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In the 19th and early 20th centuries, Paris was home to scores of bronze foundries making it the primary European center for the production of artistic bronzes, or bronzes d&rsquo, art. These foundries were competitive, employing different casting methods&mdash, either lost-wax or sand casting&mdash, as well as closely guarded alloy and patina recipes. Recent studies have demonstrated that accurate measurements of the metal composition of these casts can provide art historians of early 20th-century bronze sculpture with a richer understanding of an object&rsquo, s biography, and help answer questions about provenance and authenticity. In this paper, data from 171 20th-century bronzes from Parisian foundries are presented revealing diachronic aspects of foundry production, such as varying compositional ranges for sand casting and lost-wax casting. This new detailed knowledge of alloy composition is most illuminating when the interpretation of the data focuses on casts by a single artist and is embedded within a specific historical context. As a case study, compositional analyses were undertaken on a group of 20th-century posthumous bronze casts of painted, unbaked clay caricature portrait busts by Honor&eacute, Victorin Daumier (1808&ndash, 1879).

The majority of architectural heritage consists of load-bearing masonry components made up of stone units and relatively weak mortar joints, yielding potential weak planes for masonry structures where tension and shear failures are expected to occur. Advanced nonlinear analyses are required to simulate these phenomena and predict the corresponding nonlinear structural behavior of historic masonry constructions. In this context, this paper presents a model of a stone masonry Roman aqueduct (the Valens Aqueduct), constructed in the fourth century A.D. in Istanbul, Turkey, to explore the seismic capacity and behavior using the discrete element method (DEM). The employed modeling approach comprises distinct rigid blocks interacting along their boundaries based on the point-contact hypothesis. Thus, the discontinuous stone skeleton of the masonry aqueduct is represented explicitly in the computational model. First, a validation study was conducted on the laboratory experiment to demonstrate the capabilities of the adopted modeling approach. Then, a discontinuum model representing the Valens Aqueduct was used to assess the seismic capacity of the structure under gradually increasing lateral forces. The numerical simulations gave insight into the structural response of the aqueduct from the elastic range to total collapse. Additionally, parametric research was performed considering joint properties, namely the joint tensile strength, contact stiffness, joint friction angle, and compressive strength of the masonry, to quantify the effects of contact parameters on the displacement response of the DEM model. Further inferences were made regarding the modeling parameters, and practical conclusions were derived.

The problem of matching fragments of three-dimensional (3D) objects has gained increasing attention, and several approaches have been developed to solve this problem. To date, however, to the best knowledge of the authors, there is no computer-based method supporting archaeologists in this activity. For this purpose, in this paper, a semi-automatic approach is proposed for the reconstruction of archaeological pottery fragments based on two-dimensional (2D) images. Firstly, the method, considering the curves as features, involves the extraction of edge curves by applying the Canny filter algorithm to the fragments&rsquo, image. Next, the wavelet transformation method is used to fit the edge curves and obtain the approximation coefficients. Then, the correlation coefficients between fragments are computed and the matching of fragments is done by comparing their values. The proposed approach is tested on some real cases. The results of the experimentation show, if compared with the state-of-the-art, that the method seems to be efficient and accurate in the reconstruction of pottery from 2D images of their fragments.

This paper focuses on the characterization approach to evaluate the decay state of Pietra Serena of historic buildings in Florence (Italy). Pietra Serena is a Florentine sandstone largely used in the city especially during the Renaissance, it is a symbol of cultural heritage of Florence and constitutes a large part of the city center, which was named a World Heritage Site by UNESCO in 1982. Unfortunately, many environmental factors negatively affect the stone, increasing damage and the danger of falling material. Any detachment of stone fragments, in addition to constitute a loss in cultural heritage, can be dangerous for citizens and the many tourists that visit the city. The use of non-destructive techniques (NDTs) as ultrasonic and Schmidt hammer tests can quantitatively define some mechanical properties and help to monitor the decay degree of building stone. In this study, the NDTs were combined with mineralogical, petrographical, chemical and physical analyses to investigate the stone materials, in order to correlate their features with the characteristics of the different artefacts in Pietra Serena. Correlations between the NDTs results and the compositional characteristics of the on-site stone were carried out, such discussion allows to identify zones of weakness and dangerous unstable elements.

