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The article discusses two different musical recordings, one being a 1954 Metropolitan Opera broadcast of Jules Massenet's opera Manon, and the other being a recording of Nikolaus Matthes' Markuspassion. It provides a detailed analysis of the performances, highlighting the strengths and weaknesses of the singers and conductors involved. The article also includes supplementary material and commentary on the featured performances, ultimately recommending both recordings to fans of the respective genres. Additionally, the text briefly mentions other musical compositions by Mauleverer and Mendelssohn, as well as the performers Franziska Lee and Sontraud Speidel. The information can be found on the Naxos Music Library website. [Extracted from the article]

This text is a collection of reviews and commentary on a piano recital recording by American composer and pianist James Adler. The reviews praise Adler's performances and the quality of the recording, highlighting his ability to assemble diverse and imaginative programs. The recital includes original compositions by Adler, as well as works by other composers such as Henco Espag, Paul Turok, Debussy, and Schumann. The reviews emphasize the personal and meaningful nature of the repertoire for Adler, and commend his technical skill and musical interpretation. [Extracted from the article]

This article is an interview with composer-pianist James Adler about his latest album, "Reflections." The album features a mix of music composed by Adler and his friends, as well as works by old masters. Adler discusses his relationship with the late Joe Patrych, a producer and recording engineer for many of his CDs. He also talks about the process of creating the album and the meaning behind the title "Reflections." The interview touches on Adler's nostalgic nature and his collaboration with composer Henco Espag. [Extracted from the article]

This document is a collection of reviews of classical music recordings, covering a variety of composers and works. The reviewers share their opinions on the performances, discussing the strengths and weaknesses of each recording. The article specifically focuses on conductor Carlos Païta's interpretations of Berlioz's Symphonie fantastique and Mussorgsky's Pictures at an Exhibition. The author praises Païta's approach, noting that it aligns with performance practice, and highlights his interpretation and execution. The article also provides background information on Païta's career and the reception of his recordings. Overall, the author finds Païta's performances to be captivating and recommends them to readers. [Extracted from the article]

This article discusses a CD release featuring the music of American composer Lukas Foss. The CD includes four works: "FOSS Ode," "Renaissance Concerto," "3 American Pieces," and "Symphony No. 1 in G." The author praises the performances of the Buffalo Philharmonic Orchestra and soloists Amy Porter and Nikki Chooi. They highlight Foss's blend of snarky Americana and heartfelt sentiment, influenced by Aaron Copland. The article also mentions Foss's European roots and his ability to achieve great success at a young age. Overall, the author recommends the CD as a valuable addition to the symphonic music catalog. The article also discusses two musical compositions by Lukas Foss and Pierre-Claude Foucquet. Foss's First Symphony is described as a youthful and ambitious work that captures the diversity and energy of America. The article praises the Buffalo Philharmonic's performance of the symphony and compares it favorably to the work of Charles Ives. Foucquet's compositions for the harpsichord are also discussed, with the article highlighting the variety and subtlety of his music. The harpsichordist Fernando De Luca is praised for his performance on a Blanchet model instrument. Finally, the article reviews a recording of César Franck's Les béatitudes, a choral and orchestral work based on the Sermon on the Mount. The performance by Gergely Madaras [Extracted from the article]

This article is an interview with Claire Rydell, the widow of American composer Paul Reale. The interview provides insights into Paul's work habits and preferences, as well as their collaborations and commissions. It mentions various compositions that Paul wrote for different instruments and ensembles, highlighting his sense of humor and interest in naming his compositions. The article also discusses Paul's preference for tonality and his ability to incorporate different musical elements into his work. It concludes with a discussion of Paul's legacy as a composer and pianist, his favorite works, and his personal life outside of music. [Extracted from the article]

This article explores the differences between analog and digital recordings, arguing that analog recordings often capture the original performance more faithfully. The author explains that early recording technology had limitations that preserved the artist's performance as it was played or sung. However, digital recording and editing techniques allow for manipulation and polishing, potentially resulting in recordings that do not accurately represent the performer's abilities. The article also discusses the impact of digital technology on various media forms, raising concerns about its potential to distort reality and deceive viewers. The author questions the importance of truth and authenticity in media, particularly in music recordings, and emphasizes the need for safeguards and regulations to prevent the manipulation of digital media. [Extracted from the article]

The article focuses on the author's journey from a classical music upbringing to an appreciation for rock and jazz, and their observations on the decline in quality of both popular and classical music over time. Topics include the shift in their own musical preferences, the impact of non-musical factors on classical music, and the influence of wealth and comfort on artistic quality.

The article focuses on introducing American composer Neil Stipp, whose music was previously reviewed in Fanfare. Neil discusses his musical background, including his training in organ performance and composition, highlighting a breakthrough moment in his composition career in 2008 when he won an international competition, leading him to discover his compositional voice in a neoclassical tonal style.

The article offers information on whether artificial intelligence (AI) could replace reviewers, inspired by an experiment conducted by World Magazine. Topics include the selection of Sviatoslav Richter's 1958 live recording of Mussorgsky's Pictures at an Exhibition for review, the process of obtaining a review from an AI program, and the AI-generated review itself.

