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Adam Lowenstein's book, "Horror Film and Otherness," explores the social relevance and transformative power of horror cinema. Lowenstein argues that horror films can teach us about otherness and illuminate the ongoing evolution of social norms and identities. He challenges Robin Wood's analysis of American horror cinema, offering a more nuanced understanding of the genre's exploration of trauma, alienation, and displacement. Lowenstein engages with theorists and historians to examine the themes of aging, the body, gender, and sexuality in horror films from the 1970s to the present. While the book is comprehensive, it lacks coverage of trans people, which would further contribute to the exploration of otherness. Overall, "Horror Film and Otherness" is a landmark text that highlights the importance of horror in understanding society and the self. [Extracted from the article]

"Black Women and the Changing Television Landscape" by Lisa M. Anderson is a book that examines the portrayal of Black women on television throughout history. Anderson, an associate professor of women and gender studies, builds on her previous work to explore the complex and evolving representations of Black women in media. Using a semiotic approach and drawing on the work of Black feminist scholars, Anderson analyzes specific television shows and personalities from the 1950s to the present. The book goes beyond simplistic judgments and aims to understand the historical and cultural contexts in which these representations exist, as well as the agency of Black women in shaping them. It is a valuable resource for scholars in cultural, media, and television studies. [Extracted from the article]

Approaching the writing of a scene in this way, the authors argue, makes character motivations clear, creates tension and leaves room for either additional obstacles or resolution. Which points to another fundamental premise that Perry and Sanders believe in, namely that every scene needs to have both a goal and an obstacle. I SceneWriting: The Missing Manual for Screenwriters i by Chris Perry and Eric Henry Sanders is an essential primer on the important foundational structure and elements that make a scene - and by extrapolation, a story - work. [Extracted from the article]