Search

In this paper, we conduct an extensive study on the use of pre-trained convolutional neural networks (CNNs) for omnidirectional image quality assessment (IQA). To cope with the lack of available IQA databases, transfer learning from seven pre-trained CNN models is investigated over retraining on standard 2D databases. In addition, we explore the influence of various image representations and training strategies on the model’s performance. A comparison of the use of projected versus radial content, and multichannel CNN versus patch-wise training is also covered. The experimental results on two publicly available databases are used to draw conclusions about which strategy best fits the visual quality prediction and at which computational cost. The analysis shows that retraining CNN models on 2D IQA databases improves the prediction accuracy. The latter and the required computational time are found to be significantly affected by the training strategy. Cross-database evaluations demonstrate that the nature and variety of the content impact the generalization ability of the models. Finally, we show that conclusions coming from other image processing communities may not hold for IQA. The provided discussion shall provide insights and recommendations when using pre-trained CNNs for omnidirectional IQA. [ABSTRACT FROM AUTHOR]

As two practical and important image processing tasks, color demosaicking (CDM) and super-resolution (SR) have been studied for decades. However, most literature studies these two tasks independently, ignoring the potential benefits of a joint solution. In this paper, aiming at efficient and effective joint demosaicking and super-resolution (JDSR), a well-designed two-stage convolutional neural network (CNN) architecture is proposed. For the first stage, by making use of the sampling-pattern information, a pattern-aware feature extraction (PFE) module extracts features directly from the Bayer-sampled low-resolution (LR) image, while keeping the resolution of the extracted features the same as the input. For the second stage, a dual-branch feature refinement (DFR) module effectively decomposes the features into two components with different spatial frequencies, on which different learning strategies are applied. On each branch of the DFR module, the feature refinement unit, namely, densely-connected dual-path enhancement blocks (DDEB), establishes a sophisticated nonlinear mapping from the LR space to the high-resolution (HR) space. To achieve strong representational power, two paths of transformations and the channel attention mechanism are adopted in DDEB. Extensive experiments demonstrate that the proposed method is superior to the sequential combination of state-of-the-art (SOTA) CDM and SR methods. Moreover, with much smaller model size, our approach also surpasses other SOTA JDSR methods. [ABSTRACT FROM AUTHOR]

Dynamic scene classification has been extensively studied in computer vision due to its widespread applications. The key to dynamic scene classification lies in jointly characterizing spatial appearance and temporal dynamics to achieve informative representation, which remains an outstanding task in the literature. In this paper, we propose a unified framework to extract spatial and temporal features for dynamic scene representation. More specifically, we deploy two variants of deep convolutional neural networks to encode spatial appearance and short-term dynamics into short-term deep features (STDF). Based on STDF, we propose using the autoregressive moving average model to extract long-term frequency features (LTFF). By combining STDF and LTFF, we establish the long–short-term feature (LSTF) representations of dynamic scenes. The LSTF characterizes both spatial and temporal patterns of dynamic scenes for comprehensive and information representation that enables more accurate classification. Extensive experiments on three-dynamic scene classification benchmarks have shown that the proposed LSTF achieves high performance and substantially surpasses the state-of-the-art methods. [ABSTRACT FROM AUTHOR]