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This article primarily accounts for walks taken in purportedly public places with ‘Paul’, a middle-aged man who is currently diagnosed as having ‘severe learning difficulties’. These walks offer wi...

This article focuses on a filmic portrayal of issues relating to autism in a Chinese context, using this as a prism through which to consider how meanings associated with disability in general, and the autistic spectrum in particular, are produced. Instead of perpetuating a reductive positive/negative approach to representation, the article focuses on the fluid and dynamic ways in which author and audience co-produce texts relating to disability in ways which are invariably influenced by, and reproducing of, specific socio-cultural and discursive circumstances. Meaning-making in relation to disability is, however, ongoing and there is potential to realize disability differently.

Using an autoethnographic approach, this paper focuses upon interactions between ‘Paul’ (a pseudonym), whose symptoms associated with ‘severe learning difficulties’ are such that he is positioned on the low-functioning end of the autistic spectrum, his carers and others, in spaces taken for granted to be ‘public’ in both the United Kingdom and Hong Kong. This paper examines how social discourses relating to disability filter into social interactions, ultimately constructing the symptoms they purport to represent. This paper concludes by highlighting how interactions might be viewed as enabling rather than disabling, as producing spaces for thinking about the human condition.