decision-making while at the same time addressing subtleties and fluidity of such personal views. The people and place-centred method of Social Landscape Characterisation collects, analyses and visualises invisible or hidden value communities based on the same meaning (category value) or location (place value) as shared values across wider landscapes. [ABSTRACT FROM AUTHOR]

The growing outrage over the continued stewardship of artefacts acquired through nefarious means has compelled cultural institutions to explore their role in marginalising cultures through misrepresentation. Indigenous communities around the globe are seeking the repatriation of sacred objects often collected through colonial violence. Though many museums have collaborated with communities to repatriate these artefacts, many have also avoided or refused repatriation requests, leaving communities without recourse. This paper will explore repatriation in the digital world through the lens of Cercle d'Art des Travailleurs de Plantation Congolaise's (CATPC) the quest for the return of an important Balot Pende sculpture from the Virginia Museum of Fine Arts, and whether creating a digital iteration, like an Non-Fungible Token (NFT) of a sacred object, offers a potential activist tool to reclaim an alternate form of ownership when physical repatriation is not available. [ABSTRACT FROM AUTHOR]

This paper explores cultural heritage pedagogical practices in architectural curricula. A comprehensive mixed-method research approach was implemented on a national scale to examine the curricula of architecture departments in all Jordanian universities. This investigation encompassed qualitative and quantitative analyses, including the development of Standard and Compulsory Affinity Index ratios to assess the level of heritage integration in these curricula. To further enhance findings from both analyses, purposive criterion sampling was used for semi-structured interviews with 20 architectural professors, alongside a participatory workshop involving 25 academics, heritage professionals, and organisations. The research contributes to the limited existing literature on cultural heritage education in architectural curricula. It also introduces a model for assessing cultural heritage education at the BSc level, uncovering disparities in its presence within architectural curricula. The role of the Accreditation & Quality Assurance Commission for Higher Education Institutions in promoting heritage education is found to be limited, and inconsistencies in terminology and approaches across institutions are observed. While the primary focus is on the Jordanian context, this research offers practical recommendations that can be applied more broadly to architectural education. [ABSTRACT FROM AUTHOR]

Chinese opera, a sing-song storytelling art form predominantly associated with rural and urban migrant communities, currently has over 300 regional styles. This paper investigates the intertwined development of a regional Chinese opera Shanghai All-female Yueju and its main audience, the Shanghai female textile workers and their omission in Shanghai Cultural and Creative Industries (CCI) making. Utilising theories of 'selective memory' and 'strategic forgetting', this paper argues that the official construction of Shanghai semi-colonial heritage as Shanghai's post-industrial identity and the omission of textile Intangible Cultural Heritage (ICH) is not only an attempt to establish a global cosmopolitan image, but also a strategy to deal with the post-industrial trauma of compulsory female workers' redundancy and painful community dissemination. It suggests that, until Shanghai fully acknowledges its 'dark heritage', the discourse of CCI lacks context and Shanghai local community continues to experience alienation and their opera form struggles for expression. The paper highlights the urgency for China, as well as globally, to safeguard and implement UNESCO's vision in promoting ICH as a key vehicle for social inclusion and sustainable development. [ABSTRACT FROM AUTHOR]

Cultural heritage is increasingly used as a political force to achieve societal goals. This is specifically noticeable in the rhetoric of right-wing nationalist parties in Europe. Cultural heritage and 'politics of the past' have become key tools in explicit nationalist agendas and right-wing politicians are using cultural heritage to attract disenchanted voters. But how is cultural heritage constructed through these processes? The aim of this paper is to explore the constructions and uses of cultural heritage within the Swedish nationalist party the Sweden Democrats (SD). With non-government bills formulated by the Sweden Democrats as a point of departure, the paper illustrates how an ideological fantasy is reproduced, which is based on establishing a direct connection between the party's seemingly non-ideological ideology and ideas about an authentic Swedish cultural heritage. The latter reflects a 'return' to neorigorism, which refers to the belief in cultural heritage as an objective, given, and non-negotiable, phenomenon. [ABSTRACT FROM AUTHOR]