Among the activities planned for the MUSAS Project, the digital reconstruction of the underwater sites constitutes a particular challenge, requiring strong cooperation between archaeologists and technicians. The case of the Villa dei Pisoni in Baiae, one of the richest in the Phlaegrean territory, is particularly interesting: the architectural remains, already documented in the 1980s and now inserted in one of the diving spots of the Underwater Park of Baiae, are disseminated on a huge surface, including quays, thermal complexes, a fishpond, and a large, luxurious viridarium. The effort required for the digital reconstruction of the ancient villa improved the previous knowledge and the lack of documentation even in a well-known site. In this paper, we will retrace the long path from the 3D reconstruction of the archaeological remains to the virtual architectural model of the villa, the numerous challenges, doubts, and uncertainties in the creation of the original spaces, and the support offered by the ancient sources, both literary and iconographic, in solving archaeological problems.

The Lot Sarcophagus is one of the most relevant funerary sculptures of late antiquity (mid-4th century AC). Some of the remarkable aspects are the following (i) it is still preserved in situ, (ii) most of the carved scenes are rarities or unicum, (iii) not all the sculpture work has been completed, which allows us to analyse the executive process, (iv) many traces of polychromy have remained. This paper is focused on the characterization of the residual polychromy by using in-situ non-invasive techniques. Furthermore, few micro samples were taken, to be analysed in laboratory to study the composition of some deposits and to define if a preparatory layer was present under the coloured layer. The data showed that the very rich polychromy of the Lot Sarcophagus was made of Egyptian blue, yellow ochre, and three different types of red: two inorganics (red ochre and cinnabar), and one organic-based (madder lake). Furthermore, some decorations, completely vanished and no longer visible to the naked eye, have been rediscovered, also providing details on the construction phases. During the project, the 3D model of the sarcophagus was acquired, which afterwards was used to map the results of the diagnostic campaign.

Haitian archaeological heritage is expressed through multiple traces of Amerindian cultures, enslaved African legacies, ruins of old colonial plantations and fortresses, and post-Haitian independence. Despite the existence of legal institutions engaged in the protection of this heritage, Haitian archaeological sites are becoming more threatened because of looting, appropriation of spaces, and lands management, as well as natural hazards. This paper aims to explore the current state of archaeological heritage with the broader context of the politics of heritage in Haiti. We analyzed the conditions of archaeological sites from the northern region and addressed their place in official heritage practices. The results of this study revealed that most of the archaeological sites that reflect the complexity of Haitian history are not given much attention in the politics of heritage that prioritize the nationalistic and emblematic character of historic traces. This study highlighted the importance of a new approach that prioritizes multiple voices to address heritage matters for the future.

Currently the application of consolidants based on nanoparticles is common practice among restorers. Consolidants should not modify the properties of original materials according to international recommendation, which requires previous studies to decide the optimal option. The selection must be based on empirical results, and not only in the expertise of the restorer, because the consolidant&rsquo, s effectiveness is influenced by its own properties and other factors such as the characteristics of the artwork (elemental composition, porosity, texture, etc.) and its context (temperature, relative humidity, etc.). Moreover, new protocols must be sustainable and compatible with on-site restoration. A new protocol to test consolidant nanoparticles has been designed and assessed. This is based on easy trials and low-cost techniques&mdash, digital microscope, colorimeter, peeling test and ultrasound&mdash, that could be employed by restorers in situ. In this paper, different consolidant nanoparticles were tested on stones from two historical quarries. The first treatment was SiO2 nanoparticles, and the second, a new nanocomposite of Ca(OH)2 and ZnO quantum dots that allows us to measure penetration depth easily and discern the treated areas under UV lights. This second treatment was the best option for the studied stones, validating the protocol designed for the choice of consolidants.