The article offers information on Jeff Benedict, a saxophonist and professor emeritus of music at California State University. Topics include his background in both jazz and classical music, his experiences performing with various orchestras, and his latest disc which reflects his personal journey in music.

An interview with Puerto Rican composer William Ortiz's journey between the U.S. mainland and Puerto Rico, his career as a professor and music director, and his perspectives on music and life. Ortiz discusses his upbringing in New York, his return to Puerto Rico for college, and his musical influences, including his brother, Mario Ortiz, a prominent trumpet player and band leader in Puerto Rico.

The article presents an interview with composer Alla Elana Cohen, known for her unique and diverse body of work, conducted via email in September 2023. Topics discussed include Cohen's prolific output, her approach to recording music, the autobiographical elements in her compositions, and the inspiration behind specific works, such as the Johannes Kreisler-Cat Murr Quintet from her Hoffmanniana series.

The article focuses on Janette Fishell, Chair of the organ department at the Jacobs School of Music at Indiana University, highlighting her active concert and recording schedule and the reviewer's personal connection with her as a performer and friend.

The article focuses on Janette Fishell, a renowned organist, and her recent launch of the first volume of the complete organ music of Czech composer Petr Eben. Topics include Fishell's background in music, her journey from student to faculty member at Indiana University, and her involvement in acquiring high-quality organs for the school's music department.

The article presents the discussion on Pianist-composer James Adler has been featured in Fanfare in reviews. Topics include Rosalie's poetry dealing with the death of her son, struck me as needing a feeling of emptiness and isolation; and privileged to meet Grammy Award-winner Lonnie Park, creative consultant for this project.

This article provides a review of a performance of Verdi's Requiem conducted by Toscanini in 1948. The performance is commended for its faithful interpretation of the composer's intentions and is accompanied by bonus material, including excerpts from other concerts and a TV broadcast featuring Leontyne Price. The article also briefly mentions a release by Gabriel Vicéns, a versatile musician-composer known for his work in jazz and contemporary classical music. The CD titled "Mural" showcases Vicéns' avant-garde style and draws inspiration from artists like Morton Feldman and Arnold Schoenberg. The performances and recording quality on the CD are highly praised, making it a recommended choice for those who appreciate the unique sound of Morton Feldman. [Extracted from the article]

This article provides an overview of the life and work of Australian composer Linda Kouvaras, focusing on her compositions "3 St Kilda Sketches," "Night Pieces," "Art and Life," and "Shoalhaven Nightpainters." Kouvaras is described as a postmodernist neo-tonal/neomodal composer, and her music is praised for its evocative and effective qualities. The article also mentions the impact of the COVID-19 pandemic on Kouvaras' work and highlights her song cycle "Art and Life" and solo piano work "Shoalhaven Nightpainters." Overall, the article recommends Kouvaras' compositions and emphasizes her unique tonal compositional style. [Extracted from the article]

This article provides a review of various musical compositions and recordings. It begins by discussing an opera performance, highlighting the talented vocalists and the skillful orchestration. The article then moves on to review a piano concerto and a string quartet by Romanian composer Paul Constantinescu, praising the dynamic piano writing and the evocative nature of the quartet. Next, the article reviews a recording of works by Australian composer Edward Cowie, noting his fragmentary and nature-inspired style. The performances by the Kreutzer Quartet are commended, although the reviewer mentions that Cowie's style may not appeal to all listeners. The article concludes with a review of a live recording featuring soprano Siobhan Stagg performing songs by Hageman, influenced by composers such as Duparc, Debussy, Tchaikovsky, and Richard Strauss. The reviewer praises Stagg's rich and velvety soprano voice and her interpretation of the repertoire. The review also mentions a prior recording where Stagg performs Debussy's Ariettes oubliées with the Noga Quartet, commending her lovely voice and the arrangement of the piece for voice and string quartet. [Extracted from the article]

This article provides an overview of three different musical compositions. The first composition, "Waves and Particles," is a string quartet that draws inspiration from quantum physics, fractal geometry, and noise. The second composition, "Concerto for Guitar and Chamber Orchestra," is a guitar concerto that combines exotic chords with dense orchestral interjections. The third composition, "Variations on a Theme by Haydn," is a set of variations written by Hans Erich Apostel. The article highlights the unique qualities of each composition, including the playful variations and gentle slow movements in the third piece. This information may be helpful for library patrons interested in classical music or the specific composer mentioned. [Extracted from the article]

The article is an interview with composer Livia Teodorescu-Ciocănea conducted via email in March 2023.Topics include her musical influences, the characteristics of Romanian folk music and its influence on her own compositions; her views on overtone singing and spectralism; and the impact of the Romanian Revolution of 1989 on her music. She also mentions her transition to composing directly into the computer and its effect on her music.

An interview with Anthony Iannaccone, an American composer, is presented. Topics include information on his childhood, the people who influenced him the most, and his influential teachers, including Vittorio Giannini, Nicolas Flagello, Aaron Copland, David Diamond, Anton Coppola, Samuel Adler, and Michael Steinberg.

An interview with William McClelland, an American contemporary music composer, is presented. Topics include information on how his music exhibits a wide variety of influences; how his non-vocal works has been inspired by poetry; and how particular literary form come to have such an influence in his writings.