This paper explores the impacts of heritage-led urban redevelopment on local communities and the associated consequences of gentrification. The instrumental role of cultural heritage in urban governance presents an underdeveloped research field on gentrification. Especially in fast-developing countries like China, redevelopment is often associated with urban beautification that favours the interests of the affluent middle classes while disregarding the needs of the urban poor and migrants. This paper uses Qujiang New District in Xi'an and Taipingqiao in Shanghai as cases for examining the impacts of heritage-led redevelopment on the urban landscape and social fabric of Chinese cities. Following a qualitative approach based on built environment analysis and observation, together with in-depth, semi-structured interviews, this study shows how cultural heritage becomes an effective tool for governance in the context of urban redevelopment. The values generated by cultural heritage and its associated ideas, including urban beautification, high culture and economic benefits, legitimise state-dominated spatial reconstruction and the resulting gentrification and social fragmentation. Heritage-led urban redevelopment in China produces new spaces for social interaction, where the state's control over its citizens is reinforced. These spaces support investor and upper-high class interests of capital accumulation and leave limited room for the development of alternatives. [ABSTRACT FROM AUTHOR]

This article draws on our continuous artistic engagement with Tonga youth in Zimbabwe over the last four years and offers a critical analysis of their transformation. We use the intersecting concepts of political and cultural capabilities to argue how arts-based participation in civic spaces has enabled them to shift the power balances, fostering them as epistemic agents and change-makers. Their journey across three arts and heritage workshops showcases that the longitudinal collaborations and social networks developed and built on one another, creating a thick interrelational embodied process of initiating political advocacy and re-creating different and multiple reinterpretations of their cultural heritage. The paper demonstrates the possibilities of envisaging and realising alternative livelihoods amidst the struggles exacerbated by horizontal and vertical inequalities, precarity, political apathy and poverty and highlights the importance of identifying relevant, context-sensitive, and engaging approaches for transformative development and legacy. [ABSTRACT FROM AUTHOR]

The role of Indigenous peoples in World Heritage Sites remains a controversial topic in regard to the 1972 World Heritage Convention. This paper aims to determine this role, as recognised by UNESCO, by pursuing a systematic analysis of the Operational Guidelines for the Implementation of the World Heritage Convention. Furthermore, the Rapa Nui National Park (Rapa Nui/Easter Island) is presented as a case study to exemplify an Indigenous-based governance of a World Heritage Site. By way of an investigation intersecting a documentary analysis of the Operational Guidelines and a descriptive case study of the Rapa Nui National Park based on ethnographic data, this paper aims to show how Indigenous-based management systems of World Heritage Sites can constitute strategies that stand in harmony with Indigenous rights within protected areas. [ABSTRACT FROM AUTHOR]

Balancing conservation and development is one of the biggest challenges in the management of heritage cities. In 2011, UNESCO adopted the Recommendation on the Historic Urban Landscape in order to guide conservationists, urban planners and city administrations in this difficult process. Based on an interpretative policy analysis, this paper explores the implementation of the Historic Urban Landscape approach in the Uzbek World Heritage city Khiva. It describes recent development trends in the city's historic centre related to urban form, tourism and heritage management. These observations are then checked against the recommended 'critical steps' and tools from the Historic Urban Landscape Recommendation. The paper explores if recent urban developments in the city reflect a new understanding of the historic urban landscape, and to what extent the implementation of the Historic Urban Landscape approach supports the reconciliation of conservation and development in the urban regeneration of the city. The analysis shows that while some of the Recommendation's principles have been implemented, others are barely respected. Conflicts between the interest of tourism development, heritage conservation and the needs of local residents are ubiquitous and represent a case of heritage dissonance. [ABSTRACT FROM AUTHOR]

Despite the widespread acknowledgement of the role of local communities in heritage co-production and management, conservation approaches often remain top-down, 'expert' driven and state-centred. This paper considers the pragmatic manner in which heritage conservation policies affect local understandings of heritage. Focusing on the lived Greek heritage of traditional settlements, this paper interrogates the underexplored experienced angles to heritage conservation in conjunction with the official narratives. Expanding our knowledge on the impacts of conservation on heritage values, the paper argues that conservation policies can negatively affect local notions of heritage if the living aspect is not tactfully addressed and balanced against preservation priorities. The research furthers our understanding on the damaging impact of the AHD, problematising the disjunction between authorised and grassroots stances to living and lived heritage and providing a point of reference in respect to the dependent relationship between heritage conservation approaches and local community's understanding of heritage. [ABSTRACT FROM AUTHOR]