Cultural heritage (CH) institutions attract wide and heterogeneous audiences, which should be efficiently supported and have access to meaningful CH content. This introduces numerous challenges when delivering such experiences, given that people have different cognitive characteristics which influence the way we process information, experience, behave, and acquire knowledge. Our recent studies provide evidence that human cognition should be considered as a personalization factor within CH contexts, and thus we developed a framework that delivers cognition-centered personalized CH activities. The efficiency and the efficacy of the framework have been successfully assessed through two user studies, but non-technical professionals (e.g., CH designers) may face difficulties when attempting to use it and create personalized CH activities. In this paper, we present DeCACHe, which supports CH designers in creating cognition-centered personalized CH activities throughout different phases of the design lifecycle. We also report a user study with seventeen professional CH designers, who used our tool to design CH activities for people with different cognitive characteristics.

Heritage monuments across the world are affected by a variety of physical and biological stresses. Damage to heritage monuments due to insects and pests is growing with increasing anthropogenic pressure and changing climatic conditions. Cave monuments are habitats to microbes, algae, fungi, and insects, and are unique biodiversity sites due to their low temperature, little to no sunlight, and high moisture conditions. This study takes stock of available information on important factors that facilitate the growth of insect pests and degrade heritage monuments. Ajanta Caves, a UNESCO world heritage site in India, is a human marvel, important archaeological and heritage site of immense cultural and historic values. The present paper is an attempt to understand a variety of stresses and factors with a focus on insect pests that have substantially affected Ajanta cave paintings in the last few decades. The study also provides information on available approaches for damage control including the need for an integrated insect pest management for protecting cave monuments against rapid degradation across the country in general and Ajanta caves in particular. A light-based approach is the key highlight of the study that can be used as an effective and efficient approach to protect archaeological sites especially cave paintings from insect pests without disturbing the pollinator diversity and surrounding environment.

Fatal events taking place in World War (WW) I and II have left behind important historical evidence as an underwater cultural heritage (UCH) (e.g., shipwrecks, submerged aircraft, war artifacts), lying in peace at the bottom of, among others, the Mediterranean Sea. The article aims at exploring the challenges for UCH protection/preservation and sustainable exploitation with emphasis on this sea. UCH is so far dealt with in a &ldquo, silo&rdquo, approach by marine archaeologists or heritage professionals, who often ignore its potential for serving local sustainable development goals. The paper elaborates on the value, but also the complexity, multi- and inter-disciplinary as well as multi-actors&rsquo, nature of UCH management and sustainable exploitation, perceiving these as a &ldquo, wicked&rdquo, planning problem. It attempts to illuminate various important dimensions of this problem, such as its glocal (global/local) context, the conflicting and, in certain cases, inconsistent UCH legal protection framework, touching upon a variety of spatial scales, the contemporary policy frameworks favoring UCH management, etc. Exploration of these dimensions reveals open issues or gaps that need to be filled, and sets the ground for a more holistic and integrated UCH research and management approach for building up the yet largely untold, Mediterranean WW I and II UCH narrative, and shifting this area from a sea graveyard to a place of memory and cultural enrichment.

The latest results obtained through photogrammetric restitution enhanced by GNSS (Global Navigation Satellite System) RTK (Real-Time Kinematic) survey achieved increased levels of accuracy. These survey solutions are used to rapidly obtain a detailed model with an excellent level of accuracy (centimetric) with cheaper equipment. However, the contour conditions are not always favorable for obtaining the best results in a simple way. The work presented in this paper shows the survey and the photogrammetric restitution of the Manfredonic Castle of Mussomeli in Sicily, developed as a part of the PON NEPTIS European Project, aimed at the valorization of Cultural Heritage (CH). This case is a typical example of a complex survey carried out in an impervious environment where traditional survey procedures are totally useless or require a longer amount of time and great effort if a high level of accuracy is requested. In this case, considering the natural conditions of the site, the only way to perform the task has been the use of photogrammetric restitution based on UAV (unmanned aerial vehicle) technologies and GNSS survey. The precision obtained from the results allowed us to create a geometric 3D reconstruction of the monumental complex of the castle for the valorization of the site, which was the main goal of the whole process. The procedure that is the focus of this work is a test of rapid 3D CH survey and documentation in an impervious environment.

