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Since China implemented animation control policies in 2004, foreign animation programmes have almost disappeared from Chinese television. At the same time, the Chinese government has invested enormous amounts of money in developing the animation industry as a creative industry. A questionnaire survey was conducted to explore how the Chinese audience views domestic and foreign animation programmes. The results indicate that pirated Japanese animation is widely viewed via the Internet by adolescents; on the other hand, domestic animation is popular only among children. Preferences for domestic animation correlate positively with age and patriotism but negatively with Internet use, while preferences for Japanese animation correlate negatively with age and patriotism but positively with Internet use. These results show that nationalistic sentiments are associated with preferences for either domestic or foreign animation programmes. However, preferences for Japanese animation are not significantly associated with anti-government attitudes. [ABSTRACT FROM PUBLISHER]

The article discusses the relationship between international telecommunications development and global women's poverty by examining three questions: (1) Who benefits economically from international telecommunications development? (2) Why is women's poverty a peripheral concern in neoclassical economics? (3) How and by whom should women's poverty be defined? By focusing on the World Bank's policies, programs and lending to telecommunications, and women's empowerment since the 1980s, and drawing on the perspectives of the political economy of communication, feminist economics and critical studies of global women's poverty, this article argues that the problem of global women's poverty should be understood in the contexts of an unequal distribution of goods and services across the globe and between men and women, the androcentrism and ethnocentrism of neoclassical economics and the processes of women's poverty and poor women's agency in poverty alleviation at a local level. [ABSTRACT FROM AUTHOR]

Communication is the basic concept in explaining globalization. Globalization can be observed as the worldwide expansion of a functionally differentiated European society through intercultural communication. In this society, since the 17th century, intercultural communication has assumed the form of a modernist ethnocentrism based on values such as knowledge, pluralism and individualism. During the 20th century, historical changes created the necessity for new forms of intercultural communication. In the last decade of that century, a transcultural form of communication based on dialogue was proposed as a basis for cross-cultural adaptation, a creation of multicultural identities and a construction of a hybrid multicultural society. However, this transcultural form creates paradoxes and difficulties in intercultural communication, mixing the preservation of cultural difference with the search for synthesis. Consequently, a new form of intercultural dialogue, dealing with incommensurable differences and managing conflicts, is needed to create coordination among different cultural perspectives. [ABSTRACT FROM AUTHOR]