In 2017, amidst rising Hindu nationalist politics, the 'Historic City of Ahmadabad' was designated India's first UNESCO World Heritage city for its Islamic architectural heritage. How should we understand the emergence of this seeming counter-narrative at a time of rising ethno-nationalism? Ahmadabad's diverging international and intranational heritage narratives are instructive in understanding what motivates national identity constructions inside and outside a nation-state's borders. Using evidence from semi-structured interviews and documents, this paper illustrates how Ahmadabad's World Heritage narrative is manipulated for different objectives at each scale. Internationally, Ahmadabad's heritage cooperation with the French government, and framing as 'multicultural' is intended to internationalise the city and appeal to a global audience. Internally, its framing suggests inclusivity but operates as a subtle form of control by presenting a carefully curated degree of Islamism. Ultimately, this narrative of inclusion excludes the Muslim and migrant populations most closely associated with this heritage. By unpacking the socio-political and economic forces at play in constructing Indian national identity internationally and internally, this paper highlights the uses and abuses of built heritage. [ABSTRACT FROM AUTHOR]

This paper studies the intricacies related to the revitalisation of commercial products that have recently been assigned with cultural heritage values in the context of post-Fordist consumption. Underpinned by a conceptual lens that combines reflections on heritage dissonance and Cultural Political Economy (CPE), the paper describes a qualitative study of lambic beers in Belgium. After being almost wiped out by the 1990s, lambic brewing has made a spectacular recovery due to a combination of global economic drivers and local sector-wide collaboration. However, the addition of cultural heritage values to the commercial product, which fuelled the sector's economic regeneration, brought along challenges now there is less concern about the sector's immediate survival. Alongside governance complexities, different interpretations among stakeholders of what constitutes 'tradition' have complicated defining the boundaries between collective and individual interests, which runs parallel with identifying where cultural values stop and economic values begin. Heritage dissonance, in this case, centres around struggles of finding a collective semiotic response to safeguard the sector's agency in the context of its post-Fordist embedding, including prevailing 'craft' cultural/economic imaginaries. Concluding, the application of CPE to the lambic beer study reflects the framework's value for understanding dissonant heritage values. [ABSTRACT FROM AUTHOR]

The article considers the use of nudge theory and behavioural science as a lens to better understand the influences and effects of heritage on society. Nudge theory applies insights from psychology to contextual factors that influence decisions and behaviours. These same insights can be used inversely, to interpret existing effects such as heritage. The paper describes parallels between nudging and heritage, focusing on ethical aspects including the dilemmas created by acknowledging these insights, transparency, and intentionality. It follows with discussion of choice architecture, the apparatus of nudging – and some of the mechanics behind the influences it can have. This draws upon experimental findings in behavioural science and applies them to various examples, with the intention of presenting new perspectives on known heritage sites, such as contentious statues. Finally, it considers the implications of using behavioural insights to further unpack the effects of heritage on society and the potential to help authorities, decision-makers, and community leaders be more aware of the impacts of heritage, which can be easily overlooked in policy and practice. It is intended that the paper is accessible to both those interested in behavioural science and in heritage studies. [ABSTRACT FROM AUTHOR]

This paper focuses on the modern biography of a prehistoric stone of uncertain provenance, the megalith known as the Kempock Stone or Granny Kempock that has stood in the Clydeside town of Gourock for at least several hundred years. Rather than fous on a specific prehistoric period of creation and installation, or speculate upon its original function, this account explores the numerous stories that have accumulated around the stone over the past two centuries, revealing its composite biography. In addition, the paper also identifies the plethora of practices that have focused upon the stone over the years. In adopting an urban prehistory that concentrates upon surviving prehistoric places, sites and things that survive in urban places, we investigate how these narratives and practices significntly contribute to the rich heritage of this monolith. In contending that a better understanding of the social benefits of monoliths in urban places is long overdue, we also exemplify the contemporary value such sites play in consolidating local identities, enriching heritage and hosting a wealth of shared cultural practices. [ABSTRACT FROM AUTHOR]