Mexico is a country with a vast and extraordinary cultural heritage, which is the result of a rich history of cultural exchange, syncretism and transculturation. This rich culture has been materialized through the consolidation of a long and prestigious museum tradition, which at the same time is sadly characterized by an endemic lack of technological resources rather than professional skills. As a result, we have found that Mexican museums produce very heterogeneous forms of documentation, which are often not even managed using information technologies. Furthermore, most museums deploy ad hoc solutions that directly limit the usefulness and value of the documentation process itself. In response, the recently founded Mexican Ministry of Culture is undertaking the development of the Mexican cultural heritage data model (Modelo de Datos México), which is aimed at contributing to the cultural heritage domain of our country through the correct characterization and documentation of its cultural objects. It is the first documented experience in Mexico of a large-scale data model inspired by CIDOC-CRM, which is complemented by a set of terminological tools that attempt to capture the singularities and idiosyncrasies of the Mexican cultural sector. In the present paper, we will describe the motivations and decisions made so far to optimize the data model to the Mexican reality and the development of the project that will define a set of local terminologies built on the expertise of linguists, information architects, developers and especially, museum professionals., This research was funded by the Secretaría de Cultura of Mexico.

The natural and cultural heritage of the Valley of Leiva in the Eastern Colombian Andes is closely tied to the Colonial town of Villa de Leyva. The popular tourist destination with rapid economic development and agricultural expansion contrasts sharply with an environment of limited water resources and landscape erosion. The recent discovery of Prehispanic hydraulic systems underscore ancient responses to water shortages conditioned by climate change. In an environment where effective rainfall and erosion are problematic, irrigation was vital to human settlement in this semi-arid highland valley. A chiefly elite responded to unpredictable precipitation by engineering a hydraulic landscape sanctioned by religious cosmology and the monolithic observatory at El Infiernito, the Stonehenge of Colombia. Early Colonial water works, however, transformed Villa de Leyva into a wheat breadbasket, though climatic downturns and poor management strategies contributed to an early 17th century crash in wheat production. Today, housing construction, intensive agriculture, and environmental instability combine to recreate conditions for acute water shortages. The heritage of a relatively dry valley with a long history of hydraulic chiefdoms, of which modern planners seem unaware, raises concerns for conservation and vulnerability to climate extremes and the need for understanding the prehistoric context and the magnitude of water availability today. This paper examines human ecodynamic factors related to the legacy of Muisca chiefdoms in the Leiva Valley and relevant issues of heritage in an Andean region undergoing rapid socio-economic change.

In this paper, a representation based on digital assets and semantic annotations is established for Traditional Craft instances, in a way that captures their socio-historic context and preserves both their tangible and intangible Cultural Heritage dimensions. These meaningful and documented experiential presentations are delivered to the target audience through narratives that address a range of uses, including personalized storytelling, interactive Augmented Reality (AR), augmented physical artifacts, Mixed Reality (MR) exhibitions, and the Web. The provided engaging cultural experiences have the potential to have an impact on interest growth and tourism, which can support Traditional Craft communities and institutions. A secondary impact is the attraction of new apprentices through training and demonstrations that guarantee long-term preservation. The proposed approach is demonstrated in the context of textile manufacturing as practiced by the community of the Haus der Seidenkultur, a former silk factory that was turned into a museum where the traditional craft of Jacquard weaving is still practiced.