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2. Horror Film and Otherness: Film and Culture: ADAM LOWENSTEIN, 2022, New York, NY: Columbia university press, pp. xiii + 229, illus., $140.00 (cloth), $35.00 (paper).
3. Black Women and the Changing Television Landscape: LISA M. ANDERSON, 2023, New York, NY, Bloomsbury Academic, pp. x + 165, illus. (black and white), $80.00 (cloth), $22.95 (paper).
4. SceneWriting: The Missing Manual for Screenwriters: CHRIS PERRY and ERIC HENRY SANDERS, 2022, New York, NY, Bloomsbury Academic, pp. vii + 230, index and appendices (references, course adoption guide), $34.95 (paper), $111.50 (cloth).
5. Smartphone Filmmaking: Theory and Practice: MAX SCHLESER, 2021 New York, London and Dublin, Bloomsbury Academic pp. ix + 246, notes, index, £24.99 (paper).
6. New Perspectives on Early Cinema History: concepts, approaches, audiences: MARIO SLUGAN and DANIËL BILTEREYST (eds.), 2022, London and New York, Bloomsbury Academic, pp. xiv + 283, illus., $103.50 (hardback), $82.80 (ebook).
7. 'Our Film Orgy': the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963.
8. Presenting the 'window on the world' to the world. Competing narratives of the presentation of television at the world's fairs in paris (1937) and new york (1939).
9. Manhattan neighborhood network: Community access television and the public sphere in the 1990s.
10. 'Hear-and-See Radio' in the World of Tomorrow: RCA and the presentation of television at the World's Fair, 1939–1940.
11. The Rockefeller Foundation, the Museum of Modern Art Film Library, and Siegfried Kracauer, 1941.
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