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The article analyzes the metaphorical relationship between the child’s body and childhood images produced in the XIX century. The literature and children’s literature tell symptoms of ambiguity of the otherness of the baby's body, in a period when the similarities between childhood and madness were discussed for the first time. In the XIX century, the literature reveals the ambivalence of adult behavior towards children, in order to underline the distance between children and adults. The literary figures show the real authenticity of childhood, its mystery, its unknown dimension.

Awareness of the close relationship between body, mind and space has recently become a much-discussed issue in educational theory and historical-educational research. This is especially true within children’s literature, which offers a host of insights into the nexus between these concepts. Between the 19th and 20th centuries, a number of authors wrote stories about children who were conditioned, both positively and negatively, by the spaces in which their adventures unfolded, with the home being the perfect embodiment of a spatial representation of education. In the history and practice of play, the idea of “home” contains examples of great pedagogical interest. The contrast between care and forced domestication places children, in terms of how they are represented artistically and historically, at the center of a process brimming with contradictions and moral and emotional tension, all of which are linked specifically to the spaces in which they are born and